Breakfast at Tiffany's Section 12

Summary

The narrator is sent to Holly's apartment to gather up some of her things, and the cat. He took them to Joe Bell's, where Holly was waiting for him. They then leave in a limousine and head to the airport. On the way there, Holly drops the cat off on a street block, and leaves him there. A block down the road she realizes that she wants the cat back and runs back there to look for him. She could not find him, so the narrator promises her that he will find and take care of the cat. She gets back in the limo and leaves for the airport, to go to Rio. At that point, she realizes that she and the cat were the same. They were both wild and did not want to be caged, but she believes that they belong to each other and is sorry that she no longer has the cat with her.

Notes

Squall (104) - A brief sudden violent windstorm, often accompanied by rain or snow.

Inclement (105) - severe, unrelenting; cruel

Poignant (105) - Neat, skillful

Lark (105) - A carefree or spirited adventure.

bon voyage (106)- French, literally translated as "good journey".

oompahpah (106)- A rhythmic bass accompaniment, that repeats.

rhapsodic (106)- Emotional, extravagant music.

Spanish Harlem(107)- Also known as East Harlem or El Barrio, a neighborhood in northeastern part of the borough of Manhattan, one of the largest predominantly Hispanic communities in New York City. Since the 1950s, it has been populated by a large number of people of Puerto Rican descent, sometimes called Nuyoricans. In recent years the neighborhood has also become home to many Mexican American immigrants.

Nancy's Landing (105)- Fictional town created by Capote. "Nancy's Landing," serves as Capote's code phrase for a gay resort, a make-believe, southern Fire Island or Provincetown. Thus, the narrator's coy rejoinder that the reader should "[n]ever mind why" he made the trip appears as a subtle move to direct attention away from his self-confession.

Hope Chest (106)- A chest used by a young woman for clothing and household goods, such as linens and silver, in anticipation of marriage.

Slap dash (107) - In a reckless haphazard manner; hasty and careless

The fat woman (109) - Death

Commentary

Friday night, the day before departure, is described as ‘red,’ perhaps a parallel to the mean reds Holly must be feeling in anticipation of her journey to Brazil. Saturday itself, however, was under such a heavy rain it was questionable that a plane could take off. It is a fine forecast and foreshadowing of her grief to follow in this chapter.

Holly, against the wishes of the narrator and Joe Bell, continued to make her plans to leave. After being discharged from the hospital, she promptly went to a bank and then to Joe Bell’s bar. Bell himself delivered Holly’s message to the narrator, requesting that he gather the majority of her things (her jewelry, guitar, toothbrushes and stuff, bottle of hundred-year-old brandy, and the cat) from her apartment since it was under surveillance by police, reporters, and/or other interested parties, suggesting that perhaps they could be linked to Tomato.

On the way to Bell’s from the brownstone, the narrator reminisces about a time he walked nearly 500 miles from New Orleans to Nancy’s Landing, Mississippi, referencing it as a “light-hearted lark compared to the journey to Joe Bell’s bar” (p.105). We understand that the walk from the brownstone to the bar would be stressful; partly because the paper sacks he carried were falling apart and items were falling to the ground, but also because he feared being caught aiding an ‘outlaw.’ Comparing Nancy’s Landing to such a trying time suggests there is more to be known regarding the nature of his trip. Per The Explicator, “According to A Dictionary of the Underworld, "Nancy" refers either to the posterior or to "an effeminate man, especially a passive homosexual." "Nancy's Landing," then serves as Capote's code phrase for a gay resort...” The narrator’s lack of explanation for his journey is strongly suggestive of his homosexuality which plays into one of the underlying themes of BaT.

Though vehemently refusing to drink the hundred-year-old brandy with the narrator and Holly, Bell did call for a limousine to take Holly to the airport. Holly had the chauffer stop on a curb in Spanish Harlem where she stepped out of the limousine with the cat. She commences to have a one way conversation with the cat, seemingly trying to convince herself more than anyone, that this was the right place for him. She dropped him to the ground, and even after yelling and stomping her foot, he merely looked at her and rubbed against her leg. She jumped into the limousine only to go a block, and at a traffic light opened the door and ran back to attempt to find him. She realizes that they did belong to one another. Although Holly holds contempt for cages, the relationship with her cat is "symbolic of Holly's divided beliefs... (p.86, Garson)" She realizes that they did belong to one another, and illustrates how she longs to settle down and have a home. There is also a touch of irony in this situation; according to Garson her reason for ridding herself and the treatment of the cat "parallel Jose's treatment of Holly" (p86).

Unable to find the lost cat, the narrator promises Holly that he will find the cat and take care of him. She is not comforted by this, she instead “confesses her most private, deep-seated fear of what her life will always be: “Not knowing what’s yours until you’ve thrown it away. (p 86, Garson)”

One of the underlying themes presented in this section is a heightened awareness of homosexuality of the narrator and Joe Bell. The first example is the narrator's reference to Nancy's Landing in comparison to his trip to Joe Bell's bar:

"Never mind why, but once I walked from New Orleans to Nancy's Landing, Mississippi, just under five hundred miles. It was a light-hearted lark compared to the journey to Joe Bell's bar" (105).

Nancy's Landing is a fictional place, a gay resort invented by Capote. The fact that he doesn't give a reason for the journey suggest that he intends to put the idea out there, without revealing too much about himself.

Joe Bell's homosexuality is apparant in the list of his passions, which include hockey, soap operas, and flower arranging. He also appreciates horses and baseball. His interest are a bit confusing, but shows that people cannot be stereotyped. All the characteristics suggest that he is gay, but the idea of horses and baseball as a key to heterosexuality presents cofusion to the reader.

"Our Gal Sunday (a soap serial he had listened to for fifteen years), and Gilbert and Sullivan," both of which indicate less stereotypically masculine aspects to his character. Capote develops the reference to Gilbert and Sullivan further, noting that "[Bell] claims to be related to one or the other, I can't remember which" (4). Since Sullivan is rumored to have been a homosexual because of the many coded references to sexual partners in his diaries, the passage slyly hints that the bartender is part of Sullivan's "family," a fellow gay man to his beloved composer." (Pugh)

http://news.bbc.co.uk/olmedia/1145000/images/_1148706_hepb_300.jpg

Study Questions

What were the five items that Holly requested from her apartment?
What did the narrator use to transport the cat?
What was Holly transported to the airport in, and who arranged it?
Where was the cat abandoned?
What was Joe Bell's reaction to the news that Holly was leaving?
Where was Holly planning to go?
What did Holly ask the narrator to do when she went back and could not find her cat?

External Resources

Pugh, Tison.Capote's Breakfast at Tiffany's. Explicator (Helen Dwight Reid Educational Foundation, Washington, DC) (61:1) [Fall 2002] , p.51-53

Works Cited

Garson, Helen S. Truman Capote. New York: Frederick Ungar Publishing Co., Inc., 1980.

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