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Fight Club

2006-11-06T22:26:29Z

Mmisinco1230: /* The Oedipus Complex */

[[Image:FightClub.jpg|thumb|The cover of Chuck Palahniuk's ''Fight Club'']]
A 1996 [[novel]] by [[Chuck Palahniuk]], and a 1999 [[film]] by [[David Fincher]].

== Study Guide ==
<table width="60%">
<tr valign="top"><td>
* [[Fight Club Chapter 1|Chapter 1]]
* [[Fight Club Chapter 2|Chapter 2]]
* [[Fight Club Chapter 3|Chapter 3]]
* [[Fight Club Chapter 4|Chapter 4]]
* [[Fight Club Chapter 5|Chapter 5]]
* [[Fight Club Chapter 6|Chapter 6]]
* [[Fight Club Chapter 7|Chapter 7]]
* [[Fight Club Chapter 8|Chapter 8]]
* [[Fight Club Chapter 9|Chapter 9]]
* [[Fight Club Chapter 10|Chapter 10]]
</td>
<td>
* [[Fight Club Chapter 11|Chapter 11]]
* [[Fight Club Chapter 12|Chapter 12]]
* [[Fight Club Chapter 13|Chapter 13]]
* [[Fight Club Chapter 14|Chapter 14]]
* [[Fight Club Chapter 15|Chapter 15]]
* [[Fight Club Chapter 16|Chapter 16]]
* [[Fight Club Chapter 17|Chapter 17]]
* [[Fight Club Chapter 18|Chapter 18]]
* [[Fight Club Chapter 19|Chapter 19]]
* [[Fight Club Chapter 20|Chapter 20]]
</td>
<td>
* [[Fight Club Chapter 21|Chapter 21]]
* [[Fight Club Chapter 22|Chapter 22]]
* [[Fight Club Chapter 23|Chapter 23]]
* [[Fight Club Chapter 24|Chapter 24]]
* [[Fight Club Chapter 25|Chapter 25]]
* [[Fight Club Chapter 26|Chapter 26]]
* [[Fight Club Chapter 27|Chapter 27]]
* [[Fight Club Chapter 28|Chapter 28]]
* [[Fight Club Chapter 29|Chapter 29]]
* [[Fight Club Chapter 30|Chapter 30]]
</td></tr></table>

== Characters ==
=== The Narrator ===
The protagonist of the story who suffers from insomnia and has a split personality. Because of his insomnia, he starts attending support groups to see what real suffering is like. After a while of attending them, he meets Tyler Durden and forms Fight Club. This begins to be his new support group. We never find out his name in the story. We only know his other personality, Tyler.

=== Tyler Durden ===
He is the narrators devious side of his personality. He is the one who technically made the way for the Fight Club when he said to the narrator "hit me as hard as you can." The narrator wanted to be more like Tyler even though the are the same person.

=== Marla Singer ===
The narrator meets her at the support groups he was attending. He beings to hate her for being a tourist. He could not let himself go when there was another faker there. She ends up being Tyler (and the narrator's) lover.

By analyzing the character of Marla Singer, it is important to look at her part in this novel through the eyes of a feminist critic. She is the only female character and can be seen as a very different character when compared with all of the other male ones throughout the book. She is portrayed and treated differently as a female and as an outsider of the group of men who make up fight club. With this role, she is given a submissive and somewhat blind perspective by the other characters. She is the one who is most intimately involved with the nararrator and with Tyler but seems to be the one that they both treat with the least amount of respect.

The entire Fight Club is based upon a patriarchal society. All of the men involved are men who were raised by women. None of them had a father figure to look up to and all of them lack the father that they needed when the time came to ask what they should do next. This may attribute to their over masculinity when fight club was in session. The testicular cancer group was a major sign of the lacking of masculinity prevalent in this book. Big Bob was once a very manly and muscular body builder that prided himself on the ability to be strong. He got testicular cancer, lost his manhood, and grew breasts. This shows the negative aspect attributed to being female. Though it is understandable that Big Bob doesn't want to be feminine, especially not physically, there is still a negative aspect surrounding the femal gender altogether.

Marla is shunned and treated with little or no respect throughout the novel up until the end. The nararrator and herself have a competition in the beginning as to who is allowed what groups. Once Fight Club starts, the nararrator feels pride in the fact that Fight Club really does exclude her due to her gender. From then on she is kept in the dark about what is going on and is not allowed to know anything about this group that allows only men. She is only called on by Tyler for the majority of the book so that he can get laid and the nararrator views her as an annoyance that invades his home. The female character in this novel is shunned, avoided, and is seen as irritating.

Towards the end of the novel, near the nararrator's breaking point, he begins to appreciate Marla. He is beginning to realize that Tyler isn't a real person at all and that he is just an alternate personality that comes into play when he falls asleep. Upon this realization he calls upon Marla and feels the need to be with her in order to stay awake. He fears that the members of Fight Club are now out to kill her and suddenly gains the urge to be her protector. His new meaning for staying alive is now not all about himself but about Marla and keeping her safe. His annoyance becomes his reason for living. In the end, the female critic would say that the gender prejudice had disappeared and that Marla was eventually given the respect that she deserved.

== Major Themes ==
=== The Feminization of Men ===

=== Redefining or Rediscovering Masculinity ===

=== The Numbing Effects of Modern Life ===

=== The Oedipus Complex ===

The Oedipus Complex –
Based from a greek legend [http://en.wikipedia.org/wiki/Oedipus Read about it] king of Thebes, the son of Laius and Jocasta, and the father by Jocasta of Eteocles, Polynices, Antigone, and Ismeme: as was prophesied at his birth, he unwittingly killed his father and married his mother and, in penance, blinded himself and went into exile.

The unresolved desire of a child for sexual gratification through the parent of the opposite sex, esp. the desire of a son for his mother. This involves, first, identification with and, later, hatred for the parent of the same sex, who is considered by the child as a rival.

1.A child's positive libidinal feelings toward the parent of the opposite sex and hostile or jealous feelings toward the parent of the same sex that develop usually between the ages of three and six and that may be a source of adult personality disorder when unresolved used especially of the male child.
2. The unresolved oedipal feelings persisting into adult life.

“The child’s sexual researches, on which limits are imposed by his physical development, lead to no satisfactory conclusion; hence such later complaints as ‘I can’t accomplish anything’.”(Freud 15) “The tie of affection, which binds the child as a rule to the parent of the opposite sex, succumbs to disappointment, to a vain expectation of satisfaction or to jealousy over the birth of a new baby-unmistakable proof or the infidelity of the object of the child’s affections.”(Freud 15) “His own attempt to make a bay himself, carried out with tragic seriousness, fails shamefully.”(Freud 15) “The lessening amount of affection he receives, the increasing demands of education, hard words and an occasional punishment-these show him at last the full extent to which he has been scorned.”(Freud 15) “These are a few typical and constantly recurring instances of the ways in which the love characteristic of the age of childhood is brought to a conclusion.”(Freud 15)

==== The Oedipus Myth: The Mother ====
Aristotle once had an idea that thinking and knowledge are the driving forces in human life, and through the well-known myth of Oedipus, a tyrant of Thebes, he tries to reveal these forces are also found at the myth's semantic base. The first and oldest component of the myth is the story of the Sphinx, initially presented as one of the "storm demons," symbolizing disaster and plague, and naming her a "sacred disease" (Rudnytsky 96). The combination of the two myths of the Sphinx and Oedipus was at first understood as a symbolic representation of the purely physical conflicts between the sun and storm clouds. Consequently, changes in social conditions catalyzed a change in the interpretation, so eventually the story developed and became enriched into a myth tracing the daily or yearly career of the sun, which was believed to kill his father (the night) and marry his mother (the dawn) (Rudnytsky 98).

In respects to religion, the Sphinx can be interpreted as Mother Earth - its gradual metamorphosis from an environment of hostile natural forces and diseases into one of earth, life and Mother Nature. Freud pointed out that figures of this kind are the religious equivalent of the "phallic mother" symbolized in cults by objects such as a totem. In her many guises the goddess represents all the aspects which a mother shows to her child. She is an intercessor with the father-god, embodiment of beauty as well as the origin of all things (Rudnytsky 107).

For further reading, see the [http://en.wikipedia.org/wiki/Oedipus_complex Oedipal Complex]

== Major Symbols ==
=== The Rules of Fight Club===

1st RULE: You do not talk about FIGHT CLUB.

2nd RULE: You DO NOT talk about FIGHT CLUB.

3rd RULE: If someone says "stop" or goes limp, taps out the fight is over.

4th RULE: Only two guys to a fight.

5th RULE: One fight at a time.

6th RULE: No shirts, no shoes.

7th RULE: Fights will go on as long as they have to.

8th RULE: If this is your first night at FIGHT CLUB, you HAVE to fight.

=== Jack ===

At one point in the novel, the narrator comes across magazine articles that are supposedly written by body organs in the first person. For example, "I am Jack's medulla oblongata. Without me, Jack could not perform any of his autonomic funtions." Throughout the rest of the story, in both the novel and the film, the narrator uses this line to express his thoughts, emotions and feelings - I am Jack's raging bile duct. I am Jack's complete lack of surprise. I am Jack's wasted life.

== ''Fight Club'' in Contemporary Culture ==
[This section should include links to cultural items that ''Fight Club'' has influenced.]

== Influences ==
=== F. Scott Fitzgerald's ''The Great Gatsby'' ===

[More to be added.]

== ''Fight Club'' the film ==
* [http://www.imdb.com/title/tt0137523/quotes Memorable quotations from the film]
* [http://www.foxmovies.com/fightclub/ Official Film Site]

== Additional Resources ==
[This section should include items of interest that have ''not been cited'' but that might be of further use for researchers.]

== Works Cited ==
[All works cited should be in correct MLA format and include in-text parenthetical citations.]

*Palahniuk, Chuck. ''Fight Club.'' New York: Henry Holt and Company, 1996.

*Freud, Sigmund. ''Beyond the pleasure principle.'' New York: Liveright Publishing Corporation, 1961.

*Rudnytsky, Peter. ''Freud and Forbidden Knowledge.'' New York: New York University Press, 1994. 96-110.

*Friday, Krister. "A Generation of Men Without History": Fight Club, Masculinity, and the Historical Symptom. Post Modern Culture. Vol.13, Number3. May 2003.

[[Category:Literature]] [[Category:Study Guide]]

Fight Club

2006-11-06T22:25:48Z

Mmisinco1230: /* The Oedipus Complex */

[[Image:FightClub.jpg|thumb|The cover of Chuck Palahniuk's ''Fight Club'']]
A 1996 [[novel]] by [[Chuck Palahniuk]], and a 1999 [[film]] by [[David Fincher]].

== Study Guide ==
<table width="60%">
<tr valign="top"><td>
* [[Fight Club Chapter 1|Chapter 1]]
* [[Fight Club Chapter 2|Chapter 2]]
* [[Fight Club Chapter 3|Chapter 3]]
* [[Fight Club Chapter 4|Chapter 4]]
* [[Fight Club Chapter 5|Chapter 5]]
* [[Fight Club Chapter 6|Chapter 6]]
* [[Fight Club Chapter 7|Chapter 7]]
* [[Fight Club Chapter 8|Chapter 8]]
* [[Fight Club Chapter 9|Chapter 9]]
* [[Fight Club Chapter 10|Chapter 10]]
</td>
<td>
* [[Fight Club Chapter 11|Chapter 11]]
* [[Fight Club Chapter 12|Chapter 12]]
* [[Fight Club Chapter 13|Chapter 13]]
* [[Fight Club Chapter 14|Chapter 14]]
* [[Fight Club Chapter 15|Chapter 15]]
* [[Fight Club Chapter 16|Chapter 16]]
* [[Fight Club Chapter 17|Chapter 17]]
* [[Fight Club Chapter 18|Chapter 18]]
* [[Fight Club Chapter 19|Chapter 19]]
* [[Fight Club Chapter 20|Chapter 20]]
</td>
<td>
* [[Fight Club Chapter 21|Chapter 21]]
* [[Fight Club Chapter 22|Chapter 22]]
* [[Fight Club Chapter 23|Chapter 23]]
* [[Fight Club Chapter 24|Chapter 24]]
* [[Fight Club Chapter 25|Chapter 25]]
* [[Fight Club Chapter 26|Chapter 26]]
* [[Fight Club Chapter 27|Chapter 27]]
* [[Fight Club Chapter 28|Chapter 28]]
* [[Fight Club Chapter 29|Chapter 29]]
* [[Fight Club Chapter 30|Chapter 30]]
</td></tr></table>

== Characters ==
=== The Narrator ===
The protagonist of the story who suffers from insomnia and has a split personality. Because of his insomnia, he starts attending support groups to see what real suffering is like. After a while of attending them, he meets Tyler Durden and forms Fight Club. This begins to be his new support group. We never find out his name in the story. We only know his other personality, Tyler.

=== Tyler Durden ===
He is the narrators devious side of his personality. He is the one who technically made the way for the Fight Club when he said to the narrator "hit me as hard as you can." The narrator wanted to be more like Tyler even though the are the same person.

=== Marla Singer ===
The narrator meets her at the support groups he was attending. He beings to hate her for being a tourist. He could not let himself go when there was another faker there. She ends up being Tyler (and the narrator's) lover.

By analyzing the character of Marla Singer, it is important to look at her part in this novel through the eyes of a feminist critic. She is the only female character and can be seen as a very different character when compared with all of the other male ones throughout the book. She is portrayed and treated differently as a female and as an outsider of the group of men who make up fight club. With this role, she is given a submissive and somewhat blind perspective by the other characters. She is the one who is most intimately involved with the nararrator and with Tyler but seems to be the one that they both treat with the least amount of respect.

The entire Fight Club is based upon a patriarchal society. All of the men involved are men who were raised by women. None of them had a father figure to look up to and all of them lack the father that they needed when the time came to ask what they should do next. This may attribute to their over masculinity when fight club was in session. The testicular cancer group was a major sign of the lacking of masculinity prevalent in this book. Big Bob was once a very manly and muscular body builder that prided himself on the ability to be strong. He got testicular cancer, lost his manhood, and grew breasts. This shows the negative aspect attributed to being female. Though it is understandable that Big Bob doesn't want to be feminine, especially not physically, there is still a negative aspect surrounding the femal gender altogether.

Marla is shunned and treated with little or no respect throughout the novel up until the end. The nararrator and herself have a competition in the beginning as to who is allowed what groups. Once Fight Club starts, the nararrator feels pride in the fact that Fight Club really does exclude her due to her gender. From then on she is kept in the dark about what is going on and is not allowed to know anything about this group that allows only men. She is only called on by Tyler for the majority of the book so that he can get laid and the nararrator views her as an annoyance that invades his home. The female character in this novel is shunned, avoided, and is seen as irritating.

Towards the end of the novel, near the nararrator's breaking point, he begins to appreciate Marla. He is beginning to realize that Tyler isn't a real person at all and that he is just an alternate personality that comes into play when he falls asleep. Upon this realization he calls upon Marla and feels the need to be with her in order to stay awake. He fears that the members of Fight Club are now out to kill her and suddenly gains the urge to be her protector. His new meaning for staying alive is now not all about himself but about Marla and keeping her safe. His annoyance becomes his reason for living. In the end, the female critic would say that the gender prejudice had disappeared and that Marla was eventually given the respect that she deserved.

== Major Themes ==
=== The Feminization of Men ===

=== Redefining or Rediscovering Masculinity ===

=== The Numbing Effects of Modern Life ===

=== The Oedipus Complex ===

The Oedipus Complex –
Based from a greek legend, [http://en.wikipedia.org/wiki/Oedipus (Read about it)] king of Thebes, the son of Laius and Jocasta, and the father by Jocasta of Eteocles, Polynices, Antigone, and Ismeme: as was prophesied at his birth, he unwittingly killed his father and married his mother and, in penance, blinded himself and went into exile.

The unresolved desire of a child for sexual gratification through the parent of the opposite sex, esp. the desire of a son for his mother. This involves, first, identification with and, later, hatred for the parent of the same sex, who is considered by the child as a rival.

1.A child's positive libidinal feelings toward the parent of the opposite sex and hostile or jealous feelings toward the parent of the same sex that develop usually between the ages of three and six and that may be a source of adult personality disorder when unresolved used especially of the male child.
2. The unresolved oedipal feelings persisting into adult life.

“The child’s sexual researches, on which limits are imposed by his physical development, lead to no satisfactory conclusion; hence such later complaints as ‘I can’t accomplish anything’.”(Freud 15) “The tie of affection, which binds the child as a rule to the parent of the opposite sex, succumbs to disappointment, to a vain expectation of satisfaction or to jealousy over the birth of a new baby-unmistakable proof or the infidelity of the object of the child’s affections.”(Freud 15) “His own attempt to make a bay himself, carried out with tragic seriousness, fails shamefully.”(Freud 15) “The lessening amount of affection he receives, the increasing demands of education, hard words and an occasional punishment-these show him at last the full extent to which he has been scorned.”(Freud 15) “These are a few typical and constantly recurring instances of the ways in which the love characteristic of the age of childhood is brought to a conclusion.”(Freud 15)

==== The Oedipus Myth: The Mother ====
Aristotle once had an idea that thinking and knowledge are the driving forces in human life, and through the well-known myth of Oedipus, a tyrant of Thebes, he tries to reveal these forces are also found at the myth's semantic base. The first and oldest component of the myth is the story of the Sphinx, initially presented as one of the "storm demons," symbolizing disaster and plague, and naming her a "sacred disease" (Rudnytsky 96). The combination of the two myths of the Sphinx and Oedipus was at first understood as a symbolic representation of the purely physical conflicts between the sun and storm clouds. Consequently, changes in social conditions catalyzed a change in the interpretation, so eventually the story developed and became enriched into a myth tracing the daily or yearly career of the sun, which was believed to kill his father (the night) and marry his mother (the dawn) (Rudnytsky 98).

In respects to religion, the Sphinx can be interpreted as Mother Earth - its gradual metamorphosis from an environment of hostile natural forces and diseases into one of earth, life and Mother Nature. Freud pointed out that figures of this kind are the religious equivalent of the "phallic mother" symbolized in cults by objects such as a totem. In her many guises the goddess represents all the aspects which a mother shows to her child. She is an intercessor with the father-god, embodiment of beauty as well as the origin of all things (Rudnytsky 107).

For further reading, see the [http://en.wikipedia.org/wiki/Oedipus_complex Oedipal Complex]

== Major Symbols ==
=== The Rules of Fight Club===

1st RULE: You do not talk about FIGHT CLUB.

2nd RULE: You DO NOT talk about FIGHT CLUB.

3rd RULE: If someone says "stop" or goes limp, taps out the fight is over.

4th RULE: Only two guys to a fight.

5th RULE: One fight at a time.

6th RULE: No shirts, no shoes.

7th RULE: Fights will go on as long as they have to.

8th RULE: If this is your first night at FIGHT CLUB, you HAVE to fight.

=== Jack ===

At one point in the novel, the narrator comes across magazine articles that are supposedly written by body organs in the first person. For example, "I am Jack's medulla oblongata. Without me, Jack could not perform any of his autonomic funtions." Throughout the rest of the story, in both the novel and the film, the narrator uses this line to express his thoughts, emotions and feelings - I am Jack's raging bile duct. I am Jack's complete lack of surprise. I am Jack's wasted life.

== ''Fight Club'' in Contemporary Culture ==
[This section should include links to cultural items that ''Fight Club'' has influenced.]

== Influences ==
=== F. Scott Fitzgerald's ''The Great Gatsby'' ===

[More to be added.]

== ''Fight Club'' the film ==
* [http://www.imdb.com/title/tt0137523/quotes Memorable quotations from the film]
* [http://www.foxmovies.com/fightclub/ Official Film Site]

== Additional Resources ==
[This section should include items of interest that have ''not been cited'' but that might be of further use for researchers.]

== Works Cited ==
[All works cited should be in correct MLA format and include in-text parenthetical citations.]

*Palahniuk, Chuck. ''Fight Club.'' New York: Henry Holt and Company, 1996.

*Freud, Sigmund. ''Beyond the pleasure principle.'' New York: Liveright Publishing Corporation, 1961.

*Rudnytsky, Peter. ''Freud and Forbidden Knowledge.'' New York: New York University Press, 1994. 96-110.

*Friday, Krister. "A Generation of Men Without History": Fight Club, Masculinity, and the Historical Symptom. Post Modern Culture. Vol.13, Number3. May 2003.

[[Category:Literature]] [[Category:Study Guide]]

2006-10-14T19:41:25Z

Mmisinco1230: /* Examples */

2006-10-11T22:45:13Z

Mmisinco1230:

== Pun ==

An expression that achieves emphasis or humor by contriving an ambiguity, two distinct meanings being suggested either by the same word (polysemy) or by two similar-sounding words (homophone) (Baldick 209).

In the terminology of rhetoric, punning is regarded as a figure of speech and known as paranomasia (Baldick 209).

For further reading, see also double entendre and/or equivoque.

== Works Cited ==

* Baldick, Chris. Concise Dictionary of Literary Terms. Oxford University Press, 2004.