Fantasy: Difference between revisions

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===Sub-genres===
===Sub-genres===
*'''Portal'''
 
'''Portal'''
 
'''Secondary World'''-  
'''Secondary World'''-  
Secondary World consists of many different fictional scenarios and mirrors the author’s thoughts, rather than what actually happens in the world itself.<ref>Walter, Damien G. "Secondary World Problems." SECONDARY WORLD PROBLEMS. N.p., 15 Apr. 2012. Web. 02 July 2015. <http://damiengwalter.com/2012/04/15/secondary-world-problems/></ref>  In this type of world things go above and beyond measures. Different fantasies have a variety of twists and plots, but in secondary world the author puts your mind in another world. It seems unreal but it explores and unveils the rules and nature of that world. Low, High, Heroic, and Dark fantasies are some different fantasies that have secondary world.
Secondary World consists of many different fictional scenarios and mirrors the author’s thoughts, rather than what actually happens in the world itself.<ref>Walter, Damien G. "Secondary World Problems." SECONDARY WORLD PROBLEMS. N.p., 15 Apr. 2012. Web. 02 July 2015. <http://damiengwalter.com/2012/04/15/secondary-world-problems/></ref>  In this type of world things go above and beyond measures. Different fantasies have a variety of twists and plots, but in secondary world the author puts your mind in another world. It seems unreal but it explores and unveils the rules and nature of that world. Low, High, Heroic, and Dark fantasies are some different fantasies that have secondary world.
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'''Heroic Fantasy'''- Heroic Fantasies is like a timeline of events for a character in the secondary world.<ref>"Heroic Fantasy." <i>Heroic Fantasy</i>. N.p., n.d. Web. 02 July 2015. &lt;http://tvtropes.org/pmwiki/pmwiki.php/Main/HeroicFantasy&gt;.</ref> Heroic is a bit different from high fantasies, its problems are generally those of the heroes, not the world. A great example of this would be, Frodo Baggins from Lord of The Rings.<ref>"Frodo Baggins." <i>The One Wiki to Rule Them All</i>. N.p., n.d. Web. 02 July 2015. &lt;http://lotr.wikia.com/wiki/Frodo_Baggins&gt;.</ref> Frodo is a hobbit who takes on a quest with a wizard, dwarfs, and others to destroy the “ring” in the fire of Mount Doom. The journey Frodo takes is a test of survival. Having to travel thousands of miles by foot, escaping the black riders, and fighting off Sauron’s men. With Froto holding the only Ring to control middle earth. While the journey continued he lost the urge to destroy the Ring, wanting to retain the ring for himself. Eventually he gets passed “the Eye” and reaches the volcano to destroy the Ring, but Gollum attacks and bites off his finger but loses his balance and falls off the cliff, so the ring was destroyed.
'''Heroic Fantasy'''- Heroic Fantasies is like a timeline of events for a character in the secondary world.<ref>"Heroic Fantasy." <i>Heroic Fantasy</i>. N.p., n.d. Web. 02 July 2015. &lt;http://tvtropes.org/pmwiki/pmwiki.php/Main/HeroicFantasy&gt;.</ref> Heroic is a bit different from high fantasies, its problems are generally those of the heroes, not the world. A great example of this would be, Frodo Baggins from Lord of The Rings.<ref>"Frodo Baggins." <i>The One Wiki to Rule Them All</i>. N.p., n.d. Web. 02 July 2015. &lt;http://lotr.wikia.com/wiki/Frodo_Baggins&gt;.</ref> Frodo is a hobbit who takes on a quest with a wizard, dwarfs, and others to destroy the “ring” in the fire of Mount Doom. The journey Frodo takes is a test of survival. Having to travel thousands of miles by foot, escaping the black riders, and fighting off Sauron’s men. With Froto holding the only Ring to control middle earth. While the journey continued he lost the urge to destroy the Ring, wanting to retain the ring for himself. Eventually he gets passed “the Eye” and reaches the volcano to destroy the Ring, but Gollum attacks and bites off his finger but loses his balance and falls off the cliff, so the ring was destroyed.
*'''Epic Fantasy'''- Epic fantasy , often mistaken for high fantasy, takes its name from the tradition of epic poetry. Like epic poetry, epic fantasy novels have many characters and long, complex plots which help shape the nature of the world.<ref>Smith, Chloe. "What Makes 'Epic Fantasy' Epic." Fantasy Faction. 23 Nov. 2013. Web. 26 June 2015. http://fantasy-fiction.com/2013/what-makes-epic-fantasy-epic</ref> Epic fantasy tales have a high level of magic and violence. Although epic fantasy can be traced back to the epic of ''Beowulf'' and ''Gilgamesh'', epic fantasy is still the most popular sub-genre of fantasy. Modern versions of epic fantasy tend to be more complicated and realistic. The difference between right and wrong is not as easily separated. The most popular epic fantasy novels of today are J.R.R. Tolkien’s ''The Lord of the Rings'' and George R.R. Martin’s ''A Game of Thrones''.<ref>"Epic Fantasy." Best Fantasy Books. Web. 26 June 2015. http://bestfantasybooks.com/epic-fantasy.html</ref>
 
*'''Sword and Sorcery'''- Sword and Sorcery is characterized by heroes in engaging in action and violence in fast paced stories <ref>https://en.wikipedia.org/wiki/Sword_and_sorcery</ref>. The tales of Sword and Sorcery are narrowly focused unlike [https://en.wikipedia.org/wiki/High_fantasy High Fantasy].Stories focus more on personal stakes and are self-contained.  
'''Epic Fantasy'''- Epic fantasy , often mistaken for high fantasy, takes its name from the tradition of epic poetry. Like epic poetry, epic fantasy novels have many characters and long, complex plots which help shape the nature of the world.<ref>Smith, Chloe. "What Makes 'Epic Fantasy' Epic." Fantasy Faction. 23 Nov. 2013. Web. 26 June 2015. http://fantasy-fiction.com/2013/what-makes-epic-fantasy-epic</ref> Epic fantasy tales have a high level of magic and violence. Although epic fantasy can be traced back to the epic of ''Beowulf'' and ''Gilgamesh'', epic fantasy is still the most popular sub-genre of fantasy. Modern versions of epic fantasy tend to be more complicated and realistic. The difference between right and wrong is not as easily separated. The most popular epic fantasy novels of today are J.R.R. Tolkien’s ''The Lord of the Rings'' and George R.R. Martin’s ''A Game of Thrones''.<ref>"Epic Fantasy." Best Fantasy Books. Web. 26 June 2015. http://bestfantasybooks.com/epic-fantasy.html</ref>
*'''Urban Fantasy'''
 
*'''Folklore'''- Folklore comes from tales passed down by word of mouth. It’s made up of informal expressions passed around long enough to have become recurrent in form and content, but changeable in performance.<ref>Grey, Elspeth. "Folklore: An Appeal to Fantasy Authors to Get It Right." That Character Dies. 16 Dec. 2013. Web. 2 July 2015. <https://thatcharacterdies.wordpress.com/2013/12/17/folklore-an-appeal-to-fantasy-authors-to-get-it-right/>.</ref> This sub-genre consist of myths, legends, fables, and fairy tales. Myth is that which occurs in time-out-of-time. A myth is concerned with why the world is the way it is, and so unfolds in a setting that is distinct from time or place as it’s currently recognized.<ref>Grey, 2013</ref> Its stories from every culture, that, for centuries have explained natural phenomena and answered questions people have about the human condition: origin and creation stories, stories about life, death and life after death.<ref>http://study.com/academy/lesson/the-fable-folktale-myth-legend-differences-and-examples.html</ref> Legend occurs in “historical time” though it typically mixes fact with fiction. Usually with legends there is doubt about its credibility. They are unexplainable tales warped by the human imagination. A legend can be either about a person or a place. For example, King Arthur, Robin Hood, Atlantis are all types of legends. Fables are described as a didactic lesson given through some sort of animal story.<ref>http://literarydevices.net/fable/</ref> In Western society, the most common fables are by Aesop, consisting of short stories like The Tortoise and the Hare, and The Ant and the Grasshopper. Fairytales are short stories, typically with no author, but it still can be recognized despite many variations of the story. A fairytale is similar to myths, legends and fables. It can be either told orally or in text, the content of the story can come from historical content, and usually have a moral at the end of the story. Fairytales typically feature European folkloric fantasy characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls, or witches, and usually magic or enchantments.<ref>https://en.wikipedia.org/wiki/Fairy_tale</ref> These type of stories withstand long periods of time because they are and embodiment of a culture, contain fundamental human truths by which people have lived for centuries, or they are simply entertaining.<ref>http://www2.nkfust.edu.tw/~emchen/CLit/Folk_lit.htm</ref>
'''Sword and Sorcery'''- Sword and Sorcery is characterized by heroes in engaging in action and violence in fast paced stories <ref>https://en.wikipedia.org/wiki/Sword_and_sorcery</ref>. The tales of Sword and Sorcery are narrowly focused unlike [https://en.wikipedia.org/wiki/High_fantasy High Fantasy].Stories focus more on personal stakes and are self-contained.  
*'''Magic Realism'''
 
*'''Gothic'''
'''Urban Fantasy'''
*'''The New Weird'''
 
'''Folklore'''- Folklore comes from tales passed down by word of mouth. It’s made up of informal expressions passed around long enough to have become recurrent in form and content, but changeable in performance.<ref>Grey, Elspeth. "Folklore: An Appeal to Fantasy Authors to Get It Right." That Character Dies. 16 Dec. 2013. Web. 2 July 2015. <https://thatcharacterdies.wordpress.com/2013/12/17/folklore-an-appeal-to-fantasy-authors-to-get-it-right/>.</ref> This sub-genre consist of myths, legends, fables, and fairy tales. Myth is that which occurs in time-out-of-time. A myth is concerned with why the world is the way it is, and so unfolds in a setting that is distinct from time or place as it’s currently recognized.<ref>Grey, 2013</ref> Its stories from every culture, that, for centuries have explained natural phenomena and answered questions people have about the human condition: origin and creation stories, stories about life, death and life after death.<ref>http://study.com/academy/lesson/the-fable-folktale-myth-legend-differences-and-examples.html</ref> Legend occurs in “historical time” though it typically mixes fact with fiction. Usually with legends there is doubt about its credibility. They are unexplainable tales warped by the human imagination. A legend can be either about a person or a place. For example, King Arthur, Robin Hood, Atlantis are all types of legends. Fables are described as a didactic lesson given through some sort of animal story.<ref>http://literarydevices.net/fable/</ref> In Western society, the most common fables are by Aesop, consisting of short stories like The Tortoise and the Hare, and The Ant and the Grasshopper. Fairytales are short stories, typically with no author, but it still can be recognized despite many variations of the story. A fairytale is similar to myths, legends and fables. It can be either told orally or in text, the content of the story can come from historical content, and usually have a moral at the end of the story. Fairytales typically feature European folkloric fantasy characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls, or witches, and usually magic or enchantments.<ref>https://en.wikipedia.org/wiki/Fairy_tale</ref> These type of stories withstand long periods of time because they are and embodiment of a culture, contain fundamental human truths by which people have lived for centuries, or they are simply entertaining.<ref>http://www2.nkfust.edu.tw/~emchen/CLit/Folk_lit.htm</ref>
 
'''Magic Realism'''
 
'''Gothic'''
 
'''The New Weird'''


Ann and Jeff Vandermeer state  in ''The New Weird'', New Weird is "a type of urban, secondary-world fiction that subverts the romanticized ideas about place found in traditional fantasy, largely by choosing realistic, complex real-world models as the jumping off point for creation of settings that may combine elements of both science fiction and fantasy. <ref name="The New Weird">"The New Weird: "It's Alive?"" The New Weird. Ed. Ann VanderMeer and Jeff VanderMeer. San Francisco: Tachyon Publications, 2008. Page XVI. Print.</ref> The New Weird originates from The New Wave of the 1960s. A genre that was experimental and very political in its point of view. Characteristics include the grotesque of 1980’s literature. The genre is the mix of science fiction, fantasy, and supernatural horror.<ref name="The New Weird"/>
Ann and Jeff Vandermeer state  in ''The New Weird'', New Weird is "a type of urban, secondary-world fiction that subverts the romanticized ideas about place found in traditional fantasy, largely by choosing realistic, complex real-world models as the jumping off point for creation of settings that may combine elements of both science fiction and fantasy. <ref name="The New Weird">"The New Weird: "It's Alive?"" The New Weird. Ed. Ann VanderMeer and Jeff VanderMeer. San Francisco: Tachyon Publications, 2008. Page XVI. Print.</ref> The New Weird originates from The New Wave of the 1960s. A genre that was experimental and very political in its point of view. Characteristics include the grotesque of 1980’s literature. The genre is the mix of science fiction, fantasy, and supernatural horror.<ref name="The New Weird"/>
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Popular authors of the New Weird include China Mieville, Richard Calder, Jonathan Carroll, James Morrow, John Crowley, and many more.<ref>Davies, Alice."Science Fiction Research Association." New Weird 101. 2010. Web. 2 July 2015. <http://www.sfra.org/sf101newweird>.</ref>
Popular authors of the New Weird include China Mieville, Richard Calder, Jonathan Carroll, James Morrow, John Crowley, and many more.<ref>Davies, Alice."Science Fiction Research Association." New Weird 101. 2010. Web. 2 July 2015. <http://www.sfra.org/sf101newweird>.</ref>


*'''Grimdark'''
'''Grimdark'''
*'''Romantic Fantasy'''- Romance fantasy stories share the same basic story line. The heroine has lost her place in society and must form new relationships, including social, political, and romantic relationships, in order to gain acceptance elsewhere.  The heroine usually possesses magical powers and falls in love with a man who is also capable of performing magic. However, the magic in romance fantasy is much gentler. The heroine and the hero discover together how their powers can be used in order to restore good. Unlike realistic novels, romance fantasy novels can end unhappily. Although there is little to no violence, non-graphic sex is common.<ref>"Romantic Fantasy." Best Fantasy Books. Web. 26 June 2015. http://bestfantasybooks.com/romantic-fantasy.html</ref>
 
'''Romantic Fantasy'''- Romance fantasy stories share the same basic story line. The heroine has lost her place in society and must form new relationships, including social, political, and romantic relationships, in order to gain acceptance elsewhere.  The heroine usually possesses magical powers and falls in love with a man who is also capable of performing magic. However, the magic in romance fantasy is much gentler. The heroine and the hero discover together how their powers can be used in order to restore good. Unlike realistic novels, romance fantasy novels can end unhappily. Although there is little to no violence, non-graphic sex is common.<ref>"Romantic Fantasy." Best Fantasy Books. Web. 26 June 2015. http://bestfantasybooks.com/romantic-fantasy.html</ref>


==Fantasy in Literature==
==Fantasy in Literature==
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