Breakfast at Tiffany's

Factual Information

A novel/novella by American writer Truman Capote published in 1958 by Random House, Inc., New York.

Study Guide

Below are the thirteen major sections of the novella. Since Capote did not use chapters, these are indicated by the double line break on the page. There might be more sections, or a more logical means of distinguishing them, but these arbitrary divisions will work for our purposes.

1. Section one (3-14)
2. Section two (14-47)
3. Section three (47-53)
4. Section four (53-55)
5. Section five (55-63)
6. Section six (63-72)
7. Section seven (72-74)
8. Section eight (74-85)
9. Section nine (85-93)
10. Section ten (93-97)
11. Section eleven (97-104)
12. Section twelve (104-109)
13. Section thirteen (109-111)

Characters

Major Themes

Delight in the Unorthodox

Plimpton writes that the theme in Breakfast at Tiffany’s is that there are special, strange gifted people in the world and they have to be treated with understanding (175). When something is unorthodox it breaks with convention or tradition. All of the characters in the novella Breakfast at Tiffany's took delight in unique unorthodox ways. Homosexuality was considered to be unorthodox in the fifties and some people even consider it to be unorthodox today. Holly Golightly was was unorthodox by leaving her husband and by embracing homosexuality like she did. Paul Levine writes that,"...Holly too is a hard-headed romantic, apragmatic idealist" (351).

Quest for Home/Belonging

Holly Golightly is a pure example of someone that is untameable. It's no wonder how she got that way. Doc Golightly, her husband, says, "Story was: their mother died of TB (Tuberculosis), and their papa done the same - and all the churren, a whole raft of 'em, they been sent off to live with different mean people" (Capote 68). From that line it is obvious that Holly Golightly never really had a home. She appears to spend the rest of her time trying to find one. One home that Holly has is at Tiffany's. Holly says, "It calms me down right away, the quietness and proud look of it; nothing bad could happen to you there, not with those kind of men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real life place that made me feel like Tiffany's, then I'd buy some furniture and give the cat a name" (Capote 40). Matthew Cash states that this scene shows Holly's innocence and search for a home (3). Holly spends much of her time trying to belong to something or someone while at the same time trying not to. Perhaps she had abandonment issues. "On the first night that Holly came to visit the narrator in his appartment she ends up sleeping beside him, showing that Holly needs someone who is comforting instead of lusting toward her" (Cash 4). Perhaps Holly just needed to feel a love that didn't require anything back of her. Holly was human and she desired love, but at the same time she retreated when the narrator asked her why she was crying. Holly jumps up and heads for the window while hollering, "I hate snoops" (Capote 27). Holly had a desire for a home and a place to belong, but she appeared to be very leary of it all.

Never Love a Wild Thing

Holly Golightly considered herself to be wild. She gives Joe Bell this speach and she says, "Never love a wild thing, Mr. Bell...That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky" (Capote 74). Holly goes on to say, "Good luck: and believe me, dearest Doc - it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear" (Capote 74). In one sentence she is telling Joe Bell not to love a wild thing and in the next she is admitting how unhappy she is. In the beginning of the story Joe Bell admits his love for Holly when he says, "Sure I loved her. But it wasn't that I wanted to touch her" (Capote 9). Maybe Holly knew about Joe Bell's love and was trying to warn him not to love her. While Holly admitted that she was wild she also admitted that she was unhappy.

Joy/Difficulty of Traveling

Holly Golightly is a traveler who is searching for somewhere to call home. She even goes so far as to say:"...home is where you feel at home. I'm still looking," she says (Capote 102). Everything she does throughout the book is based on that very way she looks at life. "I'll never get used to anything. Anybody that does, they might as well be dead" (Capote 19).

Holly only seems to find happiness for a short time and it is quickly followed by something that drives her away. She has bad memories of almost every step of the way. From her marriage to Doc in Texas to her many callers in New York, there is always something that drives at her.

Holly's age, inexperience, and lack of direction may contribute to her inability to be happy. Her age is revealed by the narrarator:"I thought her anywhere between sixteen and thirty; as it turned out, she was shy two months of her nineteenth birthday."(Capote 12-13). Her inexperience and young age has her unsure what she really wants out of her life. Holly would finally come to realization after losing her no-name cat. And even at the end of the novel, she is still in search of home.

Major Symbols

Additional Resources

• Capote, Truman. The Complete Stories of Truman Capote. New York: The Random House Publishing Group, 2004.

• Clarke, Gerald. Capote: A Biography. New York: Simon and Schuster, 1988.

• Garsen, Helen S. Truman Capote. New York: Frederick Ungar Publishing Company, 1980.

• Goyen, William. "That Old Valentine Maker". New York Times Book Review November 1958:5,38.

Works Cited

• Plimpton, George. Truman Capote: In Which Various Friends, Enemies, Acquaintances,and Detractors Recall His Turbulent Career. New York: Doubleday Dell Publishing Group. 1997.

• Capote, Truman. Breakfast at Tiffany's. New York: Vintage Books - A division of Random House, 1993.

• Cash, Matthew. The Breakfast at Tiffany's Homepage. 1996. University of Michigan. 14 March 2006. <www.personal.umich.edu/~bcash/criticalanalysis.html>