Angels in America

Angels in America

Factual Information

Study Guide

Part One: Millennium Approaches

Act One: Bad News

  1. Act One, Scene 1
  2. Act One, Scene 2
  3. Act One, Scene 3
  4. Act One, Scene 4
  5. Act One, Scene 5
  6. Act One, Scene 6
  7. Act One, Scene 7
  8. Act One, Scene 8
  9. Act One, Scene 9

Act Two: In Vitro

  1. Act Two, Scene 1
  2. Act Two, Scene 2
  3. Act Two, Scene 3
  4. Act Two, Scene 4
  5. Act Two, Scene 5
  6. Act Two, Scene 6
  7. Act Two, Scene 7
  8. Act Two, Scene 8
  9. Act Two, Scene 9
  10. Act Two, Scene 10

Act Three: Not-Yet-Conscious, Foward Dawning

  1. Act Three, Scene 1
  2. Act Three, Scene 2
  3. Act Three, Scene 3
  4. Act Three, Scene 4
  5. Act Three, Scene 5
  6. Act Three, Scene 6
  7. Act Three, Scene 7


Part Two: Perestroika

Act One: Spooj

  1. Act One, Scene 1
  2. Act One, Scene 2
  3. Act One, Scene 3
  4. Act One, Scene 4
  5. Act One, Scene 5
  6. Act One, Scene 6

Act Two: The Epistle

  1. Act Two, Scene 1

Act Three: Borborygmi

  1. Act Three, Scene 1
  2. Act Three, Scene 2
  3. Act Three, Scene 3
  4. Act Three, Scene 4
  5. Act Three, Scene 5

Act Four: John Brown's Body

  1. Act Four, Scene 1
  2. Act Four, Scene 2
  3. Act Four, Scene 3
  4. Act Four, Scene 4
  5. Act Four, Scene 5
  6. Act Four, Scene 6
  7. Act Four, Scene 7
  8. Act Four, Scene 8
  9. Act Four, Scene 9

Act Five: Heaven, I'm in Heaven

  1. Act Five, Scene 1
  2. Act Five, Scene 2
  3. Act Five, Scene 3
  4. Act Five, Scene 4
  5. Act Five, Scene 5
  6. Act Five, Scene 6
  7. Act Five, Scene 7
  8. Act Five, Scene 8
  9. Act Five, Scene 9
  10. Act Five, Scene 10

Epilogue: Bethesda

  1. Perestroika Epilogue


Characters

Roy Cohn

Joseph Porter Pitt

Harper Amaty Pitt

Louis Ironson

Prior Walter

Hannah Porter Pitt

Belize

The Angel

Rabbi Isidor Chemelwitz

Mr. Lies

The Man in the Park

The Voice

Henry

Emily

Martin Heller

Sister Ella Chapter

Prior I

Prior II

The Eskimo

The Woman in the South Bronx

Ethel Rosenberg

Major Themes

Major Symbols

Influences

Additional Resources

Works Cited

  • Garner, Stanton B. "Angels in America: The Millennium and Postmodern Memory," in Approaching the Millenium, Essays on Angels in America, edited by Deborah R. Geis and Steven F. Kruger, University of Michigan Press, 1987: pp.173-84.
  • Glenn, Lane A.. "Angels in America." Drama for Students. Gale, 1999.
  • Kruger, Steven F. "Identity and Conversion in Angels in America."in Approaching the Millennium: Essays on "Angels in America." edited by Deborah R. Geis and Steven F.Kruger, University of Michigan Press, 1997: pp. 151-69.
  • Layman, Bruccoli Clark. "Tony Kushner,"in Dictionary of Literary Biography, Volume 228: Twentienth Century American Dramatists, Second Series. Edited by Christopher J. Wheatley.
  • McNutty, Charles. "Angels in America: Tony Kushner's Theses on the Philosophy of History." Modern Drama 39,no.1 (Spring 1996): 84-96.
  • Meisner, Natalie. Messing with the Idyllic: The Performance of Femininity in Kushner's Angels in America. The Yale Journal of Criticism 16,no.1 (2003): 177-189.
  • Quinn, John R. "Corpus Juris Tertium: Redemptive Jurisprudence in Angels in America." Theatre Journal 48,no.1 (March 1996): 79-90.
  • Trilling, Lionel, et. al. Bloom’s Period Studies: Modern American Drama. Chelsea House Publishers, 2005.