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Synecdoche: Difference between revisions
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For instance, an object can be identified by the material it is made with or by the material it is packaged in. (Mulvey 165).<ref name=Ref2/> | For instance, an object can be identified by the material it is made with or by the material it is packaged in. (Mulvey 165).<ref name=Ref2/> | ||
== And Metonymy == | |||
Synecdoche and Metonymy are similar, but different. There is a great deal of uncertainty regarding defining metonymy and categorizing words as metonymical. Most definitions are vague, thereby giving the confusing implication that any word can reflect metonymy if used in the right context. In Hugh Bredin's article “Metonymy,” he supplies a general definition for metonymy which states that “metonymy is the transfer of the name of a thing to something else that is closely associated with it - such as cause and effect, container and contained, possessor and possessed, and so on; for example, "crown" or "throne" for monarchy” (45).<ref name=Ref4/> Bredin asserts that such a definition is an “enumeration of instances” that poorly explains the exact function of metonymical words. The one aspect that all critics agree upon in regards to metonymy is that synecdoche is it's relative. More specifically synecdoche is a subsection of metonymy. In order to distinguish between metonymy and synecdoche, a person must examine the relationship of the words involved. | |||
=== Similarities and Differences === | |||
According to Bredin, “synecdochic relations are structural, and metonymical relations are extrinsic – relations, in the one case, between particulars and their parts, and in the other case between particulars and other particulars” (54).<ref name=Ref4/> “Synecdoche deals with the intra-relativity: the relation of the whole and its parts. The individual is so far finished as to be characterized by a part of itself” (252).<ref name=Ref5/> While synecdoche focuses on intra-relativity (the relation of the whole and its parts), metonymy focuses on extra-relativity (the “intuitions of necessary relation”). In other words, "Every metonymy is a synecdoche, but not every synecdoche is a metonymy. This rule is true because a metonymy must not only be a part of the root word, making a synecdoche, but also be a unique attribute of or associated with the root word" (Modugno).<ref name=Ref7/> In “A Grouping of Figures of Speech, Based upon the Principle of Their Effectiveness” by Herbert Eveleth Greene writes, “Metonymy names things at a slight remove: instead of naming the thing itself, it names something associated with it, and trusts to the imagination to supply what is not stated, – both the thing unnamed and the relation which bridges the gulf between the two” (438).<ref name=Ref6/> For example, “War is sad.” On the other hand, synecdoche deals with words or relations between words such as alternate names for the same thing. For example, nickel can be interchanged with five coin piece (Bredin 52).<ref name=Ref4/> | |||
== Examples == | == Examples == | ||
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In Daniel Novak's article "If Re-Collecting Were Forgetting: Forged Bodies and Forgotten Labor "Little Dorrit," he examines the existence of synecdoche in Charles Dickens's ''Little Dorrit.'' According to Novak, synecdoche functions in literature as "the exaggeration and isolation of a body part so that its dominance of physical size and semiotic voice the essence of the entire character." Novak uses the bases of this definition to claim that Dickens "effaces the boundary between the material world of things and the organic structures of body, by packaging all parts of the body, no matter how ostensibly central as “accessories” – loose members in the world of commodities" (21). The characters in the novel serve as parts of the whole in the society of the text. In the novel, the life of a character is used to reflect or show a relation to a segment of society. <ref name=Ref8/> | In Daniel Novak's article "If Re-Collecting Were Forgetting: Forged Bodies and Forgotten Labor "Little Dorrit," he examines the existence of synecdoche in Charles Dickens's ''Little Dorrit.'' According to Novak, synecdoche functions in literature as "the exaggeration and isolation of a body part so that its dominance of physical size and semiotic voice the essence of the entire character." Novak uses the bases of this definition to claim that Dickens "effaces the boundary between the material world of things and the organic structures of body, by packaging all parts of the body, no matter how ostensibly central as “accessories” – loose members in the world of commodities" (21). The characters in the novel serve as parts of the whole in the society of the text. In the novel, the life of a character is used to reflect or show a relation to a segment of society. <ref name=Ref8/> | ||
=== Examples of Metonymy === | === Examples of Metonymy === | ||