Surrealism: Difference between revisions
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A movement in literature and visual art that started in France in the second decade of the twentieth century and thrived in the inter-war period. It originated from [[Dadaism]], a movement created during the First World War that created anti-art and negated reasoning, but took a different path from its precursor because surrealism created new, positive form of art. | |||
The term ‘super-realism’ was first used by Guillaume Apollinaire in 1918, but ‘surrealism’ has been introduced by André Breton, a former Dadaist, in his first manifesto of surrealism '' | The term ‘super-realism’ was first used by [[Guillaume Apollinaire]] in 1918, but ‘surrealism’ has been introduced by [[André Breton]], a former Dadaist, in his first manifesto of surrealism ''[http://www.tcf.ua.edu/courses/Jbutler/T340/SurManifesto/ManifestoOfSurrealism.htm Manifesto of Surrealism]'' in 1924. He defined this new movement as: “Psychic automatism in its pure state, by which one proposes to express -- verbally, by means of the written word, or in any other manner -- the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern” (Breton). | ||
Surrealism was based on a belief that the world of the unconscious mind, where dreams and fantasies resided, is much better than the world of the conscious mind dictated by logic and reason. | Surrealism was based on a belief that the world of the unconscious mind, where dreams and fantasies resided, is much better than the world of the conscious mind dictated by logic and reason. | ||
In literature, the leading character was André Breton, who defined surrealism not as a ‘poetic form’, but a ‘machine’ that recorded thoughts. There were no aesthetic or moral boundaries that limited writers because it was spontaneity that was important. Therefore in pursue of that, many writers often applied the theories of Sigmund Freud and wrote in hypnoses. Other writers representing surrealism were Paul Éluard, Jean Cocteau, Guillaume Apollinaire and Louis Aragon. | In literature, the leading character was André Breton, who defined surrealism not as a ‘poetic form’, but a ‘machine’ that recorded thoughts. There were no aesthetic or moral boundaries that limited writers because it was spontaneity that was important. Therefore in pursue of that, many writers often applied the theories of [[Sigmund Freud]] and wrote in hypnoses. Other writers representing surrealism were [[Paul Éluard]], [[Jean Cocteau]], Guillaume Apollinaire and [[Louis Aragon]]. | ||
In paintings, surrealists tried to capture the dreams and fantasies and then reproduce them in forms available to the conscious mind. Thus in paintings strange objects with abnormal shapes, colors, and proportions were very common. By that they combined two realities together and made a ‘super-reality’ or surrealism. Among painters of surrealism there were Joan Miró, Max Ernst and famous Pablo Picasso, and Salvador Dali. | In paintings, surrealists tried to capture the dreams and fantasies and then reproduce them in forms available to the conscious mind. Thus in paintings strange objects with abnormal shapes, colors, and proportions were very common. By that they combined two realities together and made a ‘super-reality’ or surrealism. Among painters of surrealism there were Joan Miró, Max Ernst and famous [http://www.picasso.fr/anglais/ Pablo Picasso], and [http://www.dali-gallery.com/html/dali.php Salvador Dali]. | ||
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== Works Cited == | == Works Cited == | ||
* | * Breton, André. ''[http://www.tcf.ua.edu/courses/Jbutler/T340/SurManifesto/ManifestoOfSurrealism.htm Manifesto of Surrealism.]'' 1924 | ||
* | * Cuddon, J.A. "Surrealism." ''A Dictionary of Literary Terms and Literary Theory.'' Third Edition. 1991 | ||
* Samuel, R.H. "Surrealism." ''Cassell's Encyclopaedia of World Literature.'' Volume 1. 1973 | * Samuel, R.H. "Surrealism." ''Cassell's Encyclopaedia of World Literature.'' Volume 1. 1973 | ||
* Wentworth-Sheilds, Francis William. "Surrealism." ''Encyclopaedia Britannica.'' Volume 21. 1966 | * Wentworth-Sheilds, Francis William. "Surrealism." ''Encyclopaedia Britannica.'' Volume 21. 1966 | ||
[[Category:Literary Terms]][[Category:World Literature]] | |||
Revision as of 11:57, 14 February 2006
A movement in literature and visual art that started in France in the second decade of the twentieth century and thrived in the inter-war period. It originated from Dadaism, a movement created during the First World War that created anti-art and negated reasoning, but took a different path from its precursor because surrealism created new, positive form of art.
The term ‘super-realism’ was first used by Guillaume Apollinaire in 1918, but ‘surrealism’ has been introduced by André Breton, a former Dadaist, in his first manifesto of surrealism Manifesto of Surrealism in 1924. He defined this new movement as: “Psychic automatism in its pure state, by which one proposes to express -- verbally, by means of the written word, or in any other manner -- the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern” (Breton).
Surrealism was based on a belief that the world of the unconscious mind, where dreams and fantasies resided, is much better than the world of the conscious mind dictated by logic and reason.
In literature, the leading character was André Breton, who defined surrealism not as a ‘poetic form’, but a ‘machine’ that recorded thoughts. There were no aesthetic or moral boundaries that limited writers because it was spontaneity that was important. Therefore in pursue of that, many writers often applied the theories of Sigmund Freud and wrote in hypnoses. Other writers representing surrealism were Paul Éluard, Jean Cocteau, Guillaume Apollinaire and Louis Aragon.
In paintings, surrealists tried to capture the dreams and fantasies and then reproduce them in forms available to the conscious mind. Thus in paintings strange objects with abnormal shapes, colors, and proportions were very common. By that they combined two realities together and made a ‘super-reality’ or surrealism. Among painters of surrealism there were Joan Miró, Max Ernst and famous Pablo Picasso, and Salvador Dali.
"Persistence of Memory," oil on canvas by Salvador Dali, 1931; in the Museum of Modern Art, New York (9.5 x 13 in.). The most famous painting of the most famous surrealist.
Works Cited
- Breton, André. Manifesto of Surrealism. 1924
- Cuddon, J.A. "Surrealism." A Dictionary of Literary Terms and Literary Theory. Third Edition. 1991
- Samuel, R.H. "Surrealism." Cassell's Encyclopaedia of World Literature. Volume 1. 1973
- Wentworth-Sheilds, Francis William. "Surrealism." Encyclopaedia Britannica. Volume 21. 1966