Masculinity: Difference between revisions
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Lear says: O, how this mother swells up toward my heart!/ Histerica passio down, thou climbing sorrow;/ Thy element's below | Lear says: O, how this mother swells up toward my heart!/ Histerica passio down, thou climbing sorrow;/ Thy element's below | ||
Bruce R. Smith says that Lear's words mean that Lear sees his upper body as a representation of "reason" and logic, and his lower body as passion<ref>Smith, Bruce R.. "Introduction." ''Shakespeare and Masculinity''. Oxford, England: Oxford University Press, 2000. Print. [http://www.amazon.com/Shakespeare-Masculinity-Oxford-Topics/dp/0198711891/ref=sr_1_1?ie=UTF8&qid=1398382091&sr=8-1&keywords=Shakespeare+and+Masculinity]</ref>. Smith goes on to say that Lear sees the division of his upper and lower body to be gendered: "the heart that he calls 'mine' is threatened by 'this mother' from below. Lear's loss of reason...can be seen...as the triumph of this female passion within, a loss of both [<span class= "plainlinks | Bruce R. Smith says that Lear's words mean that Lear sees his upper body as a representation of "reason" and logic, and his lower body as passion<ref>Smith, Bruce R.. "Introduction." ''Shakespeare and Masculinity''. Oxford, England: Oxford University Press, 2000. Print. [http://www.amazon.com/Shakespeare-Masculinity-Oxford-Topics/dp/0198711891/ref=sr_1_1?ie=UTF8&qid=1398382091&sr=8-1&keywords=Shakespeare+and+Masculinity]</ref>. Smith goes on to say that Lear sees the division of his upper and lower body to be gendered: "the heart that he calls 'mine' is threatened by 'this mother' from below. Lear's loss of reason...can be seen...as the triumph of this female passion within, a loss of both [<span class= "plainlinks [http://en.wikipedia.org/wiki/Patriarchy patriarchy]</span>] and masculine identity." | ||
==References== | ==References== | ||
<references/> | <references/> | ||
Revision as of 18:52, 24 April 2014
Masculinity is "the quality, state, or degree of being masculine" [1]. The term is used to differentiate the male and female. Contrary to masculine are terms such as emasculate or feminine. A synonymous term for masculine is virile. There are many contexts to which the notion of the masculine male refers. For example, Shakespeare, in many of his plays, depicts societies in which his male characters are deemed as hegemonic.
Examples of Masculinity in Shakespeare
William Shakespeare is perhaps the most recognized and influential writer to have ever existed. One of his writing trademarks, so to speak, is his employment of the motif of masculinity in many of his plays. For example, he differentiates his male and female characters by showing their disparities. He also presents moments where his male characters are emasculated such as his King Lear. An exemplary moment of Lear's emasculation is when he is taunted by The Fool.
Lear says: O, how this mother swells up toward my heart!/ Histerica passio down, thou climbing sorrow;/ Thy element's below
Bruce R. Smith says that Lear's words mean that Lear sees his upper body as a representation of "reason" and logic, and his lower body as passion[2]. Smith goes on to say that Lear sees the division of his upper and lower body to be gendered: "the heart that he calls 'mine' is threatened by 'this mother' from below. Lear's loss of reason...can be seen...as the triumph of this female passion within, a loss of both [<span class= "plainlinks patriarchy] and masculine identity."