Fantasy: Difference between revisions

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One of the defining traits of the genre of fantasy is magic. It’s the most basic element of fantasy. Magic is something humans can’t perform, which makes the task intriguing to readers. Magic is that in which charms, spells or rituals are used in order to produce a supernatural event.<ref name="Fantasy Books">McGowen, Karlene. "Fantasy Books: There's a Whole Other World Out There". Web. 7 July 2015. <http://teachers.yale.edu/curriculum/viewer/initiative_06.03.08_u >.</ref> For example Harry Potter finds out at the age of eleven he has magical abilities.  
One of the defining traits of the genre of fantasy is magic. It’s the most basic element of fantasy. Magic is something humans can’t perform, which makes the task intriguing to readers. Magic is that in which charms, spells or rituals are used in order to produce a supernatural event.<ref name="Fantasy Books">McGowen, Karlene. "Fantasy Books: There's a Whole Other World Out There". Web. 7 July 2015. <http://teachers.yale.edu/curriculum/viewer/initiative_06.03.08_u >.</ref> For example Harry Potter finds out at the age of eleven he has magical abilities.  


Other worlds are an imaginative creation by the author of a place that is nothing like earth. It is a completely imagined world where anything can happen and is only limited by the author's imagination. The characters can also have the ability to jump between two worlds.<ref name="Fantasy Books"/> For example, in C.S Lewis's ''The Lion, The Witch and The Wardrobe'', the characters are able to [[Narnia]] from England through a magical wardrobe.
Other worlds are an imaginative creation by the author of a place that is nothing like earth. It is a completely imagined world where anything can happen and is only limited by the author's imagination. The characters can also have the ability to jump between two worlds.<ref name="Fantasy Books"/> For example, in C.S Lewis's ''The Lion, The Witch and The Wardrobe'', the characters are able to Narnia from England through a magical wardrobe.


Universal themes are also needed. The most basic of these is good versus evil. There's always a good guy trying to fight for what is right against the powerful force of a bad guy.<ref name="Fantasy Books"/>  For example, in the Harry Potter series the good and evil could be Harry and [[Voldemort]]. Other themes include Love and Friendship, Death, Isolation, etc.  
Universal themes are also needed. The most basic of these is good versus evil. There's always a good guy trying to fight for what is right against the powerful force of a bad guy.<ref name="Fantasy Books"/>  For example, in the Harry Potter series the good and evil could be Harry and Voldemort. Other themes include Love and Friendship, Death, Isolation, etc.  
Special character types are abundant in fantasies. Some examples are fairies, giants, ogres, dragons, witches, unicorns and centaurs. A good author can shape the character in such a way that the reader has no problem believing that such a being could exist.<ref name="Fantasy Books"/>  
Special character types are abundant in fantasies. Some examples are fairies, giants, ogres, dragons, witches, unicorns and centaurs. A good author can shape the character in such a way that the reader has no problem believing that such a being could exist.<ref name="Fantasy Books"/>  


The use of talking animals or [anthropomorphism] in fantasy stories can be used for several purposes. Sometimes the animals can talk to humans, as in [[James in the ''Giant Peach'']] or ''The Chronicles of Narnia''. Then sometimes the animals only talk amongst each other and are incapable of talking with humans, as in [[''Charlotte's Web'']], [[''Redwall'']] or [[''Rabbit Hill'']]. The need and use for communication is prevalent in both types.<ref name="Fantasy Books"/>
The use of talking animals or [anthropomorphism] in fantasy stories can be used for several purposes. Sometimes the animals can talk to humans, as in James in the ''Giant Peach'' or ''The Chronicles of Narnia''. Then sometimes the animals only talk amongst each other and are incapable of talking with humans, as in ''Charlotte's Web'', ''Redwall''or ''Rabbit Hill''. The need and use for communication is prevalent in both types.<ref name="Fantasy Books"/>


Fantastic objects help the characters perform their task. Many times these objects become almost a character in themselves. Many times characters need such an object to make themselves complete.<ref name="Fantasy Books"/> In Harry Potter, J. K Rowling writes, “…the wand chooses the wizard.” The wand has emotions and can feel, making it a character. Also in the series, [[The Sorting Hat]] chooses the house to which each wizard or witch belongs.
Fantastic objects help the characters perform their task. Many times these objects become almost a character in themselves. Many times characters need such an object to make themselves complete.<ref name="Fantasy Books"/> In Harry Potter, J. K Rowling writes, “…the wand chooses the wizard.” The wand has emotions and can feel, making it a character. Also in the series, The Sorting Hat chooses the house to which each wizard or witch belongs.


Because mythology also consists of monsters and creatures and magic. The two lie very close together when it comes to contents and themes. Tolkien borrowed a lot from mythology when he built Middle-Earth, using Nordic, Germanic, and archaic English myths and legends.<ref>Penn, Joanna. " Writing Fantasy: A Short Guide To The Genre". 2013. Web. 7 July 2015. < http://www.thecreativepenn.com/2013/06/27/writing-fantasy/ >.</ref>
Because mythology also consists of monsters and creatures and magic. The two lie very close together when it comes to contents and themes. Tolkien borrowed a lot from mythology when he built Middle-Earth, using Nordic, Germanic, and archaic English myths and legends.<ref>Penn, Joanna. " Writing Fantasy: A Short Guide To The Genre". 2013. Web. 7 July 2015. < http://www.thecreativepenn.com/2013/06/27/writing-fantasy/ >.</ref>
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