Jump to content

Molière: Difference between revisions

Line 48: Line 48:


'''Background'''
'''Background'''
Moliere, was born Jean Baptiste Poqulinin the year 1622 in Paris, France. He was raised by his father who was a furniture upholsterer for King Louis XIII. Jean Polqulinin’s interest in drama and acting was first sparked by his grandfather who “took him to see productions at the famous Hotel de Bourgogne” (Seidel p5). He received an extremely good education at the Jesuit College de Clermont and went on to graduate from law school.  “In 1642 he met and became romantically involved with Madeline Bejart a young actress” (Seidel p5).  Jean Polqulin renounced his royal appointment to the court offered because of his father’s position and instead pursed an acting career, then changing his name to Moliere.  Although in 1645 he spent time in debtors’ prison after the collapse of his acting troupe called the l’Illustre Theatre (Seidel 5), he continued traveling and performing for the next 13 years. He landed in front of King Louis XIV who became one of his patrons (Seidel p5).
Moliere, was born Jean Baptiste Poqulinin the year 1622 in Paris, France. He was raised by his father who was a furniture upholsterer for King Louis XIII. Jean Polqulinin’s interest in drama and acting was first sparked by his grandfather who “took him to see productions at the famous Hotel de Bourgogne” (Seidel p5). He received an extremely good education at the Jesuit College de Clermont and went on to graduate from law school.  “In 1642 he met and became romantically involved with Madeline Bejart a young actress” (Seidel p5).  Jean Polqulin renounced his royal appointment to the court offered because of his father’s position and instead pursed an acting career, then changing his name to Moliere.  Although in 1645 he spent time in debtors’ prison after the collapse of his acting troupe called the l’Illustre Theatre (Seidel 5), he continued traveling and performing for the next 13 years. He landed in front of King Louis XIV who became one of his patrons (Seidel p5).


50

edits