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Millennium Approaches 2.6: Difference between revisions
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While Roy claims to not be a religious person, he actually just has a very different way of identifying with his Jewish faith (Glenn). He realizes that his faith, as well as his sexuality, would most likely get in the way of his political aspirations so he chooses not to fully embrace these lifestyles. "I'm about to be tried, Joe, by a jury that is not a jury of my peers. The disbarment committee: genteel gentlemen Brahmin lawyers, country-club men. I offend them, to these men ... I'm what, Martin, some sort of filthy little Jewish troll?" (72-73). He believes that his job is affected by his religion, the same way he believes it would be in jeopardy if he publicly announced that he is "homosexual" and has AIDS. As a result, he attempts to hide it all in hope that it will not threaten his political reputation. | While Roy claims to not be a religious person, he actually just has a very different way of identifying with his Jewish faith (Glenn). He realizes that his faith, as well as his sexuality, would most likely get in the way of his political aspirations so he chooses not to fully embrace these lifestyles. "I'm about to be tried, Joe, by a jury that is not a jury of my peers. The disbarment committee: genteel gentlemen Brahmin lawyers, country-club men. I offend them, to these men ... I'm what, Martin, some sort of filthy little Jewish troll?" (72-73). He believes that his job is affected by his religion, the same way he believes it would be in jeopardy if he publicly announced that he is "homosexual" and has AIDS. As a result, he attempts to hide it all in hope that it will not threaten his political reputation. | ||
Another Jewish character is Louis Ironson. He is also rather detached from his faith, calling himself "an intensely secular Jew" (256) and instead developing "his own philosophy of life" (Glenn). He doesn't speak any Yiddish, he didn't have a Bar Mitzvah, and he does not know the Kaddish (nor what language it's in, for that matter). He criticizes Judaism, insisting that "It should be the questions and shape of a life, its total complexity gathered, arranged, and considered, which matters in the end, not some stamp of salvation or damnation which disperses all the complexity in some unsatisfying little decision - the balancing of the scale" (44-45). | |||
Kushner says that Louis is "the closest thing to an autobiographical character he has ever created" (Glenn). They are both homosexual Jews who are uncertain about their family's religion. Kushner also claims that his family went to a very "Reform" Jewish congregation. "We didn't know Yiddish, we didn't know Hebrew, we didn't know prayers" (Glenn). | |||
Though Louis and Roy are ''very'' different characters, they both, like Kushner, have strayed from their Jewish roots and developed their own views on life. | |||
==Study Questions== | ==Study Questions== | ||
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==External Resources== | ==External Resources== | ||
==Works Cited== | ==Works Cited== | ||
*Glenn, Lane A.. ''Drama for Students''. Gale, 1999. | *Glenn, Lane A.. ''Drama for Students''. Gale, 1999. | ||
*Kushner, Tony. ''Angels in America''. New York: Theatre Communications Group, 1995. | *Kushner, Tony. ''Angels in America''. New York: Theatre Communications Group, 1995. | ||