User:Zoria1/sandbox

• Fitzgerald, F. Scott (2002). "Babylon Revisited". In Sipiora, Phillip (ed.). Reading and Writing about Literature. Upper Saddle Creek, NJ: Prentice Hall. pp. 6–18.

• Tyler, Lisa (January 1, 2006). "Dangerous Families and Intimate Harm in Hemingway's 'Indian Camp'". Texas Studies in Literature and Language. 48 (1): 18.

• Robinson, Daniel (2020). "Cultural Appropriation, Acculturation, and Fatherhood: A Reading of "Indian Camp"". CEAMagazine: A Journal of the College English Association, Middle Atlantic Group. 28: 39-50.

• Stuckey, Lexi (2006). "Teaching Conformity in Kurt Vonnegut's 'Harrison Bergeron'". Eureka Printing. 7 (1): 85-90.

Metaphor 

The story starts by covering Nick and different characters in the corner of the night as they plan for their excursion. For Nick, this excursion is into the obscure, at last, to observe birth and death. The story builds up the comparability between birth and passing by portraying both as vicious. The lady in the story is in pain because her child is brought into the world in a breech position, and for quite a long time she has been suffering. While her shouts are agonizing, Nick's dad recommends that this aggravation is a characteristic piece of the birthing process. Besides, since she can't convey the child normally, Nick's dad works on her without the sedative. When she delivers the child, Nick's dad keeps an eye on the man in the top bunk, he tracks down a horrifying scene, the man had cut his throat. It appears to be while watching the woman giving birth made him kill himself, the birth and death is a metaphor.(28-31)(34)

Theme

The story gives Nick two options for reacting to ladies' torment-and the experience in this story is suffering. The primary option is to relate to the lady, as the Indian's better half decides to do. He feels for her so that he can presently don't bear her aggravation and closures his life.' Hemingway makes it her experiencing that inconveniences the man.