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* McNutty, Charles. ''"Angels in America: Tony Kushner's Theses on the Philosophy of History."'' Modern Drama 39,no.1 (Spring 1996): 84-96. | * McNutty, Charles. ''"Angels in America: Tony Kushner's Theses on the Philosophy of History."'' Modern Drama 39,no.1 (Spring 1996): 84-96. | ||
* Meisner, Natalie. ''Messing with the Idyllic: The Performance of Femininity in Kushner's Angels in America''. ''The Yale Journal of Criticism'' 16,no.1 (2003): 177-189. | |||
* Quinn, John R. ''"Corpus Juris Tertium: Redemptive Jurisprudence in Angels in America."'' Theatre Journal 48,no.1 (March 1996): 79-90. | * Quinn, John R. ''"Corpus Juris Tertium: Redemptive Jurisprudence in Angels in America."'' Theatre Journal 48,no.1 (March 1996): 79-90. |
Revision as of 14:57, 14 April 2006
Factual Information
Study Guide
Part One: Millennium Approaches
Act One: Bad News
- Act One, Scene 1
- Act One, Scene 2
- Act One, Scene 3
- Act One, Scene 4
- Act One, Scene 5
- Act One, Scene 6
- Act One, Scene 7
- Act One, Scene 8
- Act One, Scene 9
Act Two: In Vitro
- Act Two, Scene 1
- Act Two, Scene 2
- Act Two, Scene 3
- Act Two, Scene 4
- Act Two, Scene 5
- Act Two, Scene 6
- Act Two, Scene 7
- Act Two, Scene 8
- Act Two, Scene 9
- Act Two, Scene 10
Act Three: Not-Yet-Conscious, Foward Dawning
- Act Three, Scene 1
- Act Three, Scene 2
- Act Three, Scene 3
- Act Three, Scene 4
- Act Three, Scene 5
- Act Three, Scene 6
- Act Three, Scene 7
Part Two: Perestroika
Act One: Spooj
- Act One, Scene 1
- Act One, Scene 2
- Act One, Scene 3
- Act One, Scene 4
- Act One, Scene 5
- Act One, Scene 6
Act Two: The Epistle
Act Three: Borborygmi
Act Four: John Brown's Body
- Act Four, Scene 1
- Act Four, Scene 2
- Act Four, Scene 3
- Act Four, Scene 4
- Act Four, Scene 5
- Act Four, Scene 6
- Act Four, Scene 7
- Act Four, Scene 8
- Act Four, Scene 9
Act Five: Heaven, I'm in Heaven
- Act Five, Scene 1
- Act Five, Scene 2
- Act Five, Scene 3
- Act Five, Scene 4
- Act Five, Scene 5
- Act Five, Scene 6
- Act Five, Scene 7
- Act Five, Scene 8
- Act Five, Scene 9
- Act Five, Scene 10
Epilogue: Bethesda
Characters
Major Themes
Major Symbols
Influences
Additional Resources
Works Cited
- Garner, Stanton B. "Angels in America: The Millennium and Postmodern Memory," in Approaching the Millenium, Essays on Angels in America, edited by Deborah R. Geis and Steven F. Kruger, University of Michigan Press, 1987: pp.173-84.
- Glenn, Lane A.. "Angels in America." Drama for Students. Gale, 1999.
- Kruger, Steven F. "Identity and Conversion in Angels in America."in Approaching the Millennium: Essays on "Angels in America." edited by Deborah R. Geis and Steven F.Kruger, University of Michigan Press, 1997: pp. 151-69.
- Layman, Bruccoli Clark. "Tony Kushner,"in Dictionary of Literary Biography, Volume 228: Twentienth Century American Dramatists, Second Series. Edited by Christopher J. Wheatley.
- McNutty, Charles. "Angels in America: Tony Kushner's Theses on the Philosophy of History." Modern Drama 39,no.1 (Spring 1996): 84-96.
- Meisner, Natalie. Messing with the Idyllic: The Performance of Femininity in Kushner's Angels in America. The Yale Journal of Criticism 16,no.1 (2003): 177-189.
- Quinn, John R. "Corpus Juris Tertium: Redemptive Jurisprudence in Angels in America." Theatre Journal 48,no.1 (March 1996): 79-90.
- Trilling, Lionel, et. al. Bloom’s Period Studies: Modern American Drama. Chelsea House Publishers, 2005.