Notes from Underground: Difference between revisions

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===Money===
===Money===
Money, for the Underground Man, represents power. In the second part he is cross-examined and is asked his salary. He tells his 'friends' what he makes. "'It's not very handsome,' Zverkov observed majestically. "'Yes, you can't afford to dine at cafes on that,' Ferfichkin added insolently. "To my thinking it's very poor,' Trudolyubov observed gravely (Nabokov 123). All these men scrutinize the Underground Man for his lack of wages.The UM borrows money from a friend, Simonov, but he repays him the next day plus more. Having to borrow money makes him feel incapable of providing for himself and embarrassed of his poverty, making him feel inferior to his 'friends'. The Underground Man offers Liza, the woman he met at the prostitution house, money. She refuses his money. If he was to give her money it would demonstrate moral dominance.


==Critical Perspectives==
==Critical Perspectives==
Notes from the underground is an important work in Western European history. " It has attracted attention for many reasons. For one , it contains an all-out assault on Enlightenment rationalism and the idea of progress which foreshadows many such assaults in the mid-to-late twentieth century" (WSU). Another example of this novels' importance is the fact that it has one of the first anti-heroes in fiction.  " It portrays a protagonist utterly lacking every trait of the Romantic hero and living out a futile life on the margins of society. Such figures were to dominate much serious fiction in the mid-twentieth century" (WSU).
''Notes from the Underground'' is an important work in Western European history. " It has attracted attention for many reasons. For one , it contains an all-out assault on Enlightenment rationalism and the idea of progress which foreshadows many such assaults in the mid-to-late twentieth century" (WSU). Another example of this novels' importance is the fact that it has one of the first anti-heroes in fiction.  " It portrays a protagonist utterly lacking every trait of the Romantic hero and living out a futile life on the margins of society. Such figures were to dominate much serious fiction in the mid-twentieth century" (WSU).




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==Works Cited==
==Works Cited==
*Hagberg, Garry L.  "Wittgenstein Underground."  ''Philosophy and literature'' 28.2 (2004): 379-392.
*Hagberg, Garry L.  "Wittgenstein Underground."  ''Philosophy and literature'' 28.2 (2004): 379-392.
*Madden, Caolan. SparkNote on Notes from Underground. 12 Mar. 2006 <http://www.sparknotes.com/lit/underground/>.  
*Madden, Caolan. SparkNote on Notes from Underground. 12 Mar. 2006 <http://www.sparknotes.com/lit/underground/>.  
*Nabokov, Vladimir. "Lectures on Russian Literature". New York, 1981. 115-125.
*Scanlan, James P. "The Case against Rational Egoism in Dostoevsky's ''Notes from Underground''."  ''Journal of the History of Ideas'' 60.3 (1999): 549-567.
*Scanlan, James P. "The Case against Rational Egoism in Dostoevsky's ''Notes from Underground''."  ''Journal of the History of Ideas'' 60.3 (1999): 549-567.
*''Novelguide.com''. "Notes from the Underground". March 2006 [<http://www.novelgude.com/notesfromtheunderground/metaphoranaylysis.html>.][[Category:World Literature]]
*''Novelguide.com''. "Notes from the Underground". March 2006 [<http://www.novelgude.com/notesfromtheunderground/metaphoranaylysis.html>.][[Category:World Literature]]


*Williams, Linda. "The underground man: A qusetion of meaning." ''Studies in the novel.'' Summer 1995, Vol. 27, Issue 2. 129,12
*Williams, Linda. "The underground man: A qusetion of meaning." ''Studies in the novel.'' Summer 1995, Vol. 27, Issue 2. 129,12
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