Notes from Underground: Difference between revisions
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==Critical Perspectives== | ==Critical Perspectives== | ||
Notes from the underground is an important work in Western European history. " It has | Notes from the underground is an important work in Western European history. " It has attracted attention for many reasons. For one , it contains an all-out assault on Enlightenment rationalism and the idea of progress which foreshadows many such assaults in the mid-to-late twentieth century" (WSU). Another example of this novels' importance is the fact that it has one of the first anti-heroes in fiction. " It portrays a protagonist utterly lacking every trait of the Romantic hero and living out a futile life on the margins of society. Such figures were to dominate much serious fiction in the mid-twentieth century" (WSU). | ||
==External Links and Resources== | ==External Links and Resources== |
Revision as of 22:50, 12 March 2006
- "What sort of Crystal Palace would it be if any sort of doubt were allowed?" —the Underground Man
Notes from Underground written by Fyodor Dostoyevsky.
Study Guide
Brief summaries, commentaries, and notes on Notes.
Notes from Underground, Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
Notes from Underground, Part 2: Apropos of Wet Snow
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
History
Timeline
Characters
The Underground Man
The Underground Man is the narrator and protagonist of Notes of Underground. The Underground Man can be viewed as: "a sheer irrationalist whose rejection of Rational Egoism is a tortured emotional outburst with no logical credentials" (Scanlan). He beleives that consciousness is a disease: " I swear to you, gentlemen, that being overly conscious is a disease, a genuine, full-fledged disease" (1257). Such consciousness shows: "within Underground Man's self-descriptions, while relational in the ways not reducible to behavior" (Hagberg).
Themes
Major Symbols
Underground
It is the home of the underground man. It is also refered to as his corner. " Yet the underground is more than a physical placeof isolation; it's a psychological hang-up as well. Possessing the overly sensitive and sheltered consciousness of the underground, the underground man finds himself unable and unwilling to meaningfully interact with others, despite his desire to do just that" (Novelguide). The underground man claims to prefer the underground to the real world. There he is able to express his indviduality.
The Ant Hill
This shows that there is no individuality. All of the ants are working for one main goal.
Critical Perspectives
Notes from the underground is an important work in Western European history. " It has attracted attention for many reasons. For one , it contains an all-out assault on Enlightenment rationalism and the idea of progress which foreshadows many such assaults in the mid-to-late twentieth century" (WSU). Another example of this novels' importance is the fact that it has one of the first anti-heroes in fiction. " It portrays a protagonist utterly lacking every trait of the Romantic hero and living out a futile life on the margins of society. Such figures were to dominate much serious fiction in the mid-twentieth century" (WSU).
External Links and Resources
Works Cited
- Hagberg, Garry L. "Wittgenstein Underground." Philosophy and literature 28.2 (2004): 379-392.
- Scanlan, James P. "The Case against Rational Egoism in Dostoevsky's Notes from Underground." Journal of the History of Ideas 60.3 (1999): 549-567.
- Novelguide.com. "Notes from the Underground". March 2006 [<http://www.novelgude.com/notesfromtheunderground/metaphoranaylysis.html>.]