Faust: Out Walking - Revision history

Tforehand: /* Works Cited */

2006-03-03T03:47:57Z

Works Cited

← Older revision		Revision as of 23:47, 2 March 2006
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	==Works Cited==		==Works Cited==
	~~Barbler, Jules & Carre, Michel. Fasut. ''Opera News''. (2005)~~

	~~Bohm, Arnd. ''Goethe'' and Patriarchy: ''Faust'' and the Fates of Desire. ''Seminar--A Journal of Germanic Studies''. (2005).~~

	Champagne, Roland A. An Etical Model in a Postmodern ''Faust'': The Daemonic Parody of the Politics of Friendship in Thomas Mann's Doctor Faustus. ''Style''. (2000)		Champagne, Roland A. An Etical Model in a Postmodern ''Faust'': The Daemonic Parody of the Politics of Friendship in Thomas Mann's Doctor Faustus. ''Style''. (2000)

2006-03-03T03:47:22Z

Notes

← Older revision		Revision as of 23:47, 2 March 2006
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	In line 2623, Mehisto is refering to the wooden horse that entered Troy and captured it; "Why look a gift horse, in the mouth?."(582).		In line 2623, Mehisto is refering to the wooden horse that entered Troy and captured it; "Why look a gift horse, in the mouth?."(582).

			Faust does not limit himself to power in any way: " he increases it through his seduction of Gretchen" (Van Der Laan).

	==Commentary==		==Commentary==

2006-03-02T22:44:34Z

Notes

← Older revision		Revision as of 18:44, 2 March 2006
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	==Notes==		==Notes==
	Gretchen is a diminutive oth the German Margarete. She is refered to as Gretchen throughout the play.		Gretchen is a diminutive oth the German Margarete. She is refered to as Gretchen throughout the play. Goethe "requested that Margarete become Gretchen" (Champagne).

	In line 2623, Mehisto is refering to the wooden horse that entered Troy and captured it; "Why look a gift horse, in the mouth?."(582).		In line 2623, Mehisto is refering to the wooden horse that entered Troy and captured it; "Why look a gift horse, in the mouth?."(582).

2006-03-02T22:40:00Z

Notes

← Older revision		Revision as of 18:40, 2 March 2006
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	==Notes==		==Notes==
			Gretchen is a diminutive oth the German Margarete. She is refered to as Gretchen throughout the play.

			In line 2623, Mehisto is refering to the wooden horse that entered Troy and captured it; "Why look a gift horse, in the mouth?."(582).

	==Commentary==		==Commentary==
	This scene shows Goethe's dislike for the church. Mephisto tells fasut how Margarete's mother gave the jewels to the priest. The priest says " The Church's stomach is very capacious, Gobbles up whole realms, anything precious" (582, 2631-2632)...."The Church alone, dear sister, God has named Receiver of all goods unlawfully obtained" (582, 2634-2635). It has been stated that " Although the conclusion of the play is essentially a religous one, it has nothing to do with the redeeming power of any church" (Montgomery 42).		This scene shows Goethe's dislike for the church. Mephisto tells fasut how Margarete's mother gave the jewels to the priest. The priest says " The Church's stomach is very capacious, Gobbles up whole realms, anything precious" (582, 2631-2632)...."The Church alone, dear sister, God has named Receiver of all goods unlawfully obtained" (582, 2634-2635). It has been stated that " Although the conclusion of the play is essentially a religous one, it has nothing to do with the redeeming power of any church" (Montgomery 42).

2006-03-02T22:01:17Z

Study Questions

← Older revision		Revision as of 18:01, 2 March 2006
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	==Study Questions==		==Study Questions==
	1. What happens to the jewels?		1. What happens to the jewels?
	2. How does Mephisto react to this?
	3. What does Faust tell Mephisto to do so Margarete will not be sad?		2. How does Mephisto react to this?

			3. What does Faust tell Mephisto to do so Margarete will not be sad?

	==External Resources==		==External Resources==

2006-03-02T21:58:05Z

Works Cited

← Older revision		Revision as of 17:58, 2 March 2006
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	==Works Cited==		==Works Cited==
	Barbler, Jules & Carre, Michel. Fasut. ''Opera News''. (2005)		Barbler, Jules & Carre, Michel. Fasut. ''Opera News''. (2005)
	Bohm, Arnd. ''Goethe'' and Patriarchy: ''Faust'' and the Fates of Desire. ''Seminar--A Journal of Germanic Studies''. (2005).
	Champagne, Roland A. An Etical Model in a Postmodern ''Faust'': The Daemonic Parody of the Politics of Friendship in Thomas Mann's Doctor Faustus. ''Style''. (2000)		Bohm, Arnd. ''Goethe'' and Patriarchy: ''Faust'' and the Fates of Desire. ''Seminar--A Journal of Germanic Studies''. (2005).
	Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.
	Van Der Laan, J.M. ''Faust's'' Divided Self and Moral Inertia. ''Monatshefte''. (1999).		Champagne, Roland A. An Etical Model in a Postmodern ''Faust'': The Daemonic Parody of the Politics of Friendship in Thomas Mann's Doctor Faustus. ''Style''. (2000)

			Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.

			Van Der Laan, J.M. ''Faust's'' Divided Self and Moral Inertia. ''Monatshefte''. (1999).

2006-03-02T21:57:23Z

Works Cited

← Older revision		Revision as of 17:57, 2 March 2006
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	==Works Cited==		==Works Cited==
	Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.		Barbler, Jules & Carre, Michel. Fasut. ''Opera News''. (2005)
			Bohm, Arnd. ''Goethe'' and Patriarchy: ''Faust'' and the Fates of Desire. ''Seminar--A Journal of Germanic Studies''. (2005).
			Champagne, Roland A. An Etical Model in a Postmodern ''Faust'': The Daemonic Parody of the Politics of Friendship in Thomas Mann's Doctor Faustus. ''Style''. (2000)
			Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.
			Van Der Laan, J.M. ''Faust's'' Divided Self and Moral Inertia. ''Monatshefte''. (1999).

2006-03-02T21:42:12Z

External Resources

← Older revision		Revision as of 17:42, 2 March 2006
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	==External Resources==		==External Resources==
			* [http://www.wsu.edu/~brians/hum_303/faust.html Study Guide for Goethe's <i>Faust</i>]

	==Works Cited==		==Works Cited==
	Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.		Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.

2006-03-01T23:08:59Z

Works Cited

← Older revision		Revision as of 19:08, 1 March 2006
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	==External Resources==		==External Resources==
	==Works Cited==		==Works Cited==
			Montgomery, Paul. Goethe's Faust: Critiques of Literature. New York: Monarch Press, 1963.

2006-03-01T23:08:25Z

Commentary

← Older revision		Revision as of 19:08, 1 March 2006
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	==Notes==		==Notes==
	==Commentary==		==Commentary==
			This scene shows Goethe's dislike for the church. Mephisto tells fasut how Margarete's mother gave the jewels to the priest. The priest says " The Church's stomach is very capacious, Gobbles up whole realms, anything precious" (582, 2631-2632)...."The Church alone, dear sister, God has named Receiver of all goods unlawfully obtained" (582, 2634-2635). It has been stated that " Although the conclusion of the play is essentially a religous one, it has nothing to do with the redeeming power of any church" (Montgomery 42).

	==Study Questions==		==Study Questions==
	1. What happens to the jewels?		1. What happens to the jewels?