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	<updated>2026-04-22T23:20:43Z</updated>
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	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15240</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15240"/>
		<updated>2014-05-09T04:41:51Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Works Cited */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15239</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15239"/>
		<updated>2014-05-09T04:41:14Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15238</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15238"/>
		<updated>2014-05-09T04:39:29Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15237</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15237"/>
		<updated>2014-05-09T04:38:43Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15236</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15236"/>
		<updated>2014-05-09T04:36:56Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15235</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15235"/>
		<updated>2014-05-09T04:36:22Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15234</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15234"/>
		<updated>2014-05-09T04:35:14Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15233</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15233"/>
		<updated>2014-05-09T04:34:40Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15232</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15232"/>
		<updated>2014-05-09T04:33:59Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler)&amp;lt;ref name=Ref1/&amp;gt;. &lt;br /&gt;
Fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref3/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15231</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15231"/>
		<updated>2014-05-09T04:31:01Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15230</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15230"/>
		<updated>2014-05-09T04:30:19Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15229</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15229"/>
		<updated>2014-05-09T04:28:36Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15228</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15228"/>
		<updated>2014-05-09T04:27:07Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15227</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15227"/>
		<updated>2014-05-09T04:25:54Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Works Cited ==&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15226</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15226"/>
		<updated>2014-05-09T04:23:41Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7/&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15225</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15225"/>
		<updated>2014-05-09T04:23:02Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Verisimilitude (Example) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15224</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15224"/>
		<updated>2014-05-09T04:21:58Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Verisimilitude (Example) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15223</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15223"/>
		<updated>2014-05-09T04:20:34Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref8/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15222</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15222"/>
		<updated>2014-05-09T04:18:31Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson)&amp;lt;ref name=Ref2/&amp;gt;.&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton)&amp;lt;ref name=Ref7&amp;gt;. To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris)&amp;lt;ref name=Ref4/&amp;gt;.&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt; Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt; Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15221</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15221"/>
		<updated>2014-05-09T04:14:41Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson).&amp;lt;ref name=Ref2/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton). To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris).&lt;br /&gt;
&amp;lt;ref name=Ref2/&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt; Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt; Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt; Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt; Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt; Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt; Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt; Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt; Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;br /&gt;
&amp;lt;/ref&amp;gt;&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15220</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15220"/>
		<updated>2014-05-09T03:54:17Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson).&lt;br /&gt;
&lt;br /&gt;
== Verisimilitude (Example) ==&lt;br /&gt;
An example of the term, verisimilitude, would be if an author writes about a man who falls off a cliff and he dies, it is believable. It is logical that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton). To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris).&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&lt;br /&gt;
*Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15219</id>
		<title>Verisimilitude</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Verisimilitude&amp;diff=15219"/>
		<updated>2014-05-09T03:41:15Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Verisimilitude is a philosophical concept that refers to characters or events in a story that appears to be life-like, or believable. This concept is achieved by a writer, or storyteller, when he presents striking details which lend an air of authenticity to a tale (Beckson). For example, if an author writes about a man who falls off a cliff and he dies. It is believable that, if a man falls off a cliff he will die. It is possible that a person can believe an event or character in a fiction story is real so, a story can have a degree of verisimilitude in fiction stories as well as non-fiction stories, as long as the reader feels that it is real (Wheeler). Note that even fantasy novels and science fiction stories that discuss impossible events can have verisimilitude if the reader is able to read them with suspended disbelief (Eagleton). To say that a work has a high degree of verisimilitude means that the work is very realistic and believable--it is &amp;quot;true to life&amp;quot; (Harris).&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
==Works Cited==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Dr. L. Wheeler, Kip. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;Literary Terms and Definitions:V.&#039;&#039;  1998-2003. &amp;lt;http://guweb2.gonzaga.edu/faculty/wheeler/lit_terms_V.html&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A. &amp;quot;Verisimilitude.&amp;quot; The Penguin Dictionary Of Literary Terms and Literary Theory fourth edition. 1976,1977,1979,1991,1998.&lt;br /&gt;
&lt;br /&gt;
*Cuddon, J.A.  Penguin Books, London. &amp;quot;Verisimilitude.&amp;quot;  Bibliography: &#039;&#039;A Dictionary of Literary Terms&#039;&#039;, 1977 [http://www.senri.ed.jp/Departments/english/littrms.htm]&lt;br /&gt;
&lt;br /&gt;
*Harris, Robert. &amp;quot;Verisimilitude.&amp;quot;  &#039;&#039;A Glossary of Literary Terms.&#039;&#039;      22May1997.[http://home.cfl.rr.com/eghsap/apterms.html]&lt;br /&gt;
&lt;br /&gt;
*Merriam-Webster, Incorporated. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Merriam-Webster&#039;s Encylopedia of Literature&#039;&#039; 1995&lt;br /&gt;
&lt;br /&gt;
*Mifflin, Houghton. &amp;quot;Verisimilitude.&amp;quot; &#039;&#039;Webster’s II New College Dictionary.&#039;&#039; 2001,1999,1995&lt;br /&gt;
&lt;br /&gt;
*Eagleton, Terry. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Theory: An Introduction.&#039;&#039;  1983&lt;br /&gt;
[http://web.cn.edu/kwheeler/lit_terms_V.html]&lt;br /&gt;
&lt;br /&gt;
*Beckson, Karl and Arthur Ganz. &amp;quot;Verisimiltude.&amp;quot;  &#039;&#039;Literary Terms: A Dictionary&#039;&#039;.  1975&lt;br /&gt;
[http://www.masconomet.org/teachers/trevenen/litterms.htm]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Elaine_Showalter&amp;diff=14930</id>
		<title>Elaine Showalter</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Elaine_Showalter&amp;diff=14930"/>
		<updated>2014-04-22T23:23:27Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Elaine Showalter&#039;&#039;&#039; was born in 1941. She is a feminist writer. Her works consist of cultural and social issues. Showalter believes there are three phases of feminism; women writers frighten men, women fight for rights, and focus is now on women&#039;s text versus men&#039;s text. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[http://global.oup.com/us/companion.websites/9780195394726/student/chapter8/overview/ global.oup.com]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14929</id>
		<title>Julia Kristeva</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14929"/>
		<updated>2014-04-22T23:23:03Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Julia Kristeva&#039;&#039;&#039; was born in 1941 in Bulgaria. She is known for her work in feminism. Kristeva believes real feminism will only come when the link between maternity and female creation are understood. Although Julia Kristeva is a huge part of feminism theory, she does not recognize herself as one. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.cddc.vt.edu/feminism/kristeva.html www.cddc.vt.edu]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mary_Wollstonecraft&amp;diff=14928</id>
		<title>Mary Wollstonecraft</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mary_Wollstonecraft&amp;diff=14928"/>
		<updated>2014-04-22T23:22:45Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Mary Wollstonecraft&#039;&#039;&#039; was born in 1759. She was known as a moral and political theorist. She wrote on a wide variety of topics such as; politics, history, and different aspects of philosophy. In 1792, Wollstonecraft blossomed into the feminism literary genre.  &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[http://plato.stanford.edu/entries/wollstonecraft/ plato.stanford.edu]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Robert_Graves&amp;diff=14927</id>
		<title>Robert Graves</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Robert_Graves&amp;diff=14927"/>
		<updated>2014-04-22T23:21:38Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Robert Graves&#039;&#039;&#039; is a English poet, lecturer, and novelist. Graves was born in 1985 in Wimbeldon, London. Also, he was known as a classicist and a mythographer. His first known poem were written along the lines of World War One (WW1). Later on in his lifetime, he became known as one of the most superb English language &#039;Love&#039; poets. Graves died in 1985 in Deja, Majorcan.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.famouspoetsandpoems.com/poets/robert_graves/biography Robert Graves Biography]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Robert_Graves&amp;diff=14926</id>
		<title>Robert Graves</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Robert_Graves&amp;diff=14926"/>
		<updated>2014-04-22T23:21:29Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;Robert Graves is a English poet, lecturer, and novelist. Graves was born in 1985 in Wimbeldon, London. Also, he was known as a classicist and a mythographer. His first known p...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Robert Graves is a English poet, lecturer, and novelist. Graves was born in 1985 in Wimbeldon, London. Also, he was known as a classicist and a mythographer. His first known poem were written along the lines of World War One (WW1). Later on in his lifetime, he became known as one of the most superb English language &#039;Love&#039; poets. Graves died in 1985 in Deja, Majorcan.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.famouspoetsandpoems.com/poets/robert_graves/biography Robert Graves Biography]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Joseph_Campbell&amp;diff=14925</id>
		<title>Joseph Campbell</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Joseph_Campbell&amp;diff=14925"/>
		<updated>2014-04-22T23:13:22Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Joseph Campbell&amp;#039;&amp;#039;&amp;#039; was an American professor, writer, speaker, anthropologist, and mythologist. Campbell was born on March 26, 1904 and died on October 30, 1987. Campbell w...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Joseph Campbell&#039;&#039;&#039; was an American professor, writer, speaker, anthropologist, and mythologist. Campbell was born on March 26, 1904 and died on October 30, 1987. Campbell was most famous for his work in the fields of comparative mythology and comparative religion, and for his theory of “monomyth”.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.egs.edu/library/joseph-campbell/biography/ Joseph (John) Campbell Biography]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=C.G._Jung&amp;diff=14924</id>
		<title>C.G. Jung</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=C.G._Jung&amp;diff=14924"/>
		<updated>2014-04-22T23:09:09Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Carl Gustav Jung&amp;#039;&amp;#039;&amp;#039; (1875-1961)was the son of a Swiss reverend. He completed his medical studies and minored in psychiatry. Jung joined the staff of Burgholzli, a psychiatr...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Carl Gustav Jung&#039;&#039;&#039; (1875-1961)was the son of a Swiss reverend. He completed his medical studies and minored in psychiatry. Jung joined the staff of Burgholzli, a psychiatric hospital in Zurich, which was ran by Dr. Eugen Bleuler at that particular time. &lt;br /&gt;
==References==&lt;br /&gt;
[http://carl-jung.net/biography.html C.G. Jung Biography]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14923</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14923"/>
		<updated>2014-04-22T23:01:45Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Archetypal/Myth Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae.&amp;lt;ref name=Ref10/&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth Authors:&lt;br /&gt;
*[[C.G. Jung]]&lt;br /&gt;
*[[Joseph Campbell]]&lt;br /&gt;
*[[Robert Graves]]&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14922</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14922"/>
		<updated>2014-04-22T22:58:45Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Archetypal/Myth Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae.&amp;lt;ref name=Ref10/&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14921</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14921"/>
		<updated>2014-04-22T22:57:12Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Archetypal/Myth Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae. &amp;lt;ref name=Ref10/&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14920</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14920"/>
		<updated>2014-04-22T22:56:31Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Archetypal/Myth Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae. &amp;lt;ref name=Ref10&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Karl_Marx&amp;diff=14919</id>
		<title>Karl Marx</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Karl_Marx&amp;diff=14919"/>
		<updated>2014-04-22T22:50:52Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Karl Heinrich Marx&#039;&#039;&#039;(Karl Marx) was born May 5, 1818 in Trier, Rhine province, Prussia and died March 14, 1883 in London, England. Marx was a revolutionary, sociologist, historian, and economist. He published, along with Friedrich Engels, Manifest der Kommunistischen Partei (1848), commonly known as &#039;&#039;The Communist Manifesto&#039;&#039;, which became the most celebrated pamphlet in the history of the socialist movement. His writings form the basis of the body of thought and belief known as Marxism.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.britannica.com/EBchecked/topic/367265/Karl-Marx Karl Marx Biography (Britannica)]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Karl_Marx&amp;diff=14918</id>
		<title>Karl Marx</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Karl_Marx&amp;diff=14918"/>
		<updated>2014-04-22T22:50:26Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot; &amp;#039;&amp;#039;&amp;#039;Karl Heinrich Marx&amp;#039;&amp;#039;&amp;#039;(Karl Marx) was born May 5, 1818 in Trier, Rhine province, Prussia and died March 14, 1883 in London, England. Marx was a revolutionary, sociologist,...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Karl Heinrich Marx&#039;&#039;&#039;(Karl Marx) was born May 5, 1818 in Trier, Rhine province, Prussia and died March 14, 1883 in London, England. Marx was a revolutionary, sociologist, historian, and economist. He published, along with Friedrich Engels, Manifest der Kommunistischen Partei (1848), commonly known as &#039;&#039;The Communist Manifesto&#039;&#039;, which became the most celebrated pamphlet in the history of the socialist movement. His writings form the basis of the body of thought and belief known as Marxism.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.britannica.com/EBchecked/topic/367265/Karl-Marx]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14917</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14917"/>
		<updated>2014-04-22T22:44:36Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Marxist Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14916</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14916"/>
		<updated>2014-04-22T22:43:18Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Marxist Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=William_Empson&amp;diff=14915</id>
		<title>William Empson</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=William_Empson&amp;diff=14915"/>
		<updated>2014-04-22T22:33:03Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;William Empson&amp;#039;&amp;#039;&amp;#039; (1906-1984) is best known for being one of the most important and idiosyncratic literary critics of the 20th Century. Empson&amp;#039;s work, &amp;#039;&amp;#039;Seven Types of Ambi...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;William Empson&#039;&#039;&#039; (1906-1984) is best known for being one of the most important and idiosyncratic literary critics of the 20th Century. Empson&#039;s work, &#039;&#039;Seven Types of Ambiguity&#039;&#039;, was published when he was only twenty-four years old. His ideas expressed aided the New Criticism movement in America.&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=7502 William Empson (Poetry Archive)]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14914</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14914"/>
		<updated>2014-04-22T22:26:31Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* New Criticism */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=David_Daiches&amp;diff=14913</id>
		<title>David Daiches</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=David_Daiches&amp;diff=14913"/>
		<updated>2014-04-22T22:24:31Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;David Daiches was born in Sunderland in 1912. His father, Rabbi Dr Salis Daiches, was a distinguished member of the Jewish community.Daiches has produced literary and critical...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;David Daiches was born in Sunderland in 1912. His father, Rabbi Dr Salis Daiches, was a distinguished member of the Jewish community.Daiches has produced literary and critical histories and a popular study of Scotch whisky. &lt;br /&gt;
==References==&lt;br /&gt;
[http://www.canongate.tv/authors/daviddaiches David Daiches]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Cleanth_Brooks&amp;diff=14912</id>
		<title>Cleanth Brooks</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Cleanth_Brooks&amp;diff=14912"/>
		<updated>2014-04-22T22:18:55Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Cleanth Brooks&amp;#039;&amp;#039;&amp;#039; (1906-1994) was an influential American literary critic. He was known for being amongst the New Critics of the mid-twentieth century. Books written by Bro...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Cleanth Brooks&#039;&#039;&#039; (1906-1994) was an influential American literary critic. He was known for being amongst the New Critics of the mid-twentieth century. Books written by Brooks included The Well-Wrought Urn (1947) and Modern Poetry and the Tradition (1939).&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.biographybase.com/biography/Brooks_Cleanth.html Biography Base]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14911</id>
		<title>T. S. Eliot</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14911"/>
		<updated>2014-04-22T22:02:40Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Thomas Stearns Eliot&#039;&#039;&#039; (1888-1965) was born in St. Louis, Missouri, to an old New England family. He was graduated at Harvard. T.S. Eliot did graduate work in philosophy at the Sorbonne, Harvard, and also Merton College, Oxford. T.S. Eliot has been considered one of the most courageous innovators of twentieth-century poetry.&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.nobelprize.org/nobel_prizes/literature/laureates/1948/eliot-bio.html www.nobelprize.org]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=I._A._Richards&amp;diff=14910</id>
		<title>I. A. Richards</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=I._A._Richards&amp;diff=14910"/>
		<updated>2014-04-22T22:02:05Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Ivor Armstrong Richards&#039;&#039;&#039;(I.A. Richards) was born Feb. 26, 1893, Sandbach, Cheshire, Eng. and died Sept. 7, 1979, Cambridge, Cambridgeshire. Richards was a English critic, poet, and teacher. He was highly influential in developing a new way of reading poetry that led to the New Criticism. This also influenced some forms of reader-response criticism.&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.britannica.com/EBchecked/topic/502600/IA-Richards Britannica]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=I._A._Richards&amp;diff=14909</id>
		<title>I. A. Richards</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=I._A._Richards&amp;diff=14909"/>
		<updated>2014-04-22T21:59:50Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Ivor Armstrong Richards&amp;#039;&amp;#039;&amp;#039;(I.A. Richards) was born Feb. 26, 1893, Sandbach, Cheshire, Eng. and died Sept. 7, 1979, Cambridge, Cambridgeshire. Richards was a English critic,...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Ivor Armstrong Richards&#039;&#039;&#039;(I.A. Richards) was born Feb. 26, 1893, Sandbach, Cheshire, Eng. and died Sept. 7, 1979, Cambridge, Cambridgeshire. Richards was a English critic, poet, and teacher. He was highly influential in developing a new way of reading poetry that led to the New Criticism. This also influenced some forms of reader-response criticism.&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.britannica.com/EBchecked/topic/502600/IA-Richards]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14908</id>
		<title>T. S. Eliot</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14908"/>
		<updated>2014-04-22T21:55:50Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Thomas Stearns Eliot&#039;&#039;&#039; (1888-1965) was born in St. Louis, Missouri, to an old New England family. He was graduated at Harvard. T.S. Eliot did graduate work in philosophy at the Sorbonne, Harvard, and also Merton College, Oxford. T.S. Eliot has been considered one of the most courageous innovators of twentieth-century poetry.&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.nobelprize.org/nobel_prizes/literature/laureates/1948/eliot-bio.html]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14907</id>
		<title>T. S. Eliot</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=T._S._Eliot&amp;diff=14907"/>
		<updated>2014-04-22T21:54:06Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Thomas Stearns Eliot&amp;#039;&amp;#039;&amp;#039; (1888-1965) was born in St. Louis, Missouri, to an old New England family. He was graduated at Harvard. T.S. Eliot did graduate work in philosophy a...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Thomas Stearns Eliot&#039;&#039;&#039; (1888-1965) was born in St. Louis, Missouri, to an old New England family. He was graduated at Harvard. T.S. Eliot did graduate work in philosophy at the Sorbonne, Harvard, and also Merton College, Oxford.&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.nobelprize.org/nobel_prizes/literature/laureates/1948/eliot-bio.html]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14906</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14906"/>
		<updated>2014-04-22T21:50:18Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* Types of Literary Theory */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]] &lt;br /&gt;
*[[Murray Krieger]]&lt;br /&gt;
*[[John Crowe Ransom]]&lt;br /&gt;
*[[Allen Tate]]&lt;br /&gt;
*[[F. R. Leavis]] &lt;br /&gt;
*[[Robert Penn Warren]]&lt;br /&gt;
*[[W. K. Wimsatt]]&lt;br /&gt;
*[[R. P. Blackmur]]&lt;br /&gt;
*[[Rene Wellek]]&lt;br /&gt;
*[[Ausin Warren]]&lt;br /&gt;
*[[Ivor Winters]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14905</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14905"/>
		<updated>2014-04-22T21:49:28Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]] &lt;br /&gt;
*[[Murray Krieger]]&lt;br /&gt;
*[[John Crowe Ransom]]&lt;br /&gt;
*[[Allen Tate]]&lt;br /&gt;
*[[F. R. Leavis]] &lt;br /&gt;
*[[Robert Penn Warren]]&lt;br /&gt;
*[[W. K. Wimsatt]]&lt;br /&gt;
*[[R. P. Blackmur]]&lt;br /&gt;
*[[Rene Wellek]]&lt;br /&gt;
*[[Ausin Warren]]&lt;br /&gt;
*[[Ivor Winters]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14904</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14904"/>
		<updated>2014-04-22T21:47:26Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]] &lt;br /&gt;
*[[Murray Krieger]]&lt;br /&gt;
*[[John Crowe Ransom]]&lt;br /&gt;
*[[Allen Tate]]&lt;br /&gt;
*[[F. R. Leavis]] &lt;br /&gt;
*[[Robert Penn Warren]]&lt;br /&gt;
*[[W. K. Wimsatt]]&lt;br /&gt;
*[[R. P. Blackmur]]&lt;br /&gt;
*[[Rene Wellek]]&lt;br /&gt;
*[[Ausin Warren]]&lt;br /&gt;
*[[Ivor Winters]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&#039;Introduction to Modern Literary Theory&#039; by Dr. Kristi Siegel.&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14903</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14903"/>
		<updated>2014-04-22T21:46:11Z</updated>

		<summary type="html">&lt;p&gt;EnigmaTowles: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]] &lt;br /&gt;
*[[Murray Krieger]]&lt;br /&gt;
*[[John Crowe Ransom]]&lt;br /&gt;
*[[Allen Tate]]&lt;br /&gt;
*[[F. R. Leavis]] &lt;br /&gt;
*[[Robert Penn Warren]]&lt;br /&gt;
*[[W. K. Wimsatt]]&lt;br /&gt;
*[[R. P. Blackmur]]&lt;br /&gt;
*[[Rene Wellek]]&lt;br /&gt;
*[[Ausin Warren]]&lt;br /&gt;
*[[Ivor Winters]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel.&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>EnigmaTowles</name></author>
	</entry>
</feed>