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	<id>https://litwiki.org/index.php?action=history&amp;feed=atom&amp;title=Trope</id>
	<title>Trope - Revision history</title>
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	<updated>2026-04-29T07:18:55Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://litwiki.org/index.php?title=Trope&amp;diff=10720&amp;oldid=prev</id>
		<title>Rmcpherson: added links to similie and irony;</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Trope&amp;diff=10720&amp;oldid=prev"/>
		<updated>2006-10-16T15:45:08Z</updated>

		<summary type="html">&lt;p&gt;added links to similie and irony;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:45, 16 October 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A figure of speech. Childers and Hentzi say that “The major figures that are agreed  upon as being tropes are [[metaphor]], simile, metonymy, synecdoche, irony, personification, and hyperbole, litotes and periphrasis are also sometimes called tropes”(309).  A simile uses figurative speech in a way that compares two things using the words “like or as”. An example would be, The party was packed tight like a can of sardines. Cuddon stated that “...the most famous instance of such an interpolation was the &#039;&#039;Quem quaeritis&#039;&#039; (&#039;&#039;q.V&#039;&#039;) trope preceding the &#039;&#039;Introit&#039;&#039; on Easter Sunday” (222). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Lucas says that “Some common descriptive tropes are portraits (word pictures) or descriptions of actions which somehow appeal to the senses of a reader” (Earthshine).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A figure of speech. Childers and Hentzi say that “The major figures that are agreed  upon as being tropes are [[metaphor]], &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;simile&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, metonymy, synecdoche, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;irony&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, personification, and hyperbole, litotes and periphrasis are also sometimes called tropes”(309).  A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;simile&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;uses figurative speech in a way that compares two things using the words “like or as”. An example would be, The party was packed tight like a can of sardines. Cuddon stated that “...the most famous instance of such an interpolation was the &#039;&#039;Quem quaeritis&#039;&#039; (&#039;&#039;q.V&#039;&#039;) trope preceding the &#039;&#039;Introit&#039;&#039; on Easter Sunday”(222). Lucas says that “Some common descriptive tropes are portraits (word pictures) or descriptions of actions which somehow appeal to the senses of a reader” (Earthshine).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of what trope is has been debated numerous times. Baldick states that “The theory of rhetoric has involved several disputed attempts to clarify the distinction between tropes (or figures of thought) and schemes (or figures of speech)” (264).  It has been established that tropes change the meaning of words “by a turn’ of sense” (Baldick 264).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of what trope is has been debated numerous times. Baldick states that “The theory of rhetoric has involved several disputed attempts to clarify the distinction between tropes (or figures of thought) and schemes (or figures of speech)” (264).  It has been established that tropes change the meaning of words “by a turn’ of sense” (Baldick 264).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Rmcpherson</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Trope&amp;diff=10633&amp;oldid=prev</id>
		<title>Glucas: Fixed category and linked metaphor</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Trope&amp;diff=10633&amp;oldid=prev"/>
		<updated>2006-10-09T15:53:59Z</updated>

		<summary type="html">&lt;p&gt;Fixed category and linked metaphor&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:53, 9 October 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A figure of speech. Childers and Hentzi say that “The major figures that are agreed  upon as being tropes are metaphor, simile, metonymy, synecdoche, irony, personification, and hyperbole, litotes and periphrasis are also sometimes called tropes”(309).  A simile uses figurative speech in a way that compares two things using the words “like or as”. An example would be, The party was packed tight like a can of sardines. Cuddon stated that “...the most famous instance of such an interpolation was the &#039;&#039;Quem quaeritis&#039;&#039; (&#039;&#039;q.V&#039;&#039;) trope preceding the &#039;&#039;Introit&#039;&#039; on Easter Sunday” (222).  Lucas says that “Some common descriptive tropes are portraits (word pictures) or descriptions of actions which somehow appeal to the senses of a reader” (Earthshine).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A figure of speech. Childers and Hentzi say that “The major figures that are agreed  upon as being tropes are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;metaphor&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, simile, metonymy, synecdoche, irony, personification, and hyperbole, litotes and periphrasis are also sometimes called tropes”(309).  A simile uses figurative speech in a way that compares two things using the words “like or as”. An example would be, The party was packed tight like a can of sardines. Cuddon stated that “...the most famous instance of such an interpolation was the &#039;&#039;Quem quaeritis&#039;&#039; (&#039;&#039;q.V&#039;&#039;) trope preceding the &#039;&#039;Introit&#039;&#039; on Easter Sunday” (222).  Lucas says that “Some common descriptive tropes are portraits (word pictures) or descriptions of actions which somehow appeal to the senses of a reader” (Earthshine).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of what trope is has been debated numerous times. Baldick states that “The theory of rhetoric has involved several disputed attempts to clarify the distinction between tropes (or figures of thought) and schemes (or figures of speech)” (264).  It has been established that tropes change the meaning of words “by a turn’ of sense” (Baldick 264).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of what trope is has been debated numerous times. Baldick states that “The theory of rhetoric has involved several disputed attempts to clarify the distinction between tropes (or figures of thought) and schemes (or figures of speech)” (264).  It has been established that tropes change the meaning of words “by a turn’ of sense” (Baldick 264).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. 4th ed. England: Penguin Books, 1998.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. 4th ed. England: Penguin Books, 1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Earthshine.org. Ed. Dr. Gerald R. Lucas. July 2005. Sept. 2006. &amp;lt;http://earthshine.org/glossary/7#lettert&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Earthshine.org. Ed. Dr. Gerald R. Lucas. July 2005. Sept. 2006. &amp;lt;http://earthshine.org/glossary/7#lettert&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Catetgory&lt;/del&gt;:Literary Terms]][[Category:World Literature]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Category&lt;/ins&gt;:Literary Terms]][[Category:World Literature]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Glucas</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Trope&amp;diff=10367&amp;oldid=prev</id>
		<title>Rmcpherson at 02:12, 18 September 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Trope&amp;diff=10367&amp;oldid=prev"/>
		<updated>2006-09-18T02:12:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;A figure of speech. Childers and Hentzi say that “The major figures that are agreed  upon as being tropes are metaphor, simile, metonymy, synecdoche, irony, personification, and hyperbole, litotes and periphrasis are also sometimes called tropes”(309).  A simile uses figurative speech in a way that compares two things using the words “like or as”. An example would be, The party was packed tight like a can of sardines. Cuddon stated that “...the most famous instance of such an interpolation was the &amp;#039;&amp;#039;Quem quaeritis&amp;#039;&amp;#039; (&amp;#039;&amp;#039;q.V&amp;#039;&amp;#039;) trope preceding the &amp;#039;&amp;#039;Introit&amp;#039;&amp;#039; on Easter Sunday” (222).  Lucas says that “Some common descriptive tropes are portraits (word pictures) or descriptions of actions which somehow appeal to the senses of a reader” (Earthshine).&lt;br /&gt;
&lt;br /&gt;
The idea of what trope is has been debated numerous times. Baldick states that “The theory of rhetoric has involved several disputed attempts to clarify the distinction between tropes (or figures of thought) and schemes (or figures of speech)” (264).  It has been established that tropes change the meaning of words “by a turn’ of sense” (Baldick 264).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
[[Literary Terms]]&lt;br /&gt;
&lt;br /&gt;
=== Works Cited ===&lt;br /&gt;
* Baldick, Chris. Oxford Concise Dictionary of Literary. New York: Oxford University Press, 2004.&lt;br /&gt;
* Childers, Joseph and Gary Hentzi, ed. The Columbia Dictionary of Modern Literary and Cultural Criticism. New York: Columbia University, 1995.&lt;br /&gt;
* Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. 4th ed. England: Penguin Books, 1998.&lt;br /&gt;
* Earthshine.org. Ed. Dr. Gerald R. Lucas. July 2005. Sept. 2006. &amp;lt;http://earthshine.org/glossary/7#lettert&amp;gt;&lt;br /&gt;
[[Catetgory:Literary Terms]][[Category:World Literature]]&lt;/div&gt;</summary>
		<author><name>Rmcpherson</name></author>
	</entry>
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