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		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14939</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14939"/>
		<updated>2014-04-23T14:28:27Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae.&amp;lt;ref name=Ref10/&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth Authors:&lt;br /&gt;
*[[C.G. Jung]]&lt;br /&gt;
*[[Joseph Campbell]]&lt;br /&gt;
*[[Robert Graves]]&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
===Formalist Criticism===&lt;br /&gt;
&lt;br /&gt;
Formalist criticism is an approach that emphasizes literary form and and studies the structural purposes or literary devices of a text. Formalism seeks to study literature on a scientific base using objective analysis from the motifs, devices, techniques, and other functions. The literariness of the text served the Formalists the most importance. It was what they considered to separate their literary aspects from all other types of writing. They cared most that their narrative had meaning and displayed the &amp;quot;hero function.&amp;quot; &lt;br /&gt;
&amp;lt;ref name=Ref11/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Civic Criticism===&lt;br /&gt;
&lt;br /&gt;
Civic Criticism looks into the social and political ideas and attitudes of literature. Those factors are determined whether it is progressive or not.&amp;lt;ref name=Ref12/&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
===Modernism/ Post-Modernism===&lt;br /&gt;
&lt;br /&gt;
Modernism is the rejection of traditional forms of literature. It turns the work into a new experimental form. Modernism writing usually consists of several allusions. Modernism tends to focus around enlightenment ideas&amp;lt;ref name=Ref5/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Post-Modernism follows the same suit as modernism, but with a twist. It forms a new framework. Post-Modernism tends to consist of free-play and disclosure. Theorist, Ihab Hassan, created a list of to show some difference between the two.&amp;lt;ref name=Ref10/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;table style=&amp;quot;width:300px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;&#039;&#039;&#039;Modernism&#039;&#039;&#039;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;&#039;&#039;&#039;Post-Modernism&#039;&#039;&#039;&amp;lt;/td&amp;gt;		&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Purpose&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Play&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Design&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Chance&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Hierarchy&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Anarchy&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Totalization&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Deconstruction&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Presence&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Absence&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Root/Depth&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Rhizome/Surface&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref11&amp;gt;&amp;quot;Internet Encyclopedia of Philosophy&amp;quot; by Vince Brewton, &lt;br /&gt;
&amp;lt;http://www.iep.utm.edu/literary/#H3&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt; &lt;br /&gt;
*&amp;lt;ref name=Ref12&amp;gt;Cuddon, J. A. (2013). &amp;quot;Dictionary of Literary Terms and Literary Theory.&amp;quot;&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14938</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14938"/>
		<updated>2014-04-23T14:27:51Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth critics, such as C.G. Jung and Joseph Campbell, view the genres and individual plot patterns of literature, including highly sophisticated and realistic works, as recurrences of certain archetypes and essential mythic formulae.&amp;lt;ref name=Ref10/&amp;gt; Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence.&lt;br /&gt;
&lt;br /&gt;
Archetypal/Myth Authors:&lt;br /&gt;
*[[C.G. Jung]]&lt;br /&gt;
*[[Joseph Campbell]]&lt;br /&gt;
*[[Robert Graves]]&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt; The notions of Marxism places emphasis on the convergence between the dominant and repressed classes. Also, Marxism encourages art to imitate what is often termed an &amp;quot;objective&amp;quot; reality. Contemporary Marxism is more general in its desired goal and views art as simultaneously reflective and autonomous to the era in which it was produced.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Karl Marx]]&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
===New Criticism===&lt;br /&gt;
&lt;br /&gt;
New Criticism is a literary movement beginning in he late 1920&#039;s and 1930&#039;s. This movement derived from the reaction to traditional criticism that new critics believe were considered highly important, such as the biography or psychology of the author or the work&#039;s relations to the history of literature. The notion of New Criticism is that a work of literary art should be considered autonomous so that it is not judged, or stereotyped, by reference to considerations beyond the work.&amp;lt;ref name=Ref10/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Major New Criticism Figures:&lt;br /&gt;
*[[I. A. Richards]]&lt;br /&gt;
*[[T. S. Eliot]]&lt;br /&gt;
*[[Cleanth Brooks]] &lt;br /&gt;
*[[David Daiches]] &lt;br /&gt;
*[[William Empson]]&lt;br /&gt;
&lt;br /&gt;
===Formalist Criticism===&lt;br /&gt;
&lt;br /&gt;
Formalist criticism is an approach that emphasizes literary form and and studies the structural purposes or literary devices of a text. Formalism seeks to study literature on a scientific base using objective analysis from the motifs, devices, techniques, and other functions. The literariness of the text served the Formalists the most importance. It was what they considered to separate their literary aspects from all other types of writing. They cared most that their narrative had meaning and displayed the &amp;quot;hero function.&amp;quot; &lt;br /&gt;
&amp;lt;ref name=Ref11/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Civic Criticism===&lt;br /&gt;
&lt;br /&gt;
Civic Criticism looks into the social and political ideas and attitudes of literature. Those factors are determined whether it is progressive or not.&amp;lt;ref name=Ref12/&amp;gt;  &lt;br /&gt;
&lt;br /&gt;
===Modernism/ Post-Modernism===&lt;br /&gt;
&lt;br /&gt;
Modernism is the rejection of traditional forms of literature. It turns the work into a new experimental form. Modernism writing usually consists of several allusions. Modernism tends to focus around enlightenment ideas&amp;lt;ref name=Ref5/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Post-Modernism follows the same suit as modernism, but with a twist. It forms a new framework. Post-Modernism tends to consist of free-play and disclosure. Theorist, Ihab Hassan, created a list of to show some difference between the two.&amp;lt;ref name=Ref10/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;table style=&amp;quot;width:300px&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;&#039;&#039;&#039;Modernism&#039;&#039;&#039;&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;&#039;&#039;&#039;Post-Modernism&#039;&#039;&#039;&amp;lt;/td&amp;gt;		&lt;br /&gt;
  &amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Purpose&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Play&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Design&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Chance&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Hierarchy&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Anarchy&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Totalization&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Deconstruction&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Presence&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Absence&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;tr&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Root/Depth&amp;lt;/td&amp;gt;&lt;br /&gt;
  &amp;lt;td&amp;gt;Rhizome/Surface&amp;lt;/td&amp;gt;		&lt;br /&gt;
&amp;lt;/tr&amp;gt;&lt;br /&gt;
&amp;lt;/table&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref10&amp;gt;&amp;quot;Introduction to Modern Literary Theory&amp;quot; by Dr. Kristi Siegel,&lt;br /&gt;
&amp;lt;http://www.kristisiegel.com/theory.htm&amp;gt;, accessed 22 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref11&amp;gt;&amp;quot;Internet Encyclopedia of Philosophy&amp;quot; by Vince Brewton, &lt;br /&gt;
&amp;lt;http://www.iep.utm.edu/literary/#H3&amp;gt;, accessed 22 April 2014&lt;br /&gt;
*&amp;lt;ref name=Ref12&amp;gt;Cuddon, J. A. (2013). &amp;quot;Dictionary of Literary Terms and Literary Theory.&amp;quot; &amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14890</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14890"/>
		<updated>2014-04-22T17:05:00Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Georg_Luk%C3%A1cs&amp;diff=14889</id>
		<title>Georg Lukács</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Georg_Luk%C3%A1cs&amp;diff=14889"/>
		<updated>2014-04-22T16:53:29Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Georg Lukács was born in 1885. He was seen as the founder of &amp;quot;Western Marxism.&amp;quot; Lukács was known for his philosophy and theories in Marxism.  &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[http://plato.stanford.edu/entries/lukacs/ plato.stanford.edu]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Georg_Luk%C3%A1cs&amp;diff=14888</id>
		<title>Georg Lukács</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Georg_Luk%C3%A1cs&amp;diff=14888"/>
		<updated>2014-04-22T16:53:11Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Georg Lukács was born in 1885. He was seen as the found of &amp;quot;western Marxism.&amp;quot; Lukács was known for his philosophy and theories in Marxism.    ==References==  [http://plato.s...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Georg Lukács was born in 1885. He was seen as the found of &amp;quot;western Marxism.&amp;quot; Lukács was known for his philosophy and theories in Marxism.  &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[http://plato.stanford.edu/entries/lukacs/ plato.stanford.edu]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Leon_Trotsky&amp;diff=14887</id>
		<title>Leon Trotsky</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Leon_Trotsky&amp;diff=14887"/>
		<updated>2014-04-22T16:50:04Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: /* References */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Leon Trotsky was born in 1879. He was a communist theorist and a prolific write. Trotsky was also a leader in the 1917 Russian revolution. At the age of 17, He became about of Marxism. Trotsky became consumed with the culture by reading illegal pamphlets and books. &lt;br /&gt;
&lt;br /&gt;
==References== &lt;br /&gt;
[http://history1900s.about.com/od/people/p/trotsky.htm history1900.about.com]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Leon_Trotsky&amp;diff=14886</id>
		<title>Leon Trotsky</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Leon_Trotsky&amp;diff=14886"/>
		<updated>2014-04-22T16:49:40Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Leon Trotsky was born in 1879. He was a communist theorist and a prolific write. Trotsky was also a leader in the 1917 Russian revolution. At the age of 17, He became about of...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Leon Trotsky was born in 1879. He was a communist theorist and a prolific write. Trotsky was also a leader in the 1917 Russian revolution. At the age of 17, He became about of Marxism. Trotsky became consumed with the culture by reading illegal pamphlets and books. &lt;br /&gt;
&lt;br /&gt;
==References== &lt;br /&gt;
[http://history1900s.about.com/od/people/p/trotsky.htm]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14885</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14885"/>
		<updated>2014-04-22T16:44:22Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*[[Leon Trotsky]]&lt;br /&gt;
*[[Georg Lukács]]&lt;br /&gt;
*[[Walter Benjamin]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14884</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14884"/>
		<updated>2014-04-22T16:38:39Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.&amp;lt;ref name=Ref9/&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*Leon Trotsky&lt;br /&gt;
*Georg Lukács &lt;br /&gt;
*Walter Benjamin&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14883</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14883"/>
		<updated>2014-04-22T16:37:52Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.*&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*Leon Trotsky&lt;br /&gt;
*Georg Lukács &lt;br /&gt;
*Walter Benjamin&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref9&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. &amp;quot;Marxist Criticism (1930s-present).&amp;quot;&amp;lt;https://owl.english.purdue.edu/owl/resource/722/05/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14882</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14882"/>
		<updated>2014-04-22T16:36:08Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
===Marxist Criticism===&lt;br /&gt;
&lt;br /&gt;
In literature, Marxist criticism focuses on money and power.&amp;lt;ref name=Ref8/&amp;gt; It was founded on the ideals of Karl Marx and Friedrich Engels. The story lines are usually affected or influenced by the economy or social classes. This criticism usually exposes the way a socioeconomic system is the ultimate source of our experience.*&amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Marxist Authors:&lt;br /&gt;
*Leon Trotsky&lt;br /&gt;
*Georg Lukács &lt;br /&gt;
*Walter Benjamin&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref8&amp;gt;&#039;Literary Theories: A Sampling of Critical Lenses.&#039;&lt;br /&gt;
&amp;lt;http://www.mpsaz.org/rmhs/staff/rkcupryk/aa_jr/files/microsoft_word_-_literary_theories.pdf&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Elaine_Showalter&amp;diff=14881</id>
		<title>Elaine Showalter</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Elaine_Showalter&amp;diff=14881"/>
		<updated>2014-04-22T16:30:17Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Elaine Showalter was born in 1941. She is a feminist writer. Her works consist of cultural and social issues. Showalter believes there are three phases of feminism; women writ...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Elaine Showalter was born in 1941. She is a feminist writer. Her works consist of cultural and social issues. Showalter believes there are three phases of feminism; women writers frighten men, women fight for rights, and focus is now on women&#039;s text versus men&#039;s text. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[http://global.oup.com/us/companion.websites/9780195394726/student/chapter8/overview/ global.oup.com]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14880</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14880"/>
		<updated>2014-04-22T16:22:20Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14879</id>
		<title>Julia Kristeva</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14879"/>
		<updated>2014-04-22T16:22:04Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Julia Kristeva was born in 1941 in Bulgaria. She is known for her work in feminism. Kristeva believes real feminism will only come when the link between maternity and female creation are understood. Although Julia Kristeva is a huge part of feminism theory, she does not recognize herself as one. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.cddc.vt.edu/feminism/kristeva.html www.cddc.vt.edu]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14878</id>
		<title>Julia Kristeva</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Julia_Kristeva&amp;diff=14878"/>
		<updated>2014-04-22T16:21:55Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Julia Kristeva was born in 1941 in Bulgaria. She is known for her work in feminism. Kristeva believes real feminism will only come when the link between maternity and female c...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Julia Kristeva was born in 1941 in Bulgaria. She is known for her work in feminism. Kristeva believes real feminism will only come when the link between maternity and female creation are understood. Although Julia Kristeva is a huge part of feminism theory, she does not recognize herself as one. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[[http://www.cddc.vt.edu/feminism/kristeva.html www.cddc.vt.edu]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14877</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14877"/>
		<updated>2014-04-22T15:56:52Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Simone de Beauvoir]] &lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Mary_Wollstonecraft&amp;diff=14876</id>
		<title>Mary Wollstonecraft</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Mary_Wollstonecraft&amp;diff=14876"/>
		<updated>2014-04-22T15:55:53Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Mary Wollstonecraft was born in 1759. She was known as a moral and political theorist. She wrote on a wide variety of topics such as; politics, history, and different aspects...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Mary Wollstonecraft was born in 1759. She was known as a moral and political theorist. She wrote on a wide variety of topics such as; politics, history, and different aspects of philosophy. In 1792, Wollstonecraft blossomed into the feminism literary genre.  &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[http://plato.stanford.edu/entries/wollstonecraft/ plato.stanford.edu]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14873</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14873"/>
		<updated>2014-04-22T15:48:50Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft]]&lt;br /&gt;
*[[Simone de Beauvoir]] &lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14872</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14872"/>
		<updated>2014-04-22T15:48:41Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[[Mary Wollstonecraft] ]&lt;br /&gt;
*[[Simone de Beauvoir]] &lt;br /&gt;
*[[Julia Kristeva]] &lt;br /&gt;
*[[Elaine Showalter]] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14871</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14871"/>
		<updated>2014-04-22T15:48:19Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*[Mary Wollstonecraft ]&lt;br /&gt;
*[Simone de Beauvoir] &lt;br /&gt;
*[Julia Kristeva] &lt;br /&gt;
*[Elaine Showalter] &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14870</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14870"/>
		<updated>2014-04-22T15:47:18Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males.&amp;lt;ref name=Ref6/&amp;gt; When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature.&amp;lt;ref name=Ref7/&amp;gt; Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*Mary Wollstonecraft &lt;br /&gt;
*Simone de Beauvoir &lt;br /&gt;
*Julia Kristeva &lt;br /&gt;
*Elaine Showalter &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref7&amp;gt;Allen Brizee, J. Case Tompkins . 2010-04-21. Feminist Criticism (1960s-present).&amp;lt;https://owl.english.purdue.edu/owl/resource/722/11/&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14869</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14869"/>
		<updated>2014-04-22T15:41:37Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males. When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature. Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*Mary Wollstonecraft &lt;br /&gt;
*Simone de Beauvoir &lt;br /&gt;
*Julia Kristeva &lt;br /&gt;
*Elaine Showalter &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref6&amp;gt;Napikoski, Linda. Feminist Literary Crticism.  &amp;lt;http://womenshistory.about.com/od/feminism/a/feminist_criticism.htm&amp;gt;, accessed 21 April 2014&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14868</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14868"/>
		<updated>2014-04-22T15:37:43Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Types of Literary Theory==&lt;br /&gt;
&lt;br /&gt;
=== Archetypal/Myth Criticism ===&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Psychoanalytic Criticism===&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind; which consists of desires,  fears, enjoyments or anything that causes human to be driven without knowledge of their actions. Psychoanalytic method was originally constructed by Sigmund Freud when he was studying patients in an asylum. &lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Holland says, the psychoanalytic literary critic&#039;s primary job is to foreground that psychological element in what he or she says about books. In other words, the psychoanalytic critics should be interpreting their own, if you will, counter-transference to the text or whatever else they are describing.&amp;lt;ref name=Ref4/&amp;gt; &lt;br /&gt;
&lt;br /&gt;
For example if the literary critic wants to apply the psychoanalytic approach to a specific piece of work or literature, the theory is applied directly with the following the concepts:&amp;lt;ref name=Ref5/&amp;gt;&lt;br /&gt;
&amp;lt;ol&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt;Consider the author’s personality to explain and interpret a text&lt;br /&gt;
&amp;lt;li&amp;gt;What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)?&lt;br /&gt;
&amp;lt;li&amp;gt;What repressed material is expressed in imagery or symbols?&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The literary critic will then be able to exhibit to the reader the images that are needed to properly interpret and grasp the message of the writer.&lt;br /&gt;
&lt;br /&gt;
===Feminist Criticism===&lt;br /&gt;
&lt;br /&gt;
Feminist Criticism is the analysis of the thoughts on feminism, feminist theory, or feminist politics. Authors use this to change the way literature portrays woman characters. Feminist theory has raised questions towards society. It asks if the world values male characters over females or if they feel that females are not as strong as males. When feminist criticism began is focused on politics of women authorship and the representation of woman’s conditions in literature. Currently, feminist criticism focuses on certain aspects of society with women; such as education, politics, and the work force. &amp;lt;br /&amp;gt;&amp;lt;br/&amp;gt;&lt;br /&gt;
Feminist Writers:&lt;br /&gt;
*Mary Wollstonecraft &lt;br /&gt;
*Simone de Beauvoir &lt;br /&gt;
*Julia Kristeva &lt;br /&gt;
*Elaine Showalter &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;&amp;quot;Modules on Freud: On Psychosexual Development.&amp;quot; by Felluga. Dino.&#039;&#039;Introductory Guide to Critical Theory&#039;&#039;.&amp;lt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;gt;. July 12, 2002. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;The Mind and the Book: A Long Look at Psychoanalytic Literary Criticism by N Holland, Norman. &#039;&#039;University of Florida&#039;&#039;, &amp;lt;http://www.clas.ufl.edu/users/nholland/mindbook.htm&amp;gt;.1998. accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref5&amp;gt;&#039;&#039;Literary Theories: A Sampling of Lenses&#039;&#039; by Daniel Mesick.&#039;&#039;Como Park Senior High School&#039;&#039;, &amp;lt;http://comosr.spps.org/lit_theory&amp;gt;, accessed 21 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14854</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14854"/>
		<updated>2014-04-21T17:17:07Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Types of Literary Theory&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
There are different types of literary theories, which can also be defined by literary criticisms. Here are some examples:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Archetypal/Myth Criticism ==&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Psychoanalytic Criticism==&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind. Originally constructed by Sigmund Freud when he was studying patients in an asylum, &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref3/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Literary_theory&amp;diff=14853</id>
		<title>Literary theory</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Literary_theory&amp;diff=14853"/>
		<updated>2014-04-21T17:11:11Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[Team 2 is working on this page for this week&#039;s WritDM Assignment!]&lt;br /&gt;
&lt;br /&gt;
==Introduction==&lt;br /&gt;
&lt;br /&gt;
According to the Collins English Dictionary, literary theory is defined as &amp;quot;the systematic analysis and study of [[literature]] using general principles&amp;quot;. A common misconception about literary theory is that it is focused on the meaning of a work of literature, whereas the actual study involves the tools by which people attempt to understand literature. &amp;lt;ref name=Ref1/&amp;gt; With different schools of theory critics of different literary works can focus on those works through different aspects they consider the most important(for example a Marxist theory may focus on how [[character|characters]] in a story react to an economic situation). &amp;lt;ref name=Ref2/&amp;gt; Critics use more than one school of literary theory when analyzing a work.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Types of Literary Theory&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
There are different types of literary theories, which can also be defined by literary criticisms. Here are some examples:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Archetypal/Myth Criticism ==&lt;br /&gt;
&lt;br /&gt;
C.G Jung and Joseph Campbell viewed the genres and plot patterns of literature as archetypes and mythic formulas. Archetypes are &amp;quot;repeated types of  experience in lives of ancient ancestors which inherited the collective unconscious of the human race and are expressed in myths, dreams, religion, and private fantasies, also in the work of literature.&amp;quot; - C.G. Jung &lt;br /&gt;
&lt;br /&gt;
Examples of Archetypes: the sun, the moon, circles, colors, Wise Old Man, the Great Mother, etc. Another archetype would be the color white, signifies death and is associated with innocence. &lt;br /&gt;
&amp;lt;ref name=Ref3/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Psychoanalytic Criticism==&lt;br /&gt;
Psychoanalytic criticism, is one of the initial approaches within the school of literary criticism. This concept is used by critics to analyze the unconsciousness of the mind. Originally constructed by Sigmund Freud when he was studying patients in an asylum, &#039;&#039;Introductory Guide to Critical Theory&#039;&#039; says, Freud began his researches into the workings of the human mind in 1881, after a century during which Europe and America saw the reform of the insane asylum and an ever-increasing interest in &amp;quot;abnormal&amp;quot; psychological states, especially the issue of &amp;quot;nervous diseases&amp;quot; (which was the first phenomenon that Freud studied, examining the nervous system of fish while gaining his medical degree at the University of Vienna from 1873 to 1881).&amp;lt;ref name=Ref4/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref1&amp;gt;“Literary Theory” by Vince Brewton, &#039;&#039;The Internet Encyclopedia of Philosophy&#039;&#039;, ISSN 2161-0002, &amp;lt;http://www.iep.utm.edu/literary/&amp;gt;, accessed 16 April 2014 &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref2&amp;gt;&amp;quot;Literary Theory and Schools of Criticism&amp;quot; by Allen Brizee, J. Case Tompkins. &#039;&#039;Purdue OWL&#039;&#039;, &amp;lt;https://owl.english.purdue.edu/owl/owlprint/722/&amp;gt;. &amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref3&amp;gt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Ref4&amp;gt;http://www.cla.purdue.edu/english/theory/psychoanalysis/freud.html&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External Links==&lt;br /&gt;
* http://www.collinsdictionary.com/dictionary/english/literary-theory - The Collins English Dictionary&#039;s definition page for Literary Theory.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14847</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14847"/>
		<updated>2014-04-21T14:12:11Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. The root words are, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings.&amp;lt;ref name=Foot03/&amp;gt; The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience.&amp;lt;ref name=Foot04/&amp;gt;  This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&lt;br /&gt;
===Literature===&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri.&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith.&amp;lt;ref name=Foot07/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost.&amp;lt;ref name=Foot08/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Everyday Life===&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot07&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot08&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14845</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14845"/>
		<updated>2014-04-21T14:06:54Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. The root words are, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&lt;br /&gt;
===Literature===&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri.&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith.&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost.&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Everyday Life===&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot07&amp;gt;Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot08&amp;gt;Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14842</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14842"/>
		<updated>2014-04-21T13:55:22Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. The root words are, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14841</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14841"/>
		<updated>2014-04-21T13:54:55Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. The root words are, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14840</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14840"/>
		<updated>2014-04-21T13:53:21Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. The root words are, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
=== Functions  of Synesthesia ===&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Examples of Synesthesia===&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14839</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14839"/>
		<updated>2014-04-21T13:52:32Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Synesthesia or synaesthesia originates from the [https://en.wikipedia.org/wiki/Greek_language Greek] language. Root words, &#039;&#039;syn&#039;&#039;, meaning union, and &#039;&#039;aesthesis&#039;&#039;, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. It means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one.&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
=== Functions  of Synesthesia ===&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Examples of Synesthesia===&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Poetry&amp;diff=14729</id>
		<title>Poetry</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Poetry&amp;diff=14729"/>
		<updated>2014-04-18T03:21:28Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;According to Merriam-Webster dictionary, poetry is &amp;quot;writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a spec...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;According to Merriam-Webster dictionary, poetry is &amp;quot;writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through its meaning, sound, and rhythm.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.merriam-webster.com/dictionary/poetry Merriam-Webster dictionary]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14728</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14728"/>
		<updated>2014-04-18T03:19:01Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;quot;&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [[ poetry]]. In Poetry it means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
=== Functions  of Synesthesia ===&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Examples of Synesthesia===&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14727</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14727"/>
		<updated>2014-04-18T03:15:42Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;quot;&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
=== Functions  of Synesthesia ===&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Examples of Synesthesia===&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Literary Terms]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14726</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14726"/>
		<updated>2014-04-18T03:14:11Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;quot;&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
=== Functions  of Synesthesia ===&lt;br /&gt;
----&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Examples of Synesthesia===&lt;br /&gt;
----&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Notes ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14725</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14725"/>
		<updated>2014-04-18T03:10:19Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;quot;&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means &amp;quot;the concurrent response of two or more of the senses to the stimulation of one&amp;quot;&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It allows writing to provide more feelings. The term provides description and an extra boost of creativity. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=George_Meredith&amp;diff=14723</id>
		<title>George Meredith</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=George_Meredith&amp;diff=14723"/>
		<updated>2014-04-18T03:05:07Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;George Meredith was born in 1838 in Portsmouth, England. He was a Victorian novelist. Along with novels, Meredith also wrote poetry. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[http://www.poetryfoundation.org/bio/george-meredith Poetry Foundation]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=George_Meredith&amp;diff=14722</id>
		<title>George Meredith</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=George_Meredith&amp;diff=14722"/>
		<updated>2014-04-18T03:04:55Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;George Meredith was born in 1838 in Portsmouth, England. He was a Victorian novelist. Along with novels, Meredith also wrote poetry.   ==References==  http://www.poetryfound...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;George Meredith was born in 1838 in Portsmouth, England. He was a Victorian novelist. Along with novels, Meredith also wrote poetry. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&lt;br /&gt;
[[http://www.poetryfoundation.org/bio/george-meredith Poetry Foundation]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14721</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14721"/>
		<updated>2014-04-18T03:02:23Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [[George Meredith]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14720</id>
		<title>Dante Alighieri</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14720"/>
		<updated>2014-04-18T03:01:52Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dante Alighieri was born in 1265. He was born in Florence, Italy. He was a philosopher and a poet.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
[http://www.online-literature.com/dante/ Online-literature]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14719</id>
		<title>Dante Alighieri</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14719"/>
		<updated>2014-04-18T03:01:33Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dante Alighieri was born in 1265. He was born in Florence, Italy. He was a philosopher and a poet.&lt;br /&gt;
&lt;br /&gt;
[[http://www.online-literature.com/dante/ Online-literature]]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14718</id>
		<title>Dante Alighieri</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Dante_Alighieri&amp;diff=14718"/>
		<updated>2014-04-18T03:00:13Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Dante Alighieri was born in 1265. He was born in Florence, Italy. He was a philosopher and a poet.&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Dante Alighieri was born in 1265. He was born in Florence, Italy. He was a philosopher and a poet.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14717</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14717"/>
		<updated>2014-04-18T02:56:47Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Dante Alighieri]], [https://en.wikipedia.org/wiki/George_Meredith George Meredith].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14716</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14716"/>
		<updated>2014-04-18T02:55:47Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [ Dante Alighieri], [https://en.wikipedia.org/wiki/George_Meredith George Meredith].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14715</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14715"/>
		<updated>2014-04-18T02:54:31Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Emily Dickinson]], [[Vladimir Nabokov]], [https://en.wikipedia.org/wiki/Dante_Alighieri Dante Alighieri], [https://en.wikipedia.org/wiki/George_Meredith George Meredith].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14714</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14714"/>
		<updated>2014-04-18T02:51:37Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Emily Dickinson]], [[Vladimir Nabokov]], [https://en.wikipedia.org/wiki/Dante_Alighieri Dante Alighieri], [https://en.wikipedia.org/wiki/George_Meredith George Meredith], [https://en.wikipedia.org/wiki/William_Shakespeare William Shakespeare], and [https://en.wikipedia.org/wiki/John_Keats John Keats].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Robert_Frost&amp;diff=14713</id>
		<title>Robert Frost</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Robert_Frost&amp;diff=14713"/>
		<updated>2014-04-18T02:51:06Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Robert Frost is a nineteenth-century poet from San Francisco, California. His first poem, &amp;quot;[[My Butterfly: An Elegy]]&amp;quot;, was published in 1894. After several successful years in America, Robert Frost moved to England. In 1913, &amp;quot;A Boy&#039;s Will&amp;quot; was published. In 1915, Frost returned to America. Throughout his career, Frost received four Pulitzer Prizes.&lt;br /&gt;
&lt;br /&gt;
==References== &lt;br /&gt;
[http://www.internal.org/Robert_Frost www.internal.org]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=My_Butterfly:_An_Elegy&amp;diff=14712</id>
		<title>My Butterfly: An Elegy</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=My_Butterfly:_An_Elegy&amp;diff=14712"/>
		<updated>2014-04-18T02:49:44Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;My Butterfly  by Robert Frost    Thine emulous fond flowers are dead, too, And the daft sun-assaulter, he That frighted thee so oft, is fled or dead: Save only me (Nor is it s...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;My Butterfly&lt;br /&gt;
&lt;br /&gt;
by Robert Frost&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Thine emulous fond flowers are dead, too,&lt;br /&gt;
And the daft sun-assaulter, he&lt;br /&gt;
That frighted thee so oft, is fled or dead:&lt;br /&gt;
Save only me&lt;br /&gt;
(Nor is it sad to thee!)&lt;br /&gt;
Save only me&lt;br /&gt;
There is none left to mourn thee in the fields.&lt;br /&gt;
&lt;br /&gt;
The gray grass is not dappled with the snow;&lt;br /&gt;
Its two banks have not shut upon the river;&lt;br /&gt;
But it is long ago--&lt;br /&gt;
It seems forever--&lt;br /&gt;
Since first I saw thee glance,&lt;br /&gt;
With all the dazzling other ones,&lt;br /&gt;
In airy dalliance,&lt;br /&gt;
Precipitate in love,&lt;br /&gt;
Tossed, tangled, whirled and whirled above,&lt;br /&gt;
Like a limp rose-wreath in a fairy dance.&lt;br /&gt;
&lt;br /&gt;
When that was, the soft mist&lt;br /&gt;
Of my regret hung not on all the land,&lt;br /&gt;
And I was glad for thee,&lt;br /&gt;
And glad for me, I wist.&lt;br /&gt;
&lt;br /&gt;
Thou didst not know, who tottered, wandering on high,&lt;br /&gt;
That fate had made thee for the pleasure of the wind,&lt;br /&gt;
With those great careless wings,&lt;br /&gt;
Nor yet did I.&lt;br /&gt;
&lt;br /&gt;
And there were other things:&lt;br /&gt;
It seemed God let thee flutter from his gentle clasp:&lt;br /&gt;
Then fearful he had let thee win&lt;br /&gt;
Too far beyond him to be gathered in,&lt;br /&gt;
Snatched thee, o&#039;er eager, with ungentle grasp.&lt;br /&gt;
&lt;br /&gt;
Ah! I remember me&lt;br /&gt;
How once conspiracy was rife&lt;br /&gt;
Against my life--&lt;br /&gt;
The languor of it and the dreaming fond;&lt;br /&gt;
Surging, the grasses dizzied me of thought,&lt;br /&gt;
The breeze three odors brought,&lt;br /&gt;
And a gem-flower waved in a wand!&lt;br /&gt;
&lt;br /&gt;
Then when I was distraught&lt;br /&gt;
And could not speak,&lt;br /&gt;
Sidelong, full on my cheek,&lt;br /&gt;
What should that reckless zephyr fling&lt;br /&gt;
But the wild touch of thy dye-dusty wing!&lt;br /&gt;
&lt;br /&gt;
I found that wing broken to-day!&lt;br /&gt;
For thou are dead, I said,&lt;br /&gt;
And the strange birds say.&lt;br /&gt;
I found it with the withered leaves&lt;br /&gt;
Under the eaves.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Robert_Frost&amp;diff=14711</id>
		<title>Robert Frost</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Robert_Frost&amp;diff=14711"/>
		<updated>2014-04-18T02:49:14Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: Created page with &amp;quot;Robert Frost is a nineteenth-century poet from San Francisco, California. His first poem, &amp;quot;My Butterfly: An Elegy&amp;quot;, was published in 1894. After several successful years i...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Robert Frost is a nineteenth-century poet from San Francisco, California. His first poem, &amp;quot;[[My Butterfly: An Elegy]]&amp;quot;, was published in 1894. After several successful years in America, Robert Frost moved to England. In 1913, &amp;quot;A Boy&#039;s Will&amp;quot; was published. In 1915, Frost returned to America. Throughout his career, Frost received four Pulitzer Prizes.&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
	<entry>
		<id>https://litwiki.org/index.php?title=Synesthesia&amp;diff=14710</id>
		<title>Synesthesia</title>
		<link rel="alternate" type="text/html" href="https://litwiki.org/index.php?title=Synesthesia&amp;diff=14710"/>
		<updated>2014-04-18T02:40:50Z</updated>

		<summary type="html">&lt;p&gt;AJesmer91: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The word “synesthesia” or “synaesthesia,” has its origin in the [https://en.wikipedia.org/wiki/Greek_language Greek] roots, syn, meaning union, and aesthesis, meaning sensation: a union of the senses.&amp;lt;ref name=Foot01/&amp;gt; Synesthesia is usually used in [https://en.wikipedia.org/wiki/Poetry poetry]. In Poetry it means the concurrent response of two or more of the senses to the stimulation of one&amp;lt;ref name=Foot02/&amp;gt; . In simple terms synesthesia means the mixing of two or more senses at one time. Several authors use synethesia; such as [[Robert Frost]], [[Emily Dickinson]], [https://en.wikipedia.org/wiki/Vladimir_Nabokov Vladimir Nabokov], [https://en.wikipedia.org/wiki/Dante_Alighieri Dante Alighieri], [https://en.wikipedia.org/wiki/George_Meredith George Meredith], [https://en.wikipedia.org/wiki/William_Shakespeare William Shakespeare], and [https://en.wikipedia.org/wiki/John_Keats John Keats].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Functions  of Synesthesia ==&lt;br /&gt;
Synesthesia is used to give writing more meaning. It is to make the reader feel more than what is written on the page or screen. The term gives writers the extra boost of creativity and description. Synesthesia makes writing more interesting and appealing to an audience. This literary device can also be used to add confusion and excitement to writing.&amp;lt;ref name=Foot03/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Examples of Synesthesia==&lt;br /&gt;
&#039;&#039;&#039;Literature&#039;&#039;&#039;&lt;br /&gt;
* Back to the region where the sun is silent. -&#039;The Divine Comedy&#039; by Dante Alighieri&amp;lt;ref name=Foot04/&amp;gt;&lt;br /&gt;
* Drink the pale drug of silence - &#039;Modern Love: I&#039; by George Meredith&amp;lt;ref name=Foot05/&amp;gt;&lt;br /&gt;
*The butterfly and I had lit upon, Nevertheless, a message from the dawn, That made me hear the wakening birds around, And hear his long scythe whispering to the ground, &#039;The Tuft of Flowers&#039; By Robert Frost&amp;lt;ref name=Foot06/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Everyday Life&#039;&#039;&#039;&lt;br /&gt;
*Loud Shirt&lt;br /&gt;
*Cool Sweater&lt;br /&gt;
* Frozen Silence &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot01&amp;gt;Allen-Hermanson, Sean. Matey, Jennifer. [http://www.iep.utm.edu/synesthe/#H9 Synesthesia]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot02&amp;gt;Harmon, William. Holman, Hugh. “A Handbook to Literature.&amp;quot; Ninth Edition. (2002). Prentice Hall.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot03&amp;gt;Trent, Ann. What Is Synesthesia in Poetry? [http://classroom.synonym.com/synesthesia-poetry-1824.html classroom.synonym]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot04&amp;gt;Greggor, Chad. &#039;&#039;Examples of Synesthesia in Language and Literature.&#039;&#039; Retrieved 9 April 2014 from [http://suite.io/chad-greggor/4g3s25v suite]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot05&amp;gt;Meredith, George. &amp;quot;Modern Love: I&amp;quot;. &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*&amp;lt;ref name=Foot06&amp;gt;Frost, Robert. &amp;quot;The Tuft of Flowers&amp;quot; &#039;&#039;Poetry Foundation.&#039;&#039; Web. 9 April 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/references&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
*Bavota, C. Synesthesia.  [http://literarydevices.net/synesthesia/ Literary Devices]&lt;br /&gt;
*Bureman, Liz. &#039;&#039;Synesthesia In Literature: Definition and Examples&#039;&#039; Retrieved 9 April 2014 from [http://thewritepractice.com/synesthesia/ The Write Practice]&lt;/div&gt;</summary>
		<author><name>AJesmer91</name></author>
	</entry>
</feed>