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	<title>Euripides - Revision history</title>
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		<id>https://litwiki.org/index.php?title=Euripides&amp;diff=8558&amp;oldid=prev</id>
		<title>Glucas at 15:24, 5 April 2005</title>
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		<updated>2005-04-05T15:24:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:24, 5 April 2005&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Euripides, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Tragic Dramatist&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:G-Medea_Kids_Delacroix.jpg|thumb|Delacroix]] &lt;/ins&gt;Euripides &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lived approximately 480 or 485-406 B.C.  He wrote &#039;&#039;[[Medea]]&#039;&#039; in 431 BCE. He was raised in [[Athens]] for most of his life&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but also spent much of his time in Salamis.  He died in Macedonia, at the court of King Archelaus.  It is estimated that he wrote ninety two plays and during his lifetime he won four first prizes during the annual spring festival of [[Dionysus]] in Athens.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Euripides compares to [[Aeschylus]] and [[Sophocles]] in his art.  But the difference between the writers was Euripides had an ability to bring the mythological story to the layman or on a human level of understanding and reality.  It was during Euripides’ time that the traditional values of the gods were challenged by human intellect and reason. There was also a political and social shift taking place in which woman were beginning to play a more substantial role not only in the theater but in society.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Euripides lived approximately 480 or 485-406 B.C.  He wrote &#039;&#039;Medea&#039;&#039; in 431.  Raised in Athens most of his life but also spent much of his time in Salamis.  He died in Macedonia, at the court of King Archelaus.  It is estimated that he wrote ninety two plays and during his lifetime he won four first prizes during the annual spring festival of Dionysus in Athens.  &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His plays were provocative for the times and were concerned with conflicts that sometimes were disturbing to his audience for example &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Medea’s &lt;/ins&gt;killing her children to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;take &lt;/ins&gt;revenge &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on [[&lt;/ins&gt;Jason&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;.  In traditional Greek &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;tragedy&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, the women may have been portrayed as strong or solid to the plot but never with the possibility of breaking the traditional mold set by the gods.  The gods regulated the social boundaries but with writer such as Euripides not only challenged but perhaps was considered a heretic in the Greek tradition because of his lack of respect for the Greek gods or their boundaries.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Euripides is compared to Aeschylus and Sophocles in his art.  But the difference between the writers was Euripides had an ability to bring the mythological story to the layman or on a human level of understanding and reality.  It was during Euripides time that the traditional values of the gods were challenged by human intellect and reason. There was also a political and social shift taking place in which woman were beginning to play a more substantial role not only in the theater but in society.  &lt;/del&gt;His plays were provocative for the times and were concerned with conflicts that sometimes were disturbing to his audience for example &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Medea &lt;/del&gt;killing her children to revenge Jason.  In traditional Greek tragedy, the women may have been portrayed as strong or solid to the plot but never with the possibility of breaking the traditional mold set by the gods.  The gods regulated the social boundaries but with writer such as Euripides not only challenged but perhaps was considered a heretic in the Greek tradition because of his lack of respect for the Greek gods or their boundaries. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; Not only did Euripides test the ideas of the day about the gods, women but also about the traditional ideals about men.  Jason for example is not considered the hero in &#039;&#039;Medea&#039;&#039; until perhaps Medea killed her children that forced the reader to have pity on Jason.  Jason was not a hero based on the traditional qualities of a hero in literature.  Jason compared perhaps to Hector of the &#039;&#039;Iliad&#039;&#039; was lacking in character, bravery, and strength.  If Hector is our model of a fierce warrior, a family man who was devoted to one woman and courageous in death makes Jason seem a bit deficient in character.  The new heroic code that was portrayed by Hector “embodies a new type of humanism.  A man is defined as a total being, and not on the basis of one special function, and in which his rights as a member of society proceed from an acknowledgement of that which he had in common with the rest of society, rather than from his particular and special abilities.”(Valsillopulos, para. 41 ) &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Image:http://www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;utexas&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;edu/courses/larrymyth/images/medea/G-Medea%20Kids%20Delacroix&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jpg]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Not only did Euripides test the ideas of the day about the gods, women but also about the traditional ideals about men.  Jason, for example, is not considered the hero in &#039;&#039;Medea&#039;&#039; until perhaps Medea killed her children that forced the reader to have pity on Jason.  Jason was not a hero based on the traditional qualities of a hero in literature.  Jason compared perhaps to Hector of the &#039;&#039;&lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Iliad]]&#039;&#039; was lacking in character, bravery, and strength&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; If [[Hector]] is our model of a fierce warrior, a family man who was devoted to one woman and courageous in death makes Jason seem a bit deficient in character&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; The new heroic code that was portrayed by Hector “embodies a new type of humanism. A man is defined as a total being, and not on the basis of one special function, and in which his rights as a member of society proceed from an acknowledgement of that which he had in common with the rest of society, rather than from his particular and special abilities” (Valsillopulos)&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Work Cited==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;Valsillopulos, Christopher.  “Medea and the Reformation of the Tragic Polis.” &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Social Science Journal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; (&lt;/ins&gt;31.4&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1994&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;435&lt;/ins&gt;-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Works Cited&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valsillopulos, Christopher.  “Medea and the Reformation of the Tragic Polis.” Social Science &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;                      &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;	&lt;/del&gt;Journal &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; 1994:  Vol.&lt;/del&gt;31. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Issue &lt;/del&gt;4&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.  p435, 27p; Galileo. Academia Search Premier&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;        &amp;lt;http&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;//neptune3.galib&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;uga.edu/cgi&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bin/homepage.cgi&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Glucas</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Euripides&amp;diff=3503&amp;oldid=prev</id>
		<title>Sbernard at 17:41, 4 April 2005</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Euripides&amp;diff=3503&amp;oldid=prev"/>
		<updated>2005-04-04T17:41:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Euripides, The Tragic Dramatist&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Euripides lived approximately 480 or 485-406 B.C.  He wrote &amp;#039;&amp;#039;Medea&amp;#039;&amp;#039; in 431.  Raised in Athens most of his life but also spent much of his time in Salamis.  He died in Macedonia, at the court of King Archelaus.  It is estimated that he wrote ninety two plays and during his lifetime he won four first prizes during the annual spring festival of Dionysus in Athens.  &lt;br /&gt;
Euripides is compared to Aeschylus and Sophocles in his art.  But the difference between the writers was Euripides had an ability to bring the mythological story to the layman or on a human level of understanding and reality.  It was during Euripides time that the traditional values of the gods were challenged by human intellect and reason. There was also a political and social shift taking place in which woman were beginning to play a more substantial role not only in the theater but in society.  His plays were provocative for the times and were concerned with conflicts that sometimes were disturbing to his audience for example Medea killing her children to revenge Jason.  In traditional Greek tragedy, the women may have been portrayed as strong or solid to the plot but never with the possibility of breaking the traditional mold set by the gods.  The gods regulated the social boundaries but with writer such as Euripides not only challenged but perhaps was considered a heretic in the Greek tradition because of his lack of respect for the Greek gods or their boundaries.  Not only did Euripides test the ideas of the day about the gods, women but also about the traditional ideals about men.  Jason for example is not considered the hero in &amp;#039;&amp;#039;Medea&amp;#039;&amp;#039; until perhaps Medea killed her children that forced the reader to have pity on Jason.  Jason was not a hero based on the traditional qualities of a hero in literature.  Jason compared perhaps to Hector of the &amp;#039;&amp;#039;Iliad&amp;#039;&amp;#039; was lacking in character, bravery, and strength.  If Hector is our model of a fierce warrior, a family man who was devoted to one woman and courageous in death makes Jason seem a bit deficient in character.  The new heroic code that was portrayed by Hector “embodies a new type of humanism.  A man is defined as a total being, and not on the basis of one special function, and in which his rights as a member of society proceed from an acknowledgement of that which he had in common with the rest of society, rather than from his particular and special abilities.”(Valsillopulos, para. 41 ) &lt;br /&gt;
&lt;br /&gt;
[[Image:http://www.utexas.edu/courses/larrymyth/images/medea/G-Medea%20Kids%20Delacroix.jpg]]&lt;br /&gt;
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Works Cited&lt;br /&gt;
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Valsillopulos, Christopher.  “Medea and the Reformation of the Tragic Polis.” Social Science                       &lt;br /&gt;
	Journal  1994:  Vol.31. Issue 4.  p435, 27p; Galileo. Academia Search Premier&lt;br /&gt;
        &amp;lt;http://neptune3.galib.uga.edu/cgi-bin/homepage.cgi&amp;gt;&lt;/div&gt;</summary>
		<author><name>Sbernard</name></author>
	</entry>
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