https://litwiki.org/index.php?action=history&feed=atom&title=Animals_in_Medieval_Art%2C_Seventh_CenturyAnimals in Medieval Art, Seventh Century - Revision history2026-04-29T00:12:43ZRevision history for this page on the wikiMediaWiki 1.43.0https://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10437&oldid=prevRtsmith at 22:47, 21 September 20062006-09-21T22:47:05Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:47, 21 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In Chapter Two of ''Animals in Medieval Art'', [http://www.newn.cam.ac.uk/seniormembers/cmh19.shtml Carola Hicks] informs the reader that by the end of the seventh century England will become a "Christian country" (57). The [http://www.metmuseum.org/toah/hd/best/hd_best.htm use of animals in the art] of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In Chapter Two of ''Animals in Medieval Art'', [http://www.newn.cam.ac.uk/seniormembers/cmh19.shtml Carola Hicks] informs the reader that by the end of the seventh century England will become a "Christian country" (57). The [http://www.metmuseum.org/toah/hd/best/hd_best.htm use of animals in the art] of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...].</ins></div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10399&oldid=prevRtsmith at 01:39, 19 September 20062006-09-19T01:39:42Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:39, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', [http://www.newn.cam.ac.uk/seniormembers/cmh19.shtml Carola Hicks] informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', [http://www.newn.cam.ac.uk/seniormembers/cmh19.shtml Carola Hicks] informs the reader that by the end of the seventh century England will become a "Christian country" (57). The <ins style="font-weight: bold; text-decoration: none;">[http://www.metmuseum.org/toah/hd/best/hd_best.htm </ins>use of animals in the art<ins style="font-weight: bold; text-decoration: none;">] </ins>of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10398&oldid=prevRtsmith at 01:37, 19 September 20062006-09-19T01:37:33Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:37, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', <ins style="font-weight: bold; text-decoration: none;">[http://www.newn.cam.ac.uk/seniormembers/cmh19.shtml </ins>Carola Hicks<ins style="font-weight: bold; text-decoration: none;">] </ins>informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10386&oldid=prevRtsmith at 21:18, 18 September 20062006-09-18T21:18:53Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:18, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with [http://en.wikipedia.org/wiki/Picts Pictish] stone carving, as well as an awareness of Continental material" (95)<ins style="font-weight: bold; text-decoration: none;">. The Pictish stones of the seventh century are believed by Hicks to primarily be [http://en.wikipedia.org/wiki/Pictish_stones Class I] stones which transitioned into [http://en.wikipedia.org/wiki/Pictish_stones Class II] stones near the end of the century due to "a variety of impulses" (105) [...]</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10385&oldid=prevRtsmith at 20:26, 18 September 20062006-09-18T20:26:29Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:26, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with Pictish stone carving, as well as an awareness of Continental material" (95). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the [http://www.suttonhoo.org/ Sutton Hoo] ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with <ins style="font-weight: bold; text-decoration: none;">[http://en.wikipedia.org/wiki/Picts </ins>Pictish<ins style="font-weight: bold; text-decoration: none;">] </ins>stone carving, as well as an awareness of Continental material" (95). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10384&oldid=prevRtsmith at 20:21, 18 September 20062006-09-18T20:21:37Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:21, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the Sutton Hoo ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on <del style="font-weight: bold; text-decoration: none;">the </del>churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the <ins style="font-weight: bold; text-decoration: none;">[http://www.suttonhoo.org/ </ins>Sutton Hoo<ins style="font-weight: bold; text-decoration: none;">] </ins>ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81<ins style="font-weight: bold; text-decoration: none;">). The dual interpretation continues into the manuscripts of the era, particularly the [http://celtdigital.org/Durrow.htm Book of Durrow], one of Ireland's oldest surviving gospels. The animal ornamentation in the manuscript "combines elements which show familiarity with Irish metalworking and with Pictish stone carving, as well as an awareness of Continental material" (95</ins>). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10383&oldid=prevRtsmith at 20:08, 18 September 20062006-09-18T20:08:28Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:08, 18 September 2006</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Animals in Medieval Art, Seventh Century ==</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In Chapter Two of ''Animals in Medieval Art'', Carola Hicks informs the reader that by the end of the seventh century England will become a "Christian country" (57). The use of animals in the art of this era provides what Hicks calls "a dual interpretation of belief for pagans and Christians" (57). For instance, there are Christian and pagan elements found in the ornamental yet functional weaponry of the Sutton Hoo ship burial. In fact, Hicks calls Sutton Hoo "a metaphor for the art of the period; animal ornament is an integral part of the decoration of these different styles" (58). This dual interpretation can also be seen in the architectural sculptures on the churches of the seventh century. The animals used were "chosen because of their symbolic function, which would have been interpreted by the onlooker in the light of his own knowledge and belief" (79). These depictions of animals were "retained as a means of transferring primitive belief into the official religion" (81).</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Hicks, Carola. "The Seventh Century." ''Animals in Early Medieval Art''. Edinburgh:Edinburgh University Press, 1993</ins></div></td></tr>
</table>Rtsmithhttps://litwiki.org/index.php?title=Animals_in_Medieval_Art,_Seventh_Century&diff=10382&oldid=prevRtsmith at 19:29, 18 September 20062006-09-18T19:29:05Z<p></p>
<p><b>New page</b></p><div>== Animals in Medieval Art, Seventh Century ==</div>Rtsmith