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=== Hypocrisy === | === Hypocrisy === | ||
<i>Tartuffe</i> provides hypocrisy and is the hypocrite because of the religious morals he forces upon Orgon and his family, in which he is doing to satisfying for his own personal agenda. The element or idea of a 'masque' that he wears is present by Tartuffe always playing the role of an ever so pious(having, showing, or pretending religious devotion) man who has no desire for worldly goods. This is proven when Damis tries to speaks opposingly of Tartuffe to his father. Tartuffe becomes so completely humble and knowledgeable his status, uses this to turn Orgon against Damis. Tartuffe, however is unmasked towards the end of the play when he makes a pass for Orgon's wife Elmire after we learn that Orgon has given Tartuffe all legal right to his property. Some may also see the play as a criticism of religion and the character of Tartuffe is though to have possibly been based on some figure of the time, he is not only a hypocrite in himself, but may represent hypocrisy in the church of that period. | <i>Tartuffe</i> provides hypocrisy and is the hypocrite because of the religious morals he forces upon Orgon and his family, in which he is doing to satisfying for his own personal agenda. The element or idea of a 'masque' that he wears is present by Tartuffe always playing the role of an ever so pious(having, showing, or pretending religious devotion) man who has no desire for worldly goods. This is proven when Damis tries to speaks opposingly of Tartuffe to his father. Tartuffe becomes so completely humble and knowledgeable his status, uses this to turn Orgon against Damis. Tartuffe, however is unmasked towards the end of the play when he makes a pass for Orgon's wife Elmire after we learn that Orgon has given Tartuffe all legal right to his property. Some may also see the play as a criticism of religion and the character of Tartuffe is though to have possibly been based on some figure of the time, he is not only a hypocrite in himself, but may represent hypocrisy in the church of that period. | ||
===Hierarchy=== | |||
The theme of Hierarchy is very prevalent in <i>Tartuffe because the majority of the play is taking place in the family's home. The home is an example of hierarchy because it is organized in a way such that everyone has their own ranking. The home in which the play takes place is the Father's, Orgon, home. Orgon feels like what he says must go because he is the highest ranking character in the hierarchy. An example of this is when he tells his daughter, Mariane, that she must marry Tartuffe instead of Valere. She would not dare to disobey her father because he is sort of the "ruler" of the household. Someone who does not understand her place in the hierarchy is Dorine. She is the servant, but is one of the most out spoken of them all. | |||
==Characters== | ==Characters== | ||
Revision as of 17:59, 1 February 2006
Background
Tartuffe was written in 1664 during a time when the word of the Church was the word of law. Typically, the Church was very corrupt and often sought personal wealth instead of spiritual growth. The Company of the Holy Sacrament was a Catholic group who believed in good deeds and had beliefs similar to those of the Puritans. They were known to place "spiritual advisors" within the homes of the people to ensure the families salvation. The group, in particular, did not like the play because it portrayed Tartuffe, who was spiritual advisor, as a scoundrel and not a pious man.
Themes
Tartuffe offers many themes for one to explore. Among them are the dangers of a heirarchy within a family, religious piety and how it can be exploited, and hypocrisy and its effects on the public's view of religion.
Hypocrisy
Tartuffe provides hypocrisy and is the hypocrite because of the religious morals he forces upon Orgon and his family, in which he is doing to satisfying for his own personal agenda. The element or idea of a 'masque' that he wears is present by Tartuffe always playing the role of an ever so pious(having, showing, or pretending religious devotion) man who has no desire for worldly goods. This is proven when Damis tries to speaks opposingly of Tartuffe to his father. Tartuffe becomes so completely humble and knowledgeable his status, uses this to turn Orgon against Damis. Tartuffe, however is unmasked towards the end of the play when he makes a pass for Orgon's wife Elmire after we learn that Orgon has given Tartuffe all legal right to his property. Some may also see the play as a criticism of religion and the character of Tartuffe is though to have possibly been based on some figure of the time, he is not only a hypocrite in himself, but may represent hypocrisy in the church of that period.
Hierarchy
The theme of Hierarchy is very prevalent in Tartuffe because the majority of the play is taking place in the family's home. The home is an example of hierarchy because it is organized in a way such that everyone has their own ranking. The home in which the play takes place is the Father's, Orgon, home. Orgon feels like what he says must go because he is the highest ranking character in the hierarchy. An example of this is when he tells his daughter, Mariane, that she must marry Tartuffe instead of Valere. She would not dare to disobey her father because he is sort of the "ruler" of the household. Someone who does not understand her place in the hierarchy is Dorine. She is the servant, but is one of the most out spoken of them all.
Characters
Tartuffe
The main antagonist of the play, his role as the hypocrite is concealed until very early on, though suspicion arises during the beginning of the play. He finds people's weaknesses and goes about any means necessary to get what he wants from them. His greatest flaw is his admiration of Elmire, which in the end reveals his true identity to everyone.
Orgon
Could be considered the protagonist. Father of Damis and Mariane. Husband to Elmire.
Damis
The son of Orgon and the stepson to Elmire. It is he who witnesses Tartuffe's lust for Elmire and tells his accounts to Orgon.
Cléante
A man of words, he tries to reason everything in life for the better. However, Madame Pernelle thinks that his words "aren't suitable for decent folk." (20)
Dorine
The lady's maid of Mariane , very "out of place" constantly interjecting with her opinion and very talkative, not the typical personality for a lady's maid. Dorine is also essential to the comical aspects of the play. It seems her main purpose in the play is for the comic relief.
Mariane
Daughter of Orgon, engaged to Valére, is the subject of controversy when Orgon decides that she is to marry Tartuffe.
Elmire
Orgon's second wife. She is presumably significantly younger than Orgon, as well. She is ultimately the one who brings out Tartuffe's corruptions by flirting with him with Orgon in concealed presence.
Valére
He represents the loyal "Underdog" of the play. His only wish is to have Mariane's hand in marriage. Even though Orgon breaks his promise to Valere out of ambitious greed, he still rallies for the families cause because of his love for her. He shows true loyalty when others have faltered and is rewarded his heart's desire at the end.
Madame Pernelle
Orgon's mother. She is the "Lady of the House", basically an old grandma who is jealous of the youth of her house and their vivacity. She also wants attention and for the people in the house to listen to her and her opinions.
Summary
===Act I=== Act I starts with Madame Pernelle appalled by the fact that no one listens to her and she goes off on all of the people in the room. She tells everyone what is on her mind about the individual. Damis and Dorine argue about Tartuffe's credibility with Madame Pernelle. Orgon returns to only be concerned about Tartuffe, who has Orgon praising him. Cleante questions the engagement of Mariane and Valere and goes to warn Valere that Orgon is not keeping his promise.
Act II
Marianne asks her father, Orgon, about her marriage to Valere but he says he plans to wed her to Tartuffe. She does not like Tartuffe at all because she is in love with Valere.
===Act III=== Act III starts with Damis rambling to Dorine about his father’s plan to force Mariane to marry Tartuffe. Dorine tries to get rid of him because she has already made arrangements for Elmire to talk to Tartuffe. Damis won’t leave and Tartuffe is coming so Damis hides in a closet.
Tartuffe enters and addresses Dorine and asks her to cover up her breast. He says that the flesh is weak, and unclean thoughts are difficult to control. Dorine says that she could see him completely naked and not have any unclean thoughts. Then she tells him that Elmire is coming and wants to speak with him.
Elmire enters and Tartuffe starts complementing her beautiful body and states how happy he is to be alone with her. She tells him that she wants to talk about a private matter and he says he been waiting for the moment to open his heart to her. He slides closer to her and starts to tell her how he admires her. He puts his had on her knee and she begins to slide away from him as he slides closer. Elmire getting back to the subject asks him about her husband breaking his promise to his daughter. He says that Orgon mentions it but he doesn't want to marry Mariane, because he has his mind on someone else. He keeps talking about how much he likes her. Then she reminds him of his religious status, but he says even religious men are weak when it comes to her charms. He offers to give her his love and assures that he will protect her from the ridicule of others, because he also wants to protect his self. Elmire makes a deal with Tartuffe. She will not tell her husband about what he did if he persuaded Orgon to let Mariane marry Valere.
Act IV
Act IV begins with a discussion between Cleante and Tartuffe, in which Cleante advises Tartuffe that causing problems within the family goes against his Christian beliefs and preaching. Tartuffe claims to harbor no ill will against Damis for his having told Orgon of Tartuffe's proclaimations to Elmire in the previous act. Tartuffe also claims to accept Orgon's bequethment of an inheritance for the sole purpose of safe-guarding the wealth from the sinners.
Dorine, Elmire, and Mariane enlist Cleante's assistance in an attempt to convince Orgon to disregard his intentions to force Mariane to marry Tartuffe. However, Orgon cannot be swayed from his decision, even though Mariane would gladly give up her inheritance to get out of such a fate. Orgon decides that Mariane must marry Tartuffe more than ever, simply because she dislikes the man so much.
Elmire realizes that Orgon's opinions of Tartuffe can only be swayed were he to witness the man's true nature for himself. Thus, she proposes to trick Tartuffe into re-admitting the feelings he proclaimed for her earlier while Orgon hides under a table. Tartuffe does admit his feelings and requests physical proof that Elmire returns his feelings for her. He then proceeds to speak of how Orgon is completely incompetant. Tartuffe's disloyal words regarding Orgon prove to be the final straw, for Orgon tells Tartuffe to leave the house immediately. Tartuffe promises retribution. As the final scene closes, Orgon makes reference to a strong box, the significance of which will not become apparent until the next act.
Act V
Related Materials
Productions and Translations
Critical Perspectives
- Lucas, Gerald. "Keeping Up Appearances." 15 Jan 2006.