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[[Image:Oedipus.png|thumb|Oedipus and the Sphinx]]''Oedipus the King'', by the tragedian [[Sophocles]], is based on a legend deeply rooted in the cultural identity of Athens. The myth of Oedipus contains a historical and religious authority based on the cultural values of an oral tradition. It concerns the relationship between humans and their gods and, perhaps more importantly, primal hopes and fears that unearth a terror and despair normally buried in human consciousness. Oedipus is a typical Athenian who commits the most egregious of human taboos: incest and patricide. Within the character of Oedipus are both the faults and virtues of the Athenian people. Some critics suggest that Oedipus might be a warning to Athenians that have ushered in a new era of intellectualism. | [[Image:Oedipus.png|thumb|Oedipus and the Sphinx]]''Oedipus the King'', by the tragedian [[Sophocles]], is based on a legend deeply rooted in the cultural identity of [[Athens]]. The [[myth]] of [[Oedipus]] contains a historical and religious authority based on the cultural values of an [[oral tradition]]. It concerns the relationship between humans and their [[gods]] and, perhaps more importantly, primal hopes and fears that unearth a terror and despair normally buried in human consciousness. Oedipus is a typical Athenian who commits the most egregious of human taboos: incest and patricide. Within the character of Oedipus are both the faults and virtues of the Athenian people. Some critics suggest that Oedipus might be a warning to Athenians that have ushered in a new era of intellectualism. | ||
== | == The Oedipus Myth == | ||
Oedipus, in Greek mythology, king of Thebes, is the son of Laius and Jocasta, king and queen of Thebes. Laius was warned by an oracle that he would be killed by his own son and his son would be brother and father to his children. Determined to avert his fate, Laius | Oedipus, in Greek mythology, king of Thebes, is the son of [[Laius]] and [[Jocasta]], king and queen of Thebes. Laius was warned by an oracle that he would be killed by his own son and that his son would be brother and father to his children. Determined to avert his fate, Laius pierces and binds the feet of his newborn child and leaves him to die on a lonely mountain. The infant is rescued by a shepherd, however, and given to Polybus, king of Corinth, who names the child [[Oedipus]] (swollen foot) and raises him as his own son. The boy does not know that he is adopted, and when an oracle proclaims that he would kill his father and marry his mother, he leaves [[Corinth]]. In the course of his wanderings he meet and kills Laius, not knowing at the time that Laius is the King of Thebes and his father. In doing so, he unwillingly fulfills the prophecy. | ||
Lonely and homeless, Oedipus arrives at Thebes, which was beset by a dreadful monster called the [[Sphinx]]. The frightful creature frequents the roads to the city, killing and devouring all travelers who could not answer the riddle that she puts to them: "What walks on four legs in the morning, on two legs at noon, and on three legs in the evening?" When Oedipus solves her riddle, the Sphinx kills herself. Believing that King Laius has been slain by unknown robbers, and grateful to Oedipus for ridding them of the Sphinx, the Thebans rewarded Oedipus by making him their king and giving him Queen Jocasta as his wife. Together they have four children: [[Polynices]], [[Eteocles]], [[Ismene]], and [[Antigone]], his own offspring and yet his brothers and sisters. For many years the couple live in happiness, not knowing that they are really mother and son. | |||
Then a terrible plague descends on the land, and an oracle proclaims that Laius' murderer must be punished. Oedipus soon discovers that he has unknowingly killed his father. In grief and despair at her incestuous life, Jocasta kills herself and when Oedipus gouges out his eyes and relinquishes the throne. He lives in Thebes for several years, but is finally banished. Accompanied by his daughter Antigone, he wanders for many years. He finally arrivs at [[Colonus]], a shrine near Athens sacred to the powerful goddesses called the [[Eumenides]]. Oedipus dies at this shrine, after the god [[Apollo]] promises him that the place of his death would remain sacred and would bring great benefit to the city of Athens, which had given shelter to the wanderer. | |||
== Major Characters == | |||
* [[Oedipus]] | |||
* | * [[Jocasta]] | ||
* | * [[Creon]] | ||
* | * [[Tiresias]] | ||
== Free Will versus Fate == | == Free Will versus Fate == | ||
| Line 45: | Line 31: | ||
“I count myself the son of Chance.” Oedipus, l. 1188 | “I count myself the son of Chance.” Oedipus, l. 1188 | ||
== Themes and Motifs == | == Themes and Motifs == | ||
===Sight and Blindness=== | |||
Oedipus’ life could be called a train wreck; that is, two trains were moving head-on toward each other—one oblivous to the truth and one with knowledge of the truth. When these trains met, the wreck took the {emotional and/or physical} lives of everyone close to Oedipus. Although he could physically see, he was blind to who he really was. Oedipus had no idea that his wife was actually his mother, that the people who raised him were not his biological parents, that his daughters were also his half-sisters, and that he had murdered his biological father. First, he brought in the blind prophet, Tiresias, who revealed the future. Second, he blindly denied these revealations. And third, after he could see the revealations were true, Oedipus blinded himself physically. | Oedipus’ life could be called a train wreck; that is, two trains were moving head-on toward each other—one oblivous to the truth and one with knowledge of the truth. When these trains met, the wreck took the {emotional and/or physical} lives of everyone close to Oedipus. Although he could physically see, he was blind to who he really was. Oedipus had no idea that his wife was actually his mother, that the people who raised him were not his biological parents, that his daughters were also his half-sisters, and that he had murdered his biological father. First, he brought in the blind prophet, Tiresias, who revealed the future. Second, he blindly denied these revealations. And third, after he could see the revealations were true, Oedipus blinded himself physically. | ||
In the beginning of the play, Oedipus has perfect physical vision. However, he is blind and ignorant to the truth about himself and his past. He desperately wants to know, to see, but he cannot (Hibbison). Ironically, Tiresias, the blind soothsayer, saw the future from the beginning. Neither Oedipus nor his wife, Jocasta, knew how devastating their lives were. When their true history was revealed by Tiresias, they refused to believe him. Tiresias meant two different things when he referred to sight. First, he knew Oedipus was blessed with the gift of perception; he was the only man who could "see" the answer to the Sphinx's riddle (verse 501). Second, he could not see what was right before his eyes. He was blind to the truth he sought (Little). | In the beginning of the play, Oedipus has perfect physical vision. However, he is blind and ignorant to the truth about himself and his past. He desperately wants to know, to see, but he cannot (Hibbison). Ironically, Tiresias, the blind soothsayer, saw the future from the beginning. Neither Oedipus nor his wife, Jocasta, knew how devastating their lives were. When their true history was revealed by Tiresias, they refused to believe him. Tiresias meant two different things when he referred to sight. First, he knew Oedipus was blessed with the gift of perception; he was the only man who could "see" the answer to the Sphinx's riddle (verse 501). Second, he could not see what was right before his eyes. He was blind to the truth he sought (Little). | ||
Oedipus, furious at the suggestion of his guilt, berated the prophet, who retorted by insisting that Oedipus was yet blind to the truth and would soon learn of his guilt (Awerty). In verse 478, Tiresias told Oedipus that | Oedipus, furious at the suggestion of his guilt, berated the prophet, who retorted by insisting that Oedipus was yet blind to the truth and would soon learn of his guilt (Awerty). In verse 478, Tiresias told Oedipus that “darkness shrouding your eyes that can see the light”. Oedipus angrily dismissed the sightless old man, accused him of conspiring with Jocasta's brother, Creon, to overthrow him (Awerty). Although blind to the truth, as the facts became clear, Oedipus was forced to open his eyes: Oedipus did, in fact, kill his father, Larius, and marry his mother. Oedipus’ slaying of Laius at the crossroads was an intentional act, but also an unconscious one; therefore a “pure” one. Later, when Oedipus blinds himself, the audience is capable of exhibiting the correct emotional response: that of pity and fear. This act, after Oedipus’ recognition of his error, proves that he feels remorse for his actions and shows the audience that he would never have performed them had he known the facts (Lucas). Oedipus was responsible for the bad times in Thebes. The truth was then so obvious to him that he had to confront it. | ||
Oedipus furthered [[Sophocles]]’ sight metaphor when he defended his decision to humble himself through blindness: “What good were eyes to me? Nothing I could see could bring me joy” ( | Oedipus furthered [[Sophocles]]’ sight metaphor when he defended his decision to humble himself through blindness: “What good were eyes to me? Nothing I could see could bring me joy” (1473). When Oedipus finally discovered the truth, ironically, he was so distressed that he ran pins into his eyes (verse 1405). Oedipus’ self-inflicted blindness is, in effect, his “purification” of his pathos and makes him a proper recipient for the audience’s pity and fear (Lucas). He had been blinded to the truth too long. Oedipus would forever walk in physical darkness, though the truth was now visible. With nothing to look at, Oedipus was forced to think about his life and what had happened. The darkness and the physical pain he had inflicted on himself was just as agonizing as his blindness to the truth. | ||
Figurative blindness can be harder to deal with then literal blindness. A person who is physically blind knows that it will probably be life-long will learn to accept the blindness. However, if a person is blind to the truth, there is nothing that person can do until they learn and acknowledge the truth. The person may not even know that their situation is wrong. When that person does learn the truth, he tends to feel ignorant. That person wonders if things could have been avoided had the truth only been known sooner. When Oedipus learned the truth, his way of dealing with his figurative blindness was to physically blind himself. In this play, blindness led to the truth, and the truth led to blindness. Oedipus and Jocasta were blinded, yet found the truth. | Figurative blindness can be harder to deal with then literal blindness. A person who is physically blind knows that it will probably be life-long will learn to accept the blindness. However, if a person is blind to the truth, there is nothing that person can do until they learn and acknowledge the truth. The person may not even know that their situation is wrong. When that person does learn the truth, he tends to feel ignorant. That person wonders if things could have been avoided had the truth only been known sooner. When Oedipus learned the truth, his way of dealing with his figurative blindness was to physically blind himself. In this play, blindness led to the truth, and the truth led to blindness. Oedipus and Jocasta were blinded, yet found the truth. | ||
===Light and Darkness=== | |||
===Historia=== | |||
A free spirit of inquiry | |||
===Knowledge comes only through suffering=== | |||
===The responsibility of humans for their own acts=== | |||
===The error of setting human reason above obedience to the gods=== | |||
===Consequences of excessive pride=== | |||
===Ship and navigation metaphors=== | |||
(e.g., ll. 1010-11; 1454) | |||
==Chorus== | |||
Present and objectively severe and conventional, gradually growing more troubled and anxious, and finally into utter despair. | |||
Archetype of drama? Hero’s quest for himself. | Archetype of drama? Hero’s quest for himself. | ||
Works Cited | ==Works Cited== | ||
Little, Jennifer. “Oedipus Rex / Oedipus the King.” Gradesaver. July 19, 2000. Retrieved March 31, 2005. <http://www.gradesaver.com/ClassicNotes/Titles/oedipus/summ2.html>. | Little, Jennifer. “Oedipus Rex / Oedipus the King.” Gradesaver. July 19, 2000. Retrieved March 31, 2005. <http://www.gradesaver.com/ClassicNotes/Titles/oedipus/summ2.html>. | ||
Latest revision as of 10:17, 25 June 2006
Oedipus the King, by the tragedian Sophocles, is based on a legend deeply rooted in the cultural identity of Athens. The myth of Oedipus contains a historical and religious authority based on the cultural values of an oral tradition. It concerns the relationship between humans and their gods and, perhaps more importantly, primal hopes and fears that unearth a terror and despair normally buried in human consciousness. Oedipus is a typical Athenian who commits the most egregious of human taboos: incest and patricide. Within the character of Oedipus are both the faults and virtues of the Athenian people. Some critics suggest that Oedipus might be a warning to Athenians that have ushered in a new era of intellectualism.
The Oedipus Myth
Oedipus, in Greek mythology, king of Thebes, is the son of Laius and Jocasta, king and queen of Thebes. Laius was warned by an oracle that he would be killed by his own son and that his son would be brother and father to his children. Determined to avert his fate, Laius pierces and binds the feet of his newborn child and leaves him to die on a lonely mountain. The infant is rescued by a shepherd, however, and given to Polybus, king of Corinth, who names the child Oedipus (swollen foot) and raises him as his own son. The boy does not know that he is adopted, and when an oracle proclaims that he would kill his father and marry his mother, he leaves Corinth. In the course of his wanderings he meet and kills Laius, not knowing at the time that Laius is the King of Thebes and his father. In doing so, he unwillingly fulfills the prophecy.
Lonely and homeless, Oedipus arrives at Thebes, which was beset by a dreadful monster called the Sphinx. The frightful creature frequents the roads to the city, killing and devouring all travelers who could not answer the riddle that she puts to them: "What walks on four legs in the morning, on two legs at noon, and on three legs in the evening?" When Oedipus solves her riddle, the Sphinx kills herself. Believing that King Laius has been slain by unknown robbers, and grateful to Oedipus for ridding them of the Sphinx, the Thebans rewarded Oedipus by making him their king and giving him Queen Jocasta as his wife. Together they have four children: Polynices, Eteocles, Ismene, and Antigone, his own offspring and yet his brothers and sisters. For many years the couple live in happiness, not knowing that they are really mother and son.
Then a terrible plague descends on the land, and an oracle proclaims that Laius' murderer must be punished. Oedipus soon discovers that he has unknowingly killed his father. In grief and despair at her incestuous life, Jocasta kills herself and when Oedipus gouges out his eyes and relinquishes the throne. He lives in Thebes for several years, but is finally banished. Accompanied by his daughter Antigone, he wanders for many years. He finally arrivs at Colonus, a shrine near Athens sacred to the powerful goddesses called the Eumenides. Oedipus dies at this shrine, after the god Apollo promises him that the place of his death would remain sacred and would bring great benefit to the city of Athens, which had given shelter to the wanderer.
Major Characters
Free Will versus Fate
“Even if everything is determined, we have no way of knowing what the total pattern is, so we must act on our own best judgment; free will is, therefore, a necessary illusion. Apparently wise men attain some insight into this pattern (or are given it by the gods), but all of us have the freedom to disregard such insight, follow our own desires, and suffer the consequences.” Walter Agard’s The Humanities for Our Time (1949).
The concept of human suffering loses all significance if humans have no free will.
“The central idea of a Sophoclean tragedy is that through suffering a man learns to be modest before the gods.” Bowra
“His Oedipus stands for human suffering, and he neither attempts, like Aeschylus, to justify the evil, nor presumes, like Euripides, to deny its divine origin” J.T. Sheppard
“Sophocles’ difficulty is the problem of suffering, as Aeschylus’ is the problem of sin.” A. Zimmerman
“It’s all chance, chance rules our lives.” Jocasta, l. 1070
“I count myself the son of Chance.” Oedipus, l. 1188
Themes and Motifs
Sight and Blindness
Oedipus’ life could be called a train wreck; that is, two trains were moving head-on toward each other—one oblivous to the truth and one with knowledge of the truth. When these trains met, the wreck took the {emotional and/or physical} lives of everyone close to Oedipus. Although he could physically see, he was blind to who he really was. Oedipus had no idea that his wife was actually his mother, that the people who raised him were not his biological parents, that his daughters were also his half-sisters, and that he had murdered his biological father. First, he brought in the blind prophet, Tiresias, who revealed the future. Second, he blindly denied these revealations. And third, after he could see the revealations were true, Oedipus blinded himself physically.
In the beginning of the play, Oedipus has perfect physical vision. However, he is blind and ignorant to the truth about himself and his past. He desperately wants to know, to see, but he cannot (Hibbison). Ironically, Tiresias, the blind soothsayer, saw the future from the beginning. Neither Oedipus nor his wife, Jocasta, knew how devastating their lives were. When their true history was revealed by Tiresias, they refused to believe him. Tiresias meant two different things when he referred to sight. First, he knew Oedipus was blessed with the gift of perception; he was the only man who could "see" the answer to the Sphinx's riddle (verse 501). Second, he could not see what was right before his eyes. He was blind to the truth he sought (Little).
Oedipus, furious at the suggestion of his guilt, berated the prophet, who retorted by insisting that Oedipus was yet blind to the truth and would soon learn of his guilt (Awerty). In verse 478, Tiresias told Oedipus that “darkness shrouding your eyes that can see the light”. Oedipus angrily dismissed the sightless old man, accused him of conspiring with Jocasta's brother, Creon, to overthrow him (Awerty). Although blind to the truth, as the facts became clear, Oedipus was forced to open his eyes: Oedipus did, in fact, kill his father, Larius, and marry his mother. Oedipus’ slaying of Laius at the crossroads was an intentional act, but also an unconscious one; therefore a “pure” one. Later, when Oedipus blinds himself, the audience is capable of exhibiting the correct emotional response: that of pity and fear. This act, after Oedipus’ recognition of his error, proves that he feels remorse for his actions and shows the audience that he would never have performed them had he known the facts (Lucas). Oedipus was responsible for the bad times in Thebes. The truth was then so obvious to him that he had to confront it.
Oedipus furthered Sophocles’ sight metaphor when he defended his decision to humble himself through blindness: “What good were eyes to me? Nothing I could see could bring me joy” (1473). When Oedipus finally discovered the truth, ironically, he was so distressed that he ran pins into his eyes (verse 1405). Oedipus’ self-inflicted blindness is, in effect, his “purification” of his pathos and makes him a proper recipient for the audience’s pity and fear (Lucas). He had been blinded to the truth too long. Oedipus would forever walk in physical darkness, though the truth was now visible. With nothing to look at, Oedipus was forced to think about his life and what had happened. The darkness and the physical pain he had inflicted on himself was just as agonizing as his blindness to the truth.
Figurative blindness can be harder to deal with then literal blindness. A person who is physically blind knows that it will probably be life-long will learn to accept the blindness. However, if a person is blind to the truth, there is nothing that person can do until they learn and acknowledge the truth. The person may not even know that their situation is wrong. When that person does learn the truth, he tends to feel ignorant. That person wonders if things could have been avoided had the truth only been known sooner. When Oedipus learned the truth, his way of dealing with his figurative blindness was to physically blind himself. In this play, blindness led to the truth, and the truth led to blindness. Oedipus and Jocasta were blinded, yet found the truth.
Light and Darkness
Historia
A free spirit of inquiry
Knowledge comes only through suffering
The responsibility of humans for their own acts
The error of setting human reason above obedience to the gods
Consequences of excessive pride
(e.g., ll. 1010-11; 1454)
Chorus
Present and objectively severe and conventional, gradually growing more troubled and anxious, and finally into utter despair.
Archetype of drama? Hero’s quest for himself.
Works Cited
Little, Jennifer. “Oedipus Rex / Oedipus the King.” Gradesaver. July 19, 2000. Retrieved March 31, 2005. <http://www.gradesaver.com/ClassicNotes/Titles/oedipus/summ2.html>.
No author. “Oedipus Rex by Sophocles (c. 496-406 B.C.)” Awerty Notes. Retrieved March 31, 2005. <http://www.awerty.com/oedipus2.html>.
Lucas, Gerald, Ed. “Poetics and Purgation”. Dr. Gerald Lucas. July 16, 2003. Retrieved April 12, 2005. <http://litmuse.maconstate.edu/~glucas/archives/000252.shtm>.
Hibbison, Eric, Ed. “Oedipus the Wreck – Blindness in Oedipus Rex”. VCCS Litonline. Virginia Community College System. Last Updated February 21, 2005. Retreived April 18, 2005. <http://vccslitonline.cc.va.us/OedipustheWreck/blindness.htm>.
Questions for Consideration
- Many consider Oedipus the King as the greatest of the Western tragedies. Even if you are not familiar with other Greek tragedy, consider the greatness of Oedipus the King from your own perspective. What themes common in the tragedy resonate for us today?
- All of the crucial action of the play takes place off stage: Oedipus' killing of his father, etc. Consider the dramatic effect of this decision: what is, therefore, highlighted if not the egregious acts committed by the protagonist?
- Even though during his investigation, Oedipus begins to suspect the truth of the situation, yet he pushes on to prove the terrible truth. What does this say about Oedipus specifically and the tragic hero in general? Does this shed any light on Oedipus' eventual death?
- What is Oedipus' tragic flaw? Is there only one?
- Professor Literary Critic states that "to Sophocles, man has become an emancipated individual with a free will who cannot excuse his deeds by blaming Fate, the gods, or oracles. Reason is thus man's highest possession and greatest power." Discuss the contrast of fate verses free will in Oedipus the King.
- When Oedipus discovers his crimes, he blinds himself. Discuss the symbolic significance of this action. What does this act say about vision in general? (Perhaps start by thinking about that other blind character have we met this semester...)
- If Oedipus represents both the best and the worst of his culture, what values can we infer from our reading of the tragedy?