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	<title>Zeugma - Revision history</title>
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	<updated>2026-06-11T13:44:27Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://litwiki.org/index.php?title=Zeugma&amp;diff=8869&amp;oldid=prev</id>
		<title>Egoolsby at 18:29, 16 February 2006</title>
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		<updated>2006-02-16T18:29:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:29, 16 February 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works Cited ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Works Cited ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Fenno, Jonathan Brian. &quot;&#039;A Great Wave against the Stream&#039;: Water Imagery in Iliadic Battle Scenes.&quot; &#039;&#039;American Journal of Philology&#039;&#039; Vol. 126 no. 4 (Winter 2005): 481.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Hunter, J. Paul. &quot;Formalism and History: Binarism and the Anglophone Couplet.&quot; MLQ: &#039;&#039;Modern Language Quarterly&#039;&#039; Vol. 61 no. 1 (March 2000): 122.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Ollier, Nicole. &amp;quot;Nanos Valaoritis: The Cultural Cross-Breeding of a Cosmopolitan and Protean Writer.&amp;quot; &amp;#039;&amp;#039;Journal of Modern Greek Studies&amp;#039;&amp;#039; Vol. 15 no. 1 (May 1997): 46.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Ollier, Nicole. &amp;quot;Nanos Valaoritis: The Cultural Cross-Breeding of a Cosmopolitan and Protean Writer.&amp;quot; &amp;#039;&amp;#039;Journal of Modern Greek Studies&amp;#039;&amp;#039; Vol. 15 no. 1 (May 1997): 46.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Tynianov, IUrii Nikolaevich. &amp;quot;The Ode as an Oratorical Genre.&amp;quot; &amp;#039;&amp;#039;New Literary History&amp;#039;&amp;#039; Vol. 34 no. 3 (Summer 2003): 576.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Tynianov, IUrii Nikolaevich. &amp;quot;The Ode as an Oratorical Genre.&amp;quot; &amp;#039;&amp;#039;New Literary History&amp;#039;&amp;#039; Vol. 34 no. 3 (Summer 2003): 576.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Hunter, J. Paul. &quot;Formalism and History: Binarism and the Anglophone Couplet.&quot; MLQ: &#039;&#039;Modern Language Quarterly&#039;&#039; Vol. 61 no. 1 (March 2000): 122.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Fenno, Jonathan Brian. &quot;&#039;A Great Wave against the Stream&#039;: Water Imagery in Iliadic Battle Scenes.&quot; &#039;&#039;American Journal of Philology&#039;&#039; Vol. 126 no. 4 (Winter 2005): 481.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Egoolsby</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Zeugma&amp;diff=5074&amp;oldid=prev</id>
		<title>Egoolsby at 08:12, 16 February 2006</title>
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		<updated>2006-02-16T08:12:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;A play on words in which a part of speech, such as a verb or adjective, is applied in multiple ways to two or more nouns. A zeugma is often used to enhance other literay devices or to emphasize a particular point. In &amp;#039;&amp;#039;The Odyssey&amp;#039;&amp;#039;, Achilles uses a zeugma to &amp;quot;parallel between war and waves: &amp;#039;cleaving his way through troublesome waves as well as battles with men&amp;#039;&amp;quot; (Fenno 481). Zeugmas are often inteded to be clever and humorous. Their usage is relatively uncommon in English literature in comparison to the [[metaphor]] or [[personification]], although some writers, such as Lewis Carroll, tend to favor their use (Ollier 46). The zeugma is similar to the [http://en.wikipedia.org/wiki/Syllepsis Syllepsis].&lt;br /&gt;
== Examples ==&lt;br /&gt;
*&amp;quot;The cold corpse and shame are stinking&amp;quot; (Tynianov 576).&lt;br /&gt;
*&amp;quot;Dost sometimes Counsel take--and sometimes &amp;#039;&amp;#039;Tea&amp;#039;&amp;#039;&amp;quot; (Hunter 122).&lt;br /&gt;
*&amp;quot;You held your breath and the door for me&amp;quot; ([http://en.wikipedia.org/wiki/Zeugma Zeugma - Wikipedia]).&lt;br /&gt;
*&amp;quot;...and covered themselves with dust and glory&amp;quot; ([http://www.reference.com/browse/wiki/Syllepsis Reference.com]).&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
*Ollier, Nicole. &amp;quot;Nanos Valaoritis: The Cultural Cross-Breeding of a Cosmopolitan and Protean Writer.&amp;quot; &amp;#039;&amp;#039;Journal of Modern Greek Studies&amp;#039;&amp;#039; Vol. 15 no. 1 (May 1997): 46.&lt;br /&gt;
*Tynianov, IUrii Nikolaevich. &amp;quot;The Ode as an Oratorical Genre.&amp;quot; &amp;#039;&amp;#039;New Literary History&amp;#039;&amp;#039; Vol. 34 no. 3 (Summer 2003): 576.&lt;br /&gt;
*Hunter, J. Paul. &amp;quot;Formalism and History: Binarism and the Anglophone Couplet.&amp;quot; MLQ: &amp;#039;&amp;#039;Modern Language Quarterly&amp;#039;&amp;#039; Vol. 61 no. 1 (March 2000): 122.&lt;br /&gt;
*Fenno, Jonathan Brian. &amp;quot;&amp;#039;A Great Wave against the Stream&amp;#039;: Water Imagery in Iliadic Battle Scenes.&amp;quot; &amp;#039;&amp;#039;American Journal of Philology&amp;#039;&amp;#039; Vol. 126 no. 4 (Winter 2005): 481.&lt;/div&gt;</summary>
		<author><name>Egoolsby</name></author>
	</entry>
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