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The Cask of Amontillado

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“The Cask of Amontillado”
AuthorEdgar Allan Poe
CountryUnited States
LanguageEnglish
Genre(s)Horror Fiction
Publication dateNovember 1846

“The Cask of Amontillado” is a 1846 short horror story wrote by Edgar Allan Poe.

Plot

“The Cast of Amontillado” begins by recounting the last meeting between two aristocratic gentlemen, the narrator Montresor, and the wine connoisseur Fortunato.Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil). Montresor is plotting his revenge for the thousand injuries Fortunato did to him.Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil). While at the pre-Lenten festival, Montresor tells Fortunato that he has in his possession a cast of amontillado sherry and does not feel as though it is authentic.Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil). Montresor leads Fortunato deep underground to his family catacombs in his palazzo. Although Fortunato has a cough from the nitre, he continues so his rival Luchesi does not steal his opportunity to taste the wine. Once they get into the catacombs Montresor chains him to the wall and begins to use a trowel and fresh mortar to entomb Fortunato.Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil).

The story begins at a drinking festival during the Carnivale in an unspecified year in Italy. To entice his victim into his trap and seek revenge over Fortunato's "thousand injuries" against Montresor and his family, Montresor appropriates a key symbol of Freemasonry.

Characters

Montresor

He is the narrator of the story. He's a fascinating and nuanced character whose desire for vengeance drives the plot. His family motto is Nemo me impune lacessit,Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil). which translates to "no one insults me with impunity," which explains his motivation for murdering his friend.

Fortunato

His name means "fortunate". He is Montresor's Italian friend who is completely oblivious to his friend's revenge motive. It isn't until Montresor locks him in a crypt and begins to brick him in that Fortunato finally realizes he's been tricked. He is the antagonist of the story and loves vintage wines and carnival attire.

Fortunato apparently has a brotherhood and Montresor recognizes this fact and utilizes it for his own destruction hatred and his longing to lure Fortunate to his death.

Luchesi

Even though Luchesi isn't a key character in the story, he is still talked about. Luchesi is Fortunato's wine-tasting opponent. Montresor doesn't need to bring up Luchesi in order to entice Fortunato to his doom. The prospect of Amontillado is sufficient enough. For Montresor, Luchesi is a type of insurance.

Major Themes

Montresor is motivated by hate and seeks revenge on Fortunato. He feels as if he has insulted him and caused a thousand injuries to him but the injuries are not identified in the short story "The Cask of the Amontillado.

Publication History

Explanation of the Work's Title

The Cask of Amontillado is translated to Casket of Wine. Montresor uses the wine to talk Fortunato into following him into his family catacombs. That is how Montresor was able to enact his revenge by entombing Fortunato.Lua error in ...ribunto/includes/Engines/LuaCommon/lualib/mwInit.lua at line 23: bad argument #1 to 'old_ipairs' (table expected, got nil).

Literary Significance and Reception

Awards and Nominations

Citations

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Works Cited

Also see the annotated bibliography.

  • Nesbitt, Anna (2000). "Edgar Allan Poe". The Cask of Amontillado. Gale Group. pp. 297–354.
  • Poe, Edgar (2002). "The Cask of Amontillado". In Sipiora, Phillip (ed.). Reading and Writing about Literature. Upper Saddle River, NJ: Prentice Hall. pp. 240–244.




External Links