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	<id>https://litwiki.org/index.php?action=history&amp;feed=atom&amp;title=Mallarme</id>
	<title>Mallarme - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://litwiki.org/index.php?action=history&amp;feed=atom&amp;title=Mallarme"/>
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	<updated>2026-06-07T06:18:44Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.0</generator>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=8990&amp;oldid=prev</id>
		<title>Sdeloach at 18:28, 9 April 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=8990&amp;oldid=prev"/>
		<updated>2006-04-09T18:28:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:28, 9 April 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.lucidcafe.com/library/96feb/hugo.html Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;Le chair est triste, hélas! et j&#039;ai lu tous les livres&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.lucidcafe.com/library/96feb/hugo.html Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;em&amp;gt;&lt;/ins&gt;Le chair est triste, hélas! et j&#039;ai lu tous les livres&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/em&amp;gt;&lt;/ins&gt;&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[http://www.alliancefr.com/culture/mallarme/mallarme2.gif &lt;/ins&gt;Marie Gerhard&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/del&gt;He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (&quot;Stéphane&quot;). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&#039;&#039;The Afternoon of a Faun&#039;&#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Clown Chastised&#039;&#039;]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;and [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Virginal Vibrant and Beautiful Dawn&#039;&#039;].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;;&lt;/ins&gt;]He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (&quot;Stéphane&quot;). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&#039;&#039;The Afternoon of a Faun&#039;&#039;],[http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Clown Chastised&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;,&lt;/ins&gt;]and [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Virginal Vibrant and Beautiful Dawn&#039;&#039;].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sdeloach</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6720&amp;oldid=prev</id>
		<title>Lchilds: /* Questions To Think ABout */</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6720&amp;oldid=prev"/>
		<updated>2006-03-28T22:54:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Questions To Think ABout&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:54, 28 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Purifying Language&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Purifying Language&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Questions To Think &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ABout&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Questions To Think &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;About&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1. In Mallarme&amp;#039;s &amp;quot;Saint&amp;quot;, what is the significance of the viol?&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1. In Mallarme&amp;#039;s &amp;quot;Saint&amp;quot;, what is the significance of the viol?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lchilds</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6612&amp;oldid=prev</id>
		<title>Lchilds: /* Themes */</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6612&amp;oldid=prev"/>
		<updated>2006-03-28T22:54:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Themes&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:54, 28 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Purifying Language&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Purifying Language&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Questions To Think ABout==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1. In Mallarme&#039;s &quot;Saint&quot;, what is the significance of the viol?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2. Why does Mallarme make refernces to the sandalwood window frame in &quot;Saint&quot;? Also, what is the significance of the sandalwood?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3. Why would Mallarme refer to the &quot;musician of silences&quot; in the last line of &quot;Saint&quot;? Who is the musician of silences?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4. What is the purpose of the reference to &quot;Seraphim&quot; in &quot;The Tomb of Edgar Poe&quot;?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;5. Why does Mallarme describe Poe&#039;s death as being triumphant?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;6. Why would Poe&#039;s blasphemy be &quot;hurled to the future&quot;(1565)?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;7. What is the faun literally doing in Mallarme&#039;s &quot;Afternoon of the Faun&quot;?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;8. Did the faun actually have an encounter or experience with the nymph&#039;s, or was it all just a dream?&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lchilds</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6611&amp;oldid=prev</id>
		<title>Lchilds at 22:46, 28 March 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6611&amp;oldid=prev"/>
		<updated>2006-03-28T22:46:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:46, 28 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Themes==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Absence&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Silence&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Abstract&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Purifying Language&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lchilds</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6610&amp;oldid=prev</id>
		<title>Sdeloach at 02:38, 27 March 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6610&amp;oldid=prev"/>
		<updated>2006-03-27T02:38:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:38, 26 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&amp;#039; mälärmā&amp;#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.lucidcafe.com/library/96feb/hugo.html Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&amp;#039;&amp;#039;The Flowers of Evil&amp;#039;&amp;#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &amp;quot;Le chair est triste, hélas! et j&amp;#039;ai lu tous les livres&amp;quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&amp;#039; mälärmā&amp;#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.lucidcafe.com/library/96feb/hugo.html Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&amp;#039;&amp;#039;The Flowers of Evil&amp;#039;&amp;#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &amp;quot;Le chair est triste, hélas! et j&amp;#039;ai lu tous les livres&amp;quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;kirjasto&lt;/del&gt;). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&#039;&#039;The Afternoon of a Faun&#039;&#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Clown Chastised&#039;&#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Virginal Vibrant and Beautiful Dawn&#039;&#039;].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;Stéphane&quot;&lt;/ins&gt;). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&#039;&#039;The Afternoon of a Faun&#039;&#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Clown Chastised&#039;&#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&#039;&#039;The Virginal Vibrant and Beautiful Dawn&#039;&#039;].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sdeloach</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6574&amp;oldid=prev</id>
		<title>Sdeloach at 01:21, 27 March 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6574&amp;oldid=prev"/>
		<updated>2006-03-27T01:21:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:21, 26 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;victorhugo&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gg&lt;/del&gt;/ Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;Le chair est triste, hélas! et j&#039;ai lu tous les livres&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lucidcafe&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;library/96feb/hugo.html &lt;/ins&gt;Victor Hugo]; however, it was not until he came across [http://encarta.msn.com/encyclopedia_761571267/Baudelaire.html Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;Le chair est triste, hélas! et j&#039;ai lu tous les livres&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (kirjasto). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&amp;#039;&amp;#039;The Afternoon of a Faun&amp;#039;&amp;#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Clown Chastised&amp;#039;&amp;#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Virginal Vibrant and Beautiful Dawn&amp;#039;&amp;#039;].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (kirjasto). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&amp;#039;&amp;#039;The Afternoon of a Faun&amp;#039;&amp;#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Clown Chastised&amp;#039;&amp;#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Virginal Vibrant and Beautiful Dawn&amp;#039;&amp;#039;].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sdeloach</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6565&amp;oldid=prev</id>
		<title>Sdeloach at 01:19, 27 March 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6565&amp;oldid=prev"/>
		<updated>2006-03-27T01:19:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:19, 26 March 2006&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.victorhugo.gg/ Victor Hugo]; however, it was not until he came across [http://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;veinotte&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;baudelaire&lt;/del&gt;/Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;Le chair est triste, hélas! et j&#039;ai lu tous les livres&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&#039; mälärmā&#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.victorhugo.gg/ Victor Hugo]; however, it was not until he came across [http://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;encarta&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;msn&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;encyclopedia_761571267&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Baudelaire.html &lt;/ins&gt;Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&#039;&#039;The Flowers of Evil&#039;&#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &quot;Le chair est triste, hélas! et j&#039;ai lu tous les livres&quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (kirjasto). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&amp;#039;&amp;#039;The Afternoon of a Faun&amp;#039;&amp;#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Clown Chastised&amp;#039;&amp;#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Virginal Vibrant and Beautiful Dawn&amp;#039;&amp;#039;].  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (kirjasto). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&amp;#039;&amp;#039;The Afternoon of a Faun&amp;#039;&amp;#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Clown Chastised&amp;#039;&amp;#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Virginal Vibrant and Beautiful Dawn&amp;#039;&amp;#039;].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sdeloach</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mallarme&amp;diff=6564&amp;oldid=prev</id>
		<title>Sdeloach at 01:16, 27 March 2006</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mallarme&amp;diff=6564&amp;oldid=prev"/>
		<updated>2006-03-27T01:16:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[http://www.studiocleo.com/librarie/mallarme/mallarme.html Stéphane Mallarmé] (stāfän&amp;#039; mälärmā&amp;#039;), was born Etienne Mallarmé on March 18, 1842 in Paris, France. Although he was expected to follow in the footsteps of his father and grandfather and join the French civil service, he chose to focus on writing poetry instead. His first attempts at writing were done under the influence of [http://www.victorhugo.gg/ Victor Hugo]; however, it was not until he came across [http://www.veinotte.com/baudelaire/Charles Baudelaire’s] influential piece [http://fleursdumal.org/toc_1857.php&amp;#039;&amp;#039;The Flowers of Evil&amp;#039;&amp;#039;] at the age of nineteen that he wrote the Briese Marine, starting with the much quoted line &amp;quot;Le chair est triste, hélas! et j&amp;#039;ai lu tous les livres&amp;quot;. His poetry began to appear in magazines shortly after its completion. Soon after, Stepahane left school to visit England, which is also where he met his future wife, Marie Gerhard. Mallarme then went on to teach English from 1864 in Tournon, Besancon, Avignon, and Paris until his retirement in 1893.&lt;br /&gt;
&lt;br /&gt;
	Mallarmé was widely known for being the leader of the Symbolist movement with [http://www.littlebluelight.com/lblphp/intro.php?ikey=29 Paul Verlaine]; He was also known for being the center of a group of French writers in Paris along with the likes of [http://nobelprize.org/literature/laureates/1947/gide-bio.html Gide], [http://www.kalin.lm.com/valery.html Valery], and [http://www.library.uiuc.edu/kolbp/proust.html Proust]. In fact, Mallarmé’s idea on poetry and art were considered difficult and obscure; furthermore, he challenged his readers by seeking out the long-forgotten meanings of common words and used these instead of standard convention. According to Mallarmé’s theories, “Nothing lies beyond reality, but within this nothingness lies the essence of perfect forms. It is the task of the poet to reveal and crystallize these essences,” and that “You don’t make a poem with ideas, but with words” (kirjasto). Naturally this roused a hostility that followed him throughout his poetic career. Even though he faced many obstacles, Mallarmé still managed to publish numerous pieces including [http://www.studiocleo.com/librarie/mallarme/mallarme.html&amp;#039;&amp;#039;The Afternoon of a Faun&amp;#039;&amp;#039;], [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Clown Chastised&amp;#039;&amp;#039;], and [http://www.geocities.com/rrobbins.geo/mallarme.htm&amp;#039;&amp;#039;The Virginal Vibrant and Beautiful Dawn&amp;#039;&amp;#039;]. &lt;br /&gt;
	&lt;br /&gt;
&lt;br /&gt;
Mallarmé spent most of his life trying to perfect his work; therefore, he had many great pieces left unfinished. His sole focus was to continue putting his literary theories into practice and complete a piece called &amp;#039;&amp;#039;Grand Oeuvre&amp;#039;&amp;#039;, or Great Work. Unfortunately he died before reaching his goal: He passed away on September 9, 1898 at the age of 56. However, he will always be known for influencing twentieth century French poetry, and for modernizing German and American poetry.&lt;/div&gt;</summary>
		<author><name>Sdeloach</name></author>
	</entry>
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